“Echoing Events” questions the perpetuation, actualization, and canonization of national narratives in English and Dutch history textbooks, wide-reaching media that tendentially inspire a sense of meaning, memory, and thus also identity. The longitudinal study begins in the 1920s, when the League of Nations launched several initiatives to reduce strong nationalistic visions in textbooks, and ends in the new millennium with the revival of national narratives in both countries. The analysis shows how and why textbook authors have narrated different histories – which vary in terms of context, epoch, and place – as ‘echoing events’ by using recurring plots and the same combinations of historical analogies. This innovative and original study thus investigates from a new angle the resistance of national narratives to change.

The Irish Times Top 10 Bestseller! From war to revolution, famine to emigration, The Darkness Echoing travels around Ireland bringing its dark past to life It's no secret that the Irish are obsessed with misery, suffering and death. And no wonder, for there is darkness everywhere you look: in cemeteries and castles, monuments and museums, stories and songs. In The Darkness Echoing, Gillian O'Brien tours Ireland's most deliciously dark heritage sites, delving into the stories behind them and asking what they reveal about the Irish. Energetic, illuminating and surprisingly funny, The Darkness Echoing challenges old, accepted narratives about Ireland, and asks intriguing questions about Ireland's past, present and future. 'My history book of the year' Ryan Tubridy 'As thought-provoking as it is informative and entertaining' Irish Times 'Hugely enjoyable, thought-provoking and informative ... An essential read' History Ireland

When the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity? 'Echoing Exhibition Views. Subjectivity in Post-Digital Times' explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition? With images from João Enxuto & Erica Love, Calla Henkel & Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hannah Stiegeler, Jasmin Werner, and Jonas Paul Willisch, as well as texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski, this publication gathers artists, curators and writers that frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format?understanding the exhibition as a fluid and diverse view.

"Founded in 2012, Echoing Ida is a writing collective of Black women and nonbinary writers who-like their foremother Ida B. Wells-Barnett-believe the "way to right wrongs is to turn the light of truth upon them." Their community reporting spans a wide variety of topics: reproductive justice and abortion politics; new and necessary definitions of family; trans visibility; stigma against Black motherhood; Black mental health; and more. The Echoing Ida Collection gathers the best of Echoing Ida for the first time, and features a foreword by Michelle Duster, activist and great-granddaughter of Ida B. Wells-Barnett"--

As the only full-length treatment in English of spatiality in Martin Heidegger&’s work, this book makes an important contribution to Heidegger studies as well as to research on the history of philosophy. More generally, it advances our understanding of philosophy in terms of its &"exilic&" character, a sense of alterity that becomes apparent when one fully engages the temporality or finitude essential to conceptual determinations. By focusing on Heidegger&’s treatment of the classical difficulty of giving conceptual articulation to spatiality, the author discusses how Heidegger&’s thought is caught up in and enacts the temporality it uncovers in Being and Time and in his later writings. Ultimately, when understood in this manner, thought is an &"exilic&" experience&—a determination of being that in each case comes to pass in a loss of first principles and origins and, simultaneously, as an opening to conceptual figurations yet to come. The discussion engages such main historical figures as Plato, Aristotle, Descartes, Kant, and indirectly Husserl, as well as contemporary European and American Continental thought.

God is already at work in your life, whether or not you recognize it. Participants in this twelve-week small group Bible study will experience the whole Bible as the story of God. Plus, they will become aware of God's story continued in everyday life as they practice listening to the stories of others and to life. In Echoing the story, Brady Bryce provides a simple way for people to tell the scattered stories of their lives and re-imagine them in a bigger story. His innovative, narrative approach invites curious skeptics, casual followers of God, and committed disciples of Jesus into community through listening to shared stories.

Echoing Time is part of a chronology of stories initiated by the miscreant Trillem Pax Kenroo and his search for universal intergalactic domination. However, he is thwarted early on by providence and the stalwart nature of a young Arapaho girl named Marin Wanderhorse. Marin is kidnapped by the ghostly spectre of Kenroo, whose mission was to gain corporeal form and rule the earth. Marin successfully hinders his efforts throughout history, returning his abominations to the normal flow of history as written. Eventually, Marin is successful in returning Kenroo toward his destined path of redemption, but she is lost in the paradox of quantum string and multidimensional travel. Her parents dont give up on finding her and, with the help a discredited quantum physicist and a hippie commune in the Sonora region of Arizona, discover and capture a quantum string. Eventually, they are able to use the string to travel between realities, stopping an international arms deal, returning lost art taken by the Nazis to Jewish families, and returning the antagonist, Kenroo, to his prescribed destiny.

"We are at war, in WWIII for many decades now. We have been systematically targeted on different fronts and locations. Alas, my beloved America has not recognized it yet... " This nonfiction work chronicles the development of world politics in the 21st century. Discover the single driving force behind today's threat of global terrorism. Learn why the 9/11 attack was just one link in a long chain of battles against Western civilization and how Islam and oil are being used as weapons by a very determined enemy. The author sets the stage with several first-hand narratives from her unique experience as a prominent attorney in Russia. Then, she demonstrates how a global war set in motion nearly a century ago continuous to pose the largest and most imminent threat to the world. Decide for yourself ones you have seen Ms. Pipko's evidence, from Russia's quickly growing intelligence apparatus to infiltrations of the CIA and UN. The Russian Factor brings Cold War suspicions into sharp focus. With Simona Pipko's heartfelt voice this book is also an intriguing retelling of a life lived purposefully.

A History of Whitechapel's past, from its origins to the present day, through its architecture.

Acclaimed biographer John Loughery tells the story of John Hughes, son of Ireland, friend of William Seward and James Buchanan, founder of St. John’s College (now Fordham University), builder of Saint Patrick’s Cathedral on Fifth Avenue, pioneer of parochial-school education, and American diplomat. As archbishop of the Archdiocese of New York in the 1840 and 1850s and the most famous Roman Catholic in America, Hughes defended Catholic institutions in a time of nativist bigotry and church burnings and worked tirelessly to help Irish Catholic immigrants find acceptance in their new homeland. His galvanizing and protecting work and pugnacious style earned him the epithet Dagger John. When the interests of his church and ethnic community were at stake, Hughes acted with purpose and clarity. In Dagger John, Loughery reveals Hughes’s life as it unfolded amid turbulent times for the religious and ethnic minority he represented. Hughes the public figure comes to the fore, illuminated by Loughery’s retelling of his interactions with, and responses to, every major figure of his era, including his critics (Walt Whitman, James Gordon Bennett, and Horace Greeley) and his admirers (Henry Clay, Stephen Douglas, and Abraham Lincoln). Loughery peels back the layers of the public life of this complicated man, showing how he reveled in the controversies he provoked and believed he had lived to see many of his goals achieved until his dreams came crashing down during the Draft Riots of 1863 when violence set Manhattan ablaze. To know "Dagger" John Hughes is to understand the United States during a painful period of growth as the nation headed toward civil war. Dagger John’s successes and failures, his public relationships and private trials, and his legacy in the Irish Catholic community and beyond provide context and layers of detail for the larger history of a modern culture unfolding in his wake.