This book brings together twenty-four original essays by colleagues, pupils and friends of Kerry Downes. The essays range from the late middle ages to the twentieth century but are concentrated on the period to the study of which Kerry Downes has contributed so much: that of Wren, Vanbrugh and Hawksmoor. Taken together these essays display the different approaches taken by architectural historians and the rich variety of English architecture.

Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.

- First monograph from the award-winning New York-based architectural firm- Foreword by the Pulitzer Prize-winning architectural critic Paul GoldbergerSkolnick Architecture + Design Partnership: Public/Private presents the first monograph from the award-winning New York-based architectural firm. Covering over 40 years of work, the book - presented in a unique double-sided, two-cover format - exhibits projects in both the public and private sectors. Included in the public section is a sprawling center for entrepreneurial education, a science center built in an old turbine hall, a sky-lit synagogue, two colorful and bright public libraries, and a children's museum inspired by Leonardo da Vinci. The private side features a serenely spatial six-story townhouse, a sublimely linear beach house, a residence and matching studios for two painters, and luxurious twin villas in Anguilla. With text by principal architect Lee Skolnick, and a foreword by Pulitzer Prize-winning architectural critic Paul Goldberger; each chapter provides valuable insight into the extensive planning and highly intellectual process that goes into each project. Skolnick Architecture + Design Partnership: Public/Private celebrates the accomplishments of a firm still operating at the top of their game.

The term 'Brutalism' is used to describe a form of architecture that appeared, mainly in Europe, from around 1945-75. Uncomprimisingly modern, this trend in architecture was both striking and arresting and, perhaps like no other style before or since, aroused extremes of emotion and debate. Some regarded Brutalist buildings as monstrous soulless structures of concrete, steel and glass, whereas others saw the genre as a logical progression, having its own grace and balance. In this revised second edition, Alexander Clement continues the debate of Brutalism in post-war Britain to the modern day, studying a number of key buildings and developments in the fields of civic, educational, commercial, leisure, private and ecclesiastical architecture. With new and improved illustrations, fresh case studies and profiles of the most influential architects, this new edition affords greater attention to iconic buildings and structures. Now that the age of Brutalism is a generation behind us, it is possible to view the movement with a degree of rational reappraisal, study how the style evolved and gauge its effect on Britain's urban landscape. This book will be of interest to architecture students, design students and anyone interested in post-war architecture. Fully illustrated with 160 colour and 4 black & white photographs.

In response to the contentious process surrounding the selection of a design for the World Trade Center site, the use of spectacular buildings to brand cities and institutions, and the dizzying transformations of the skylines of Shanghai and Dubai, public awareness of architecture and design has perhaps never been higher. At the same time, architecture itself is undergoing an identity crisis as it confronts fundamental issues: the effect of digital technology on design, the pervasive impact of global capitalism, and whether to embrace or resist popular media and taste. The New Architectural Pragmatism collects the most provocative, penetrating, and influential attempts by leading theorists and practitioners in the field to define what architectural practice should be at the beginning of the twenty-first century. Written in the aftermath of modernism’s utopian impulse and postmodernism’s detached playfulness, the essays gathered here express and critique a new spirit of cultural and political engagement with contemporary society. Interrogating the architect’s social responsibility, the contributors deliberate about how much we should ask of architecture and suggest that in the coming century, architecture must be at once flexible and robust, responsive and self-directed. Contributors: Stan Allen; George Baird; Lucy Bullivant; James Corner; Hal Foster; Kenneth Frampton; K. Michael Hays; Dave Hickey; Robert Levit; Evonne Levy; Reinhold Martin; Jorge Silvetti; Robert Somol; Philippe Starck; Roemer van Toorn; Sarah Whiting; Alejandro Zaera-Polo. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the editor of four previous Harvard Design Magazine Readers, published by Minnesota.

This book provides the tools to maintain and rebuild the interaction between architecture and public space. Despite the best intentions of designers and planners, interactive frontages have dwindled over the past century in Europe and North America. This book demonstrates why even our best intentions for interactive frontages are currently unable to turn a swelling tide of economic and technological evolution, land consolidation, introversion, stratification, and contagious decline. It uses these lessons to offer concrete locational, programming, design, and management strategies to maximize street-level interaction and trust between street-level architecture, its inhabitants, and the city. This book demonstrates that designers, developers, planners, and managers ultimately have to create the right preconditions for inhabitants and passersby to bring frontages to life. These preconditions connect architecture to its urban, social, economical, and technological context. Only the right frontage in the right context, with the right design, the right inhabitation, and the right attitude to the city will become part of the ecosystem of trust and interaction that supports public life. This book empowers the many participants in this ecosystem to build, inhabit, and enjoy truly urbane architecture.

Very Short Introductions: Brilliant, Sharp, Inspiring British Architecture: A Very Short Introduction presents an original and engaging overview of the architecture of the British Isles, from medieval times to the present day. Avoiding the traditional approach of a chronological survey of architects and architectural style, each chapter presents a thematic exploration of key aspects of British architecture that endure across time and still have relevance today. Arnold uses illustrated chapters to aid appreciation of the artistic and cultural significance of British architecture and how it operates as a barometer of social trends. Arnold also highlights the ways in which architecture can project national and regional identities. British architecture tells of the intrinsic nature of Britishness and is an important means of understanding Britain's connection with the rest of the world. There is no doubt about the international significance of the work of recent and contemporary British architects. But Arnold also relates how a preoccupation with the past has been a constant theme in design thinking and practice. A thematic, historical understanding of British architecture in terms of its form and purpose explains much about the society and culture for which it was built. Architecture continues to shape patterns of living and social interaction and responds to new demands. Equally, debates about how best to express the nation through its architecture reveal much about Britain's perception of itself and how this is expressed at home and abroad. Finally, Arnold explores how subsequent generations can offer new interpretations and meanings that change our view of British architecture's legacy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Extending the concept of British vernacular architecture to embrace buildings such as places of worship, villas, hospitals, suburban semis and post-war mass housing, this book is of use to anyone with an interest in architectural history.