Intertextuality has been recognised as an important feature of ancient prose fiction and yet it has only received sporadic attention in modern scholarship, despite the recent explosion of interest in the ancient novels. This volume is intended to make a contribution towards filling this gap by drawing attention to, and throwing fresh light on, the presence in ancient Greek and Roman narratives of earlier literary echoes. While one volume is by no means sufficient to remedy the problem of the relative lack of scholarship on the topic, nevertheless it is hoped that the present collection will create scope for debate and will generate greater scholarly interest in this area. Most of the articles collected here originated in the colloquium 'The Ancient Novel and its Reception of Earlier Literature', which was held at University College Cork in August 2007. They investigate the interconnection between Graeco-Roman narratives and earlier or contemporary works, and consider ways in which intertextual exploration is invited from the readers of these texts. What prompts the reader to associate a passage with an earlier text? What triggers in a text the evocation of motifs from antecedent literature? How might we interpret an identified allusion? In what ways can intertextuality function as a device of characterisation? These are among the questions explored by the chapters in this volume, which concentrate on the 'canonical' Greek romances and the Roman novels but also cover other novel-like works, such as the Alexander Romance and Alexander's Letter to Aristotle About India, and the Story of Apollonius King of Tyre.

“Echoing Events” questions the perpetuation, actualization, and canonization of national narratives in English and Dutch history textbooks, wide-reaching media that tendentially inspire a sense of meaning, memory, and thus also identity. The longitudinal study begins in the 1920s, when the League of Nations launched several initiatives to reduce strong nationalistic visions in textbooks, and ends in the new millennium with the revival of national narratives in both countries. The analysis shows how and why textbook authors have narrated different histories – which vary in terms of context, epoch, and place – as ‘echoing events’ by using recurring plots and the same combinations of historical analogies. This innovative and original study thus investigates from a new angle the resistance of national narratives to change.

In an era marked by profound upheaval and transformation, the Baruch Apocalypses emerged as powerful expressions of Jewish faith and enduring hope. Echoes of the End invites readers into the captivating world of apocalyptic literature, where the search for divine justice, the struggle with suffering, and the longing for redemption are central themes. Amos C. Miles offers a comprehensive analysis of the Baruch Apocalypses, exploring their origins, historical contexts, and rich symbolic meanings, as well as their lasting influence on Jewish theology. He examines the cultural and religious forces that shaped these texts and reveals how they articulated a response to the challenges and uncertainties of their time. This work is an essential read for theologians, historians, and anyone interested in the development of Jewish eschatology. Through keen insights into the significance of these apocalyptic visions and their messages, Echoes of the End offers new perspectives on the enduring impact of the Baruch Apocalypses—not only within Jewish tradition but also as a source of universal themes of hope, resilience, and faith in times of trial.

God is already at work in your life, whether or not you recognize it. Participants in this twelve-week small group Bible study will experience the whole Bible as the story of God. Plus, they will become aware of God's story continued in everyday life as they practice listening to the stories of others and to life. In Echoing the story, Brady Bryce provides a simple way for people to tell the scattered stories of their lives and re-imagine them in a bigger story. His innovative, narrative approach invites curious skeptics, casual followers of God, and committed disciples of Jesus into community through listening to shared stories.

This book is not just about the linguistic translation process; it delves deeper into the socio-cultural journey, the unique challenges faced, and the broader implications of this cross-cultural exchange. It stands out for its novel perspective, taking the readers on a fascinating journey from the humorous undertones of ‘Monsters Inc.’ to the satirical edges of ‘The Simpsons’ and ‘Family Guy’. It uncovers the intricate process of dubbing and transcreating Western audiovisual content into Arabic, highlighting how visuals, irony, and stereotypes interplay in this complex process. It offers readers insights into the world of media translation and cultural adaptation in Arabic, making it a compelling read for linguists, translators, media scholars, cultural enthusiasts, and anyone intrigued by the intersection of language, culture, and humour. It is a unique blend of academic research and engaging storytelling that will leave readers with a newfound appreciation for the art of dubbing and the cultural nuances it negotiates.

Book 1: Gain intimate insights into the brilliant literary mind of Jane Austen with “Jane Austen, Her Life and Letters” by William Austen-Leigh and Richard Arthur Austen-Leigh. This biographical work provides a closer look at Austen's life and the influences that shaped her iconic novels, offering readers a deeper understanding of her literary brilliance. Book 2: Complementing this is “The Sound And The Fury” by William Faulkner, a complex exploration of time, memory, and family. Faulkner's narrative prowess takes readers on a journey through intricate storytelling, providing a contrast to Austen's elegance. This combination offers a literary exploration into the depths of two distinctive yet impactful literary minds.

Kings, Deliverers, and Prophets brings a new biblical perspective to the much-debated question of the meaning of Luke’s journey narrative. Dennis W. Chadwick identifies and documents three extended sequences of Old Testament echoes in Luke 9–19 by which Luke confirms that Jesus is the eschatological king, the eschatological deliverer, and the eschatological prophet.

Study Material for Echoes (A Collection of ISC Short Stories)

When the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity? 'Echoing Exhibition Views. Subjectivity in Post-Digital Times' explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition? With images from João Enxuto & Erica Love, Calla Henkel & Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hannah Stiegeler, Jasmin Werner, and Jonas Paul Willisch, as well as texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski, this publication gathers artists, curators and writers that frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format?understanding the exhibition as a fluid and diverse view.

Litwak challenges previous studies of the use of the Old Testament in Luke-Acts as inadequate. In contrast to previous studies that consider only quotations or obvious allusions, he examines intertextual echoes of the Old Testament at strategic points in Luke-Acts, as well as quotations and allusions and echoed traditions. Thus, this study's database is larger. Previous studies generally argue that Luke's use of the Scriptures is in the service of christology. This leads to the exclusion of scriptural citations, such as those of the temptation (Luke 4.1-13) which have different emphases. Litwak views ecclesiology as the overall purpose behind Luke's use of the Old Testament, but he does not skip or avoid intertextual references that may lie outside an ecclesiological function. Whilst other studies contend that Luke uses the Old Testament according to a promise-fulfillment/proof-form-prophecy hermeneutic, Litwak argues that this fails to account for many of the intertextual references. Other studies often subsume all of Luke's use of the Scriptures of Israel under one theme, such as the 'New Exodus', but this study does not require that every intertextual echo maps to a specific theme. Rather, the many intertextual references in strategic texts at the beginning, middle and end of Luke-Acts, and Luke's use of the texts, are allowed to dictate the 'themes' to which they relate. JSNTS 282