During the Second Temple period, the Babylonian exile came to signify not only the deportations and forced migrations of the sixth century B.C.E., but also a variety of other alienations. These alienations included political disenfranchisement, dissatisfaction with the status quo, and an existential alienation from God. Enduring Exile charts the transformation of exile from a historically bound and geographically constrained concept into a symbol for physical, mental, and spiritual distress. Beginning with preexilic materials, Halvorson-Taylor locates antecedents for the metaphorization of exile in the articulation of exile as treaty curse; continuing through the early postexilic period, she recovers an evolving concept of exile within the intricate redaction of Jeremiah’s Book of Consolation (Jeremiah 30–31), Second and Third Isaiah (Isaiah 40–66), and First Zechariah (Zechariah 1–8). The formation of these works illustrates the thought, description, and exegesis that fostered the use of exile as a metaphor for problems that could not be resolved by a return to the land— and gave rise to a powerful trope within Judaism and Christianity: the motif of the “enduring exile.”

Focusing on the composition and redaction of Jeremiah 30–31, Isaiah 40–66, and Zechariah 1–8, this book examines how the Babylonian exile became a Second Temple metaphor for political disenfranchisement, social inequality, and alienation from YHWH.

In See How We Roll Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the Central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide. Banished from her hometown, Nungarrayi energetically navigates promises of transformation as well as sedimented racialized expectations on the urban streets. Drawing on a decades-long friendship, Hinkson explores these circumstances through Nungarrayi's relationships: those between her country and kin that sustain and confound life beyond the desert, those that regulate her marginalized citizenship, and the new friendships called out by displacement and metropolitan life. An intimate ethnography, See How We Roll provides great insight into the enduring violence of the settler colonial state while illuminating the efforts of Indigenous people to create lives of dignity and shared purpose in the face of turbulence, grief, and tightening governmental controls.

Focusing on the lived experience of immigration policy and processes, this volume provides fascinating insights into the deportation process as it is felt and understood by those subjected to it. The author presents a rich and innovative ethnography of deportation and deportability experienced by migrants convicted of criminal offenses in England and Wales. The unique perspectives developed here – on due process in immigration appeals, migrant surveillance and control, social relations and sense of self, and compliance and resistance – are important for broader understandings of border control policy and human rights.

Oft-referenced and frequently set to music, Psalm 137 - which begins "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion" - has become something of a cultural touchstone for music and Christianity across the Atlantic world. It has been a top single more than once in the 20th century, from Don McLean's haunting Anglo-American folk cover to Boney M's West Indian disco mix. In Song of Exile, David Stowe uses a wide-ranging, interdisciplinary approach that combines personal interviews, historical overview, and textual analysis to demonstrate the psalm's enduring place in popular culture. The line that begins Psalm 137 - one of the most lyrical of the Hebrew Bible - has been used since its genesis to evoke the grief and protest of exiled, displaced, or marginalized communities. Despite the psalm's popularity, little has been written about its reception during the more than 2,500 years since the Babylonian exile. Stowe locates its use in the American Revolution and the Civil Rights movement, and internationally by anti-colonial Jamaican Rastafari and immigrants from Ireland, Korea, and Cuba. He studies musical references ranging from the Melodians' Rivers of Babylon to the score in Kazakh film Tulpan. Stowe concludes by exploring the presence and absence in modern culture of the often-ignored final words: "Happy shall he be, that taketh and dasheth thy little ones against the stones." Usually excised from liturgy and forgotten by scholars, Stowe finds these words echoed in modern occurrences of genocide and ethnic cleansing, and more generally in the culture of vengeance that has existed in North America from the earliest conflicts with Native Americans. Based on numerous interviews with musicians, theologians, and writers, Stowe reconstructs the rich and varied reception history of this widely used, yet mysterious, text.

Religion is a hot topic on the public stages of ‘secular’ societies, not in its individualized liberal or orthodox form, but rather as a public statement, challenging the divide between the secular neutral space and the religious. In this new challenging modus, religion raises questions about identity, power, rationality, subjectivity, law and safety, but above all: religion questions, contests and even blurs the borders between the public and the private. These phenomena urge to rethink what are often considered to be clear differences between religions, between the public and the private and between the religious and the secular. In this volume scholars from a range of different disciplines map the different aspects of the dynamics of changing, contesting and contested religious identities.

Exile Cultures, Misplaced Identities takes a transnational and transcultural approach to exile and its capacities to alter the ways we think about place and identity in the contemporary world. The edited collection brings together researchers on exile in international perspective from three continents who explore questions of exilic identity along multiple geopolitical and cultural axes—Cuba, the USA and Australia; Colombia and the USA; Algeria and France; Italy, France and Mexico; non-Han minorities and Han majorities in China; China, Tibet and India; Japan and China; New Caledonia, Vietnam and France; Hungary, the USSR, and Australia; and Germany, before and after unification. The international and crosscultural span of this collection represents an important addition to the fields of exile criticism and cultural identity studies. Exile Cultures, Misplaced Identities will be of interest to readers, scholars and students of exile, diasporic and transmigration studies, international studies, postcolonial studies, cultural studies, language studies, and comparative literary studies.

N. T. Wright is well known for his view that the majority of Second Temple Jews saw themselves as living within an ongoing exile. This book engages a lively conversation with this idea, beginning with a lengthy thesis from Wright, responses from eleven New Testament scholars, and a concluding essay from Wright responding to his interlocutors.

A colourful collection of pieces on the enigmatic genius of Scott Walker from THE WIRE. Scott Walker has travelled from teen idol to the outer limits of music. From 'The Sun Ain't Gonna Shine Any More' reaching No.1, through to recordings of meat being punched on his last album, THE DRIFT, he somehow seems to have reached a passionate and committed fan base. Throughout his career, his impeccable critical reputation as a serious and uncompromising musician has never been questioned. The recent film, 30TH CENTURY MAN, had a litany of stars queuing up to praise Walker: the likes of David Bowie, Damon Albarn, Jarvis Cocker, Radiohead, Johnny Marr and Sting. But despite this, in 40 years of music, there has yet to be a serious book on Scott Walker. This collection, put together by Rob Young of THE WIRE magazine, features a handful of previously published articles and newly commissioned pieces, largely drawn from the orbit of THE WIRE's writers including Ian Penman, Chris Bohn and Rob Young.

Since the Iraq war, the Middle East has been in continuous upheaval, resulting in the displacement of millions of people. Arriving from Afghanistan, Iraq, Palestine, and Syria in other parts of the world, the refugees show remarkable resilience and creativity amidst profound adversity. Through careful ethnography, this book vividly illustrates how refugees navigate regimes of exclusion, including cumbersome bureaucracies, financial insecurities, medical challenges, vilifying stereotypes, and threats of violence. The collection bears witness to their struggles, while also highlighting their aspirations for safety, settlement, and social inclusion in their host societies and new homes.