In this epic, original novel in which Hawaii's fierce, sweeping past springs to life, Kiana Davenport, author of the acclaimed Shark Dialogues, draws upon the remarkable stories of her people to create a timeless, passionate tale of love and survival, tragedy and triumph, survival and transcendence. In spellbinding, sensual prose, Song of the Exile follows the fortunes of the Meahuna family—and the odyssey of one resilient man searching for his soul mate after she is torn from his side by the forces of war. From the turbulent years of World War II through Hawaii's complex journey to statehood, this mesmerizing story presents a cast of richly imagined characters who rise up magnificent and forceful, redeemed by the spiritual power and the awesome beauty of their islands.

Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgments -- Chapter 1. Lost -- Chapter 2. A Family Long Free -- Chapter 3. City of Sound -- Chapter 4. City of Dust -- Chapter 5. City of Song -- Chapter 6. City of Exile -- Chapter 7. The Lost Violin -- Chapter 8. Found -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

"With due emphases on diasporic intimacies, cine-feminism, and transcultural literacy, Audrey Yue has written a sensitive and lucid study, doing justice to a remarkable film by a remarkable director."---Rey Chow, Duke University "This book pushes the boundaries of existing studies on Hong Kong cinema studies. Yue provides us with innovative ways of reading intimacy in the diaspora: as nostalgia for the familiar or idealised; as cultural memories that make up diasporic archives; as modes of transformation of kinship Structures; as affects produced through new media technologies. The book concludes with a self-reflexive exploration of teaching Song in Australia. By situating the film under the rubric of critical multiculturalism, Yue demonstrates how the teaching of postcolonial cinema can be sustained as a political pedagogy that resists the pluralist demands of a neoliberal curriculum. This is a carefully researched, rigorously analytical and intellectually profound study that will make its mark in the fields of diaspora, transcultural communication and cinema studies."---Jacqueline Lo, Australian National University The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom.

Oft-referenced and frequently set to music, Psalm 137 - which begins "By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion" - has become something of a cultural touchstone for music and Christianity across the Atlantic world. It has been a top single more than once in the 20th century, from Don McLean's haunting Anglo-American folk cover to Boney M's West Indian disco mix. In Song of Exile, David Stowe uses a wide-ranging, interdisciplinary approach that combines personal interviews, historical overview, and textual analysis to demonstrate the psalm's enduring place in popular culture. The line that begins Psalm 137 - one of the most lyrical of the Hebrew Bible - has been used since its genesis to evoke the grief and protest of exiled, displaced, or marginalized communities. Despite the psalm's popularity, little has been written about its reception during the more than 2,500 years since the Babylonian exile. Stowe locates its use in the American Revolution and the Civil Rights movement, and internationally by anti-colonial Jamaican Rastafari and immigrants from Ireland, Korea, and Cuba. He studies musical references ranging from the Melodians' Rivers of Babylon to the score in Kazakh film Tulpan. Stowe concludes by exploring the presence and absence in modern culture of the often-ignored final words: "Happy shall he be, that taketh and dasheth thy little ones against the stones." Usually excised from liturgy and forgotten by scholars, Stowe finds these words echoed in modern occurrences of genocide and ethnic cleansing, and more generally in the culture of vengeance that has existed in North America from the earliest conflicts with Native Americans. Based on numerous interviews with musicians, theologians, and writers, Stowe reconstructs the rich and varied reception history of this widely used, yet mysterious, text.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

In Heart of the Lonely Exile, Book Two of BJ Hoff’s acclaimed and bestselling Emerald Ballad series, readers will find heroine Nora Kavanagh struggling to build a new life for herself and her son Daniel in America. With help from a wealthy American family and friendship and support from a British gentleman, Nora nevertheless finds herself caught in a conflict of the heart. Michael Burke, a strong, dedicated Irish policeman, desperately wants to keep his promise to his best friend Morgan Fitzgerald to marry Nora and protect her. But Nora’s instincts urge her to resist Michael’s proposal and follow her heart in a different direction....More troubling still, in the midst of her personal struggle, the heartaches from her homeland continue to plague her. Heart of the Lonely Exile continues the saga of the Kavanagh pilgrimage—a journey of the soul in a strange new land, where all those who are exiles and aliens seek to finally find their true home.

A "novel based on an unexplored slice of World War II history, following a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia"--

"Exile is a band with a diverse history. The group formed in 1963 looking to play small clubs in Richmond, Kentucky, but managed to top both the pop and the country charts during a ten-year span in the late 1970s and 1980s. "Kiss You All Over" was a major hit in 1978, spending four weeks at the top of Billboard's pop chart. After several less successful follow-up singles, the band decided to make a move to country music. This resulted in 10 number one country hits. All of this success led to an induction into the Kentucky Music Hall of Fame in 2013. The years leading up to the release of "Kiss You All Over" represent an important and often misunderstood period in the band's history. During this time they played on three of Dick Clark's Caravan of Stars tours, released a series of singles and two full-length albums, worked with Tommy James, and played all over the Central Kentucky area and beyond. This book pays close attention to that era. In addition, a talented group of Kentucky musicians helped to rejuvenate the band in the 1990s, and this book tells their stories as well."--Provided by publisher.

At its height, the Napoleonic Empire spanned much of mainland Europe. Feted and feared by millions of citizens, Napoleon was the most powerful and famous man of his age. But following his defeat at the Battle of Waterloo the future of the one-time Emperor of France seemed irredeemably bleak. How did the brilliant tactician cope with being at the mercy of his captors? How did he react to a life in exile on St Helena - and how did the other inhabitants of that isolated and impregnable island respond to his presence there? And what tactics did he develop to preserve his legacy in such drastically reduced circumstances? Tracing events from the dramatic defeat at Waterloo to his death six years later, this is the first modern comprehensive account of the last phase of Napoleon's life. Drawing on many previously overlooked journals and letters, Brian Unwin has pieced together a remarkably vivid account of Napoleon's final years which also offers fresh insights into the character of this giant of European history. Through his initial flight from the battlefield and his journey into exile on St Helena, Napoleon refused to accept that he would not be allowed to return to somewhere in Europe or even America. He railed against every aspect of his imprisonment and conspired to make life as difficult as possible for his unfortunate jailer, Hudson Lowe, whose impossible situation is sympathetically described here. Confined with him in the damp and confined Longwood House, life was also uncomfortable for those loyal companions who chose to journey with him into exile. Unsurprisingly for such a man of action, Napoleon bitterly resented being under constant supervision when he ventured outside his house and suffered acutely from boredom as much as from his physical ailments. Contrary to the strict wishes of the English he refused to accept any diminution in his status: 'Je ne suis pas le General Bonaparte, je suis L'Empereur Napoleon.' But gradually Napoleon came to think less about escape and more about how he would be remembered by future generations, spending hour after hour dictating the story of his campaigns to Count Las Cases, the companion who had travelled with him chiefly to act as his amanuensis. Terrible Exile brilliantly evokes the claustrophobic atmosphere of life on St Helena, offering a colourful and original history of the period as well as a persuasive psychological portrait of a great man in reduced circumstances. It will be essential reading for anyone with an interest in Napoleonic history and is an important addition to our understanding of the subject.

The world of Deverry: an intricate tapestry of fate, past lives, and unfathomable magic. With A Time Of Exile, Katharine Kerr opens new territory in The Deverry Saga, exploring the history of the Elcyion Lacar, the elves who inhabit the country west of Deverry. It is years since the half-elven Lord Rhodry took the throne of Aberwyn. When Rhodry's lost lover, Jill-now a powerful wizard-comes to Aberyn and tells him it's time he accepted his elven heritage, Rhodry faces the most difficult choice of his life. But with Jill's help and that of a human wizard named Aderyn who has lived for years in the westlands, Rhodry begins to understand how his life is connected not just to his own people, but to the Elcyion Lacar as well. At last, destiny begins to unravel its secrets, revealing Aderyn's true purpose among the elves-and the god' deeper design behind Rhodry's dual heritage.