Chinua Achebe's influence on contemporary African literature is as much in evidence in his art of the novel as his theory of African literature and literary criticism. ISINKA (Igbo term for artistic purpose') establishes Achebe's legacy as a literary theorist and critic. In these essays scholars from around the globe assess and establish how much Achebe's extra-fictional ideas about African literature and literature in general are justified in his own creative works.'

Expressions of Indigenous and Local Knowledge in Africa and its Diaspora provides critical discourses on Africa and the various configurations of its reflections in folklore, literature, music, languages, and philosophy. The collection, through its selected works, focuses on the African continent in terms of preserving the unique identity of African Indigenous and Local Knowledge. In reality, this preservation effort is confronted by a number of challenges within today’s increasingly globalized and westernized world. This book documents ongoing scholarly discussion on the paradoxical dynamics of preserving this identity and consequently enhancing the relevance of African Indigenous and Local Knowledge. This volume articulates the representation of knowledge and values lodged in the diverse knowledge systems in Africa and its diaspora, and which are constantly expressed in local and global spaces. It highlights the prejudicial assessment of African Indigenous knowledge systems that has ensured that Western epistemological systems are internationally recognized and supported while African epistemological systems are denigrated, discouraged or simply ignored, even on the African continent. Given that the term expressions entails making something known or manifest, this edited collection is assembled to make known some of the elements of indigenous and local knowledge, as well as the practices that these elements necessitate both historically and contemporarily in the African situation.

Milestones in African Literature offers an accessible guide to ten key moments in African literature. It traces literature in Africa through forms and genres, as well as social and political changes. Toyin Falola embraces the richness of African literature, and considers the oral tradition, pre-colonial literature, apartheid, print media and digital literature, postcolonialism, and migration literature. He explores the realities of African people by drawing from and highlighting peoples’ convictions, spirituality, and pasts. The book reveals African literature’s capacity to convey cultural, social, and political messages through storytelling, while depicting the social structures and cultural norms that shape these experiences through the examination of perspectives and literary works of African authors. Milestones in African Literature is the ideal resource for undergraduate and graduate students interested in African literatures. It will also be invaluable for teachers and researchers aiming to strengthen their knowledge.

This handbook offers the most comprehensive, analytic, and multidisciplinary study of oral traditions and folklore in Africa and the African Diaspora to date. Preeminent scholars Akintunde Akinyemi and Toyin Falola assemble a team of leading and rising stars across African Studies research to retrieve and renew the scholarship of oral traditions and folklore in Africa and the Diaspora just as critical concerns about their survival are pushed to the forefront of the field. With five sections on the central themes within orality and folklore – including engagement ranging from popular culture to technology, methods to pedagogy – this handbook is an indispensable resource to scholars, students, and practitioners of oral traditions and folklore preservation alike. This definitive reference is the first to provide detailed, systematic discussion, and up-to-date analysis of African oral traditions and folklore.

Essays on Language, Communication and Literature in Africa explores language choice questions, together with domain-driven lingua-communicative and literary resources situated within the discourses of law, culture, medicine, visual art, politics, the media, music and literature in Africa. It identifies the distinctive African paraphernalia of these discourses, and foregrounds their real-world and mediated cultural and societal values, and highlights the Western presence through the inclusion of aspects of Shakespearean perspectives which bear universal tidings and speak to the African gender tradition. The chapters’ attention to verbal and visual artistic communicative mechanisms underlines such engagements as multilingualism policies, socio-political declension, social dynamism and cultural interventions that characterise the African setting. These realities are discussed in impressive detail, authoritative scholastic depth and effective stylistic tones that reflect the authors’ familiarity with the facets of African societies deducible from language, communication and literature.

The book “African Studies Centres Around the World – A Network-Based Inventory” compiles a selection of contributions by the directors of eleven African Studies centres from four continents. They comprise Africa’s oldest centre on the continent, at the University of Cape Town, the European centres in Bordeaux, Lisbon and Hradec Králové and the two North American Universities of Florida and Indiana. Central and South America’s contributions to African Studies is represented by the centres in San José, Costa Rica, Santiago de Cuba and Salvador da Bahia, Brazil. The Asian centres are located at Jawaharlal University in Mumbai, India, and at Hankuk University of Foreign Studies in Seoul, South Korea. The eleven chapters show the very diverse history of the centres, explaining their different structures, underpinning the need for more exchange and collaborative research. The volume presents some aspects of the ongoing critical reflections on the historical and political development of African Studies in various parts of the world, disseminating first-hand knowledge while the chapters encourage to open the exchange and collaboration across regional, disciplinary and academic boundaries. With contributions from: Akintunde Akinyemi, Carlos Almeida, Aparajita Biswas, Rina Caceres, Yongkyu Chang, Marta E. Cordies Jackson, Ute Fendler, John H. Hanson, Doris Löhr, Lungisile Ntsebeza, Livio Sansone, Jose da Silva Horta, Petr Skalnik, Celine Thiriot

Current Research in African Linguistics recognizes and honors Ọladele Awobuluyi’s contributions to African linguistics. The contributors, an international group of scholars, represent four generations of African linguists who have been influenced by Awobuluyi’s work as a scholar and teacher. The papers are organized into three thematic sections, namely applied linguistics and sociolinguistics; phonology and morphology; and syntax and semantics and their interfaces. The wide range of topics investigated in this volume will enhance the reader’s understanding of current issues in the field of African linguistics today. Indeed, the book marks an important contribution to the expanding work on language documentation and comparative linguistics by presenting data and linguistic analysis from a number of different African languages.