"This illustrated book is the first full-length examination of Puvis's murals and their critical reception during the artist's lifetime. Jennifer L. Shaw explains that Puvis's paintings were imagined to embody a vision of France. Although his regional images, allegories of the French heritage, and evocations of the nation as an embracing motherland were all part of a grand tradition of public art, Puvis's painting style was more closely alligned with the avant-garde. Rather than providing a specific narrative or allegory of France, Puvis's murals provoked viewers to experience their own fantasies of Frenchness; rather than using the close brushwork favored by most of his contemporaries, Puvis used large, flat areas of color to render his subjects. Shaw persuasively argues that Puvis was the only painter of the period to unite the traditions of public art and modernist form. Her original analysis of Puvis's art underlines his importance to the history of modernism; her examination of the public response to his art illuminates debates about art, subjectivity, and national identity in fin-de-siecle France."--BOOK JACKET.

WINNER OF THE 2022 WRITERS' TRUST BALSILLIE PRIZE FOR PUBLIC POLICY WINNER OF FOR THE PATTIS FAMILY FOUNDATION GLOBAL CITIES BOOK AWARD Is the ‘smart city’ the utopia we’ve been waiting for? The promise of the so-called smart city has been at the forefront of urban planning and development since the early 2010s, and the tech industry that supplies smart city software and hardware is now worth hundreds of billions a year. But the ideas and approaches underpinning smart city tech raise tough and important questions about the future of urban communities, surveillance, automation, and public participation. The smart city era, moreover, belongs firmly in a longer historical narrative about cities — one defined by utopian ideologies, architectural visions, and technological fantasies. Smart streetlights, water and air quality tracking, autonomous vehicles: with examples from all over the world, including New York, Los Angeles, Boston, Portland, and Chicago, Dream States unpacks the world of smart city tech, but also situates this important shift in city-building into a broader story about why we still dream about perfect places. "John Lorinc’s incisive analysis in Dream States reminds us that the search for urban utopia is not new. Throughout the book, Lorinc underscores the fact that a gamut of urban innovations – from smart city megaprojects to e-government to pandemic preparedness tools – only provide promise when scrutinized together with the political, economic, social, and physical complexities of urban life." – Shauna Brail, University of Toronto "Dream States: Smart Cities, Technology, and the Pursuit of Urban Utopias takes us on a fascinating journey across world cities to show how technology has shaped them in the past and how smart city technology will reshape them in the future. This book is essential reading for policy makers, researchers, and practitioners interested in understanding the opportunities and challenges of smart city technology and what it means for city building." – Enid Slack, University of Toronto School of Cities "“Utopia may be the oldest grift in the city-building business, but Dream States shows that technology is a timeless tool for turning the most ordinary of urban dreams – clean air and water, safe streets, and decent homes – into reality. As digital dilettantes try to sell us on a software overhaul, John Lorinc provides us an indispensable and flawless guide to the must-haves and never-agains of the smart city.” – Anthony Townsend, Urbanist in Residence, Cornell Tech, author of Smart Cities

"In prose which somehow manages to be both precise and hallucinatory at the same time, Moira Crone gives us a luminous Louisiana of her own. Each of these (eight) wonderful tales is as complex as any novel, as vivid and fast and surprising as your life".--Lee Smith, author of "Oral History".

Part family memoir, part political commentary, part apologia, Dream State is all Floridian, telling the grand and sometimes crazy story of the twenty-seventh state through the eyes of one of its native daughters. Acclaimed journalist and NPR commentator Diane Roberts has many family secrets and she's ready to tell them. Like the time her cousin state Senator Luther Tucker wrapped his Caddy around a tree, allegedly with a jug of moonshine on the seat next to him. Or how cousin Susan Branford was given an African girl for her eighth birthday. Or the time when cousin Enid Broward was made the May Queen of 1907, even though her daddy the governor shocked the state by trying to drain the entire Everglades. Roberts' ancestors helped settle Florida, kill off its pesky Indians, enslave some of its inhabitants, clear its forests, lay its train tracks, and pave its roads, all the time weaving themselves into the very fabric of this dangling chad of a state. With a storyteller's talent for setting great scenes, Roberts lays out the sweeping history of eight geberations of Browards and Bradfords, Tuckers anf Robertses, even as she Forest Gumps them into situations with more historically familiar names. Whether it's the American court of Catherine de Médicis, the Tallahassee court of Katherine Harris, Henry Flagler's boardroom -- not to mention his bedroom -- or Jeb Bush's statehouse, you're likely to find a branch or a root of the Roberts family growing entangled nearby. Starting in the recent past with the botched presidential election of 2000, Roberts introduces the many sides of the debate, coincidentally peopled with cousins both kissing and close. She then goes back to Florida's first inhabitants, showing how this alluring peninsula many called a paradise played a role in the destiny of those who settled there. Following their colorful progress up to the present, she renders them all with a deep, familial affection. Florida has forced itself into the collective American unconscious with its messed-up elections, anthrax scares, shark attacks,boat lifts, snowbirds, and the Bush dynasty. While exposing the real people whom Carl Hiaasen and Elmore Leonard have been fictionalizing for years, Dream State ultimately reveals the cogs and wheels that make the state tick.

An investigation into the brain's chemistry and the mechanisms of chemically altered states of consciousness. In this book, J. Allan Hobson offers a new understanding of altered states of consciousness based on knowledge of how our brain chemistry is balanced when we are awake and how that balance shifts when we fall asleep and dream. He draws on recent research that enables us to explain how psychedelic drugs work to disturb that balance and how similar imbalances may cause depression and schizophrenia. He also draws on work that expands our understanding of how certain drugs can correct imbalances and restore the brain's natural equilibrium. Hobson explains the chemical balance concept in terms of what we know about the regulation of normal states of consciousness over the course of the day by brain chemicals called neuromodulators. He presents striking confirmation of the principle that every drug that has transformative effects on consciousness interacts with the brain's own consciousness-altering chemicals. In the section called "The Medical Drugstore," Hobson describes drugs used to counteract anxiety and insomnia, to raise and lower mood, and to eliminate or diminish the hallucinations and delusions of schizophrenia. He discusses the risks involved in their administration, including the possibility of new disorders caused by indiscriminate long-term use. In "The Recreational Drugstore," Hobson discusses psychedelic drugs, narcotic analgesia, and natural drugs. He also considers the distinctions between legitimate and illegitimate drug use. In the concluding "Psychological Drugstore," he discusses the mind as an agent, not just the mediator, of change, and corrects many erroneous assumptions and practices that hinder the progress of psychoanalysis.

In T. E. Lawrence’s classic memoir Seven Pillars of Wisdom, Lawrence of Arabia claimed that he inspired a “dream palace” of Arab nationalism. What he really inspired, however, was an American idea of the area now called the Middle East that has shaped U.S. interventions over the course of a century, with sometimes tragic consequences. America’s Dream Palace brings into sharp focus the ways U.S. foreign policy has shaped the emergence of expertise concerning this crucial, often turbulent, and misunderstood part of the world. America’s growing stature as a global power created a need for expert knowledge about different regions. When it came to the Middle East, the U.S. government was initially content to rely on Christian missionaries and Orientalist scholars. After World War II, however, as Washington’s national security establishment required professional expertise in Middle Eastern affairs, it began to cultivate a mutually beneficial relationship with academic institutions. Newly created programs at Harvard, Princeton, and other universities became integral to Washington’s policymaking in the region. The National Defense Education Act of 1958, which aligned America’s educational goals with Cold War security concerns, proved a boon for Middle Eastern studies. But charges of anti-Americanism within the academy soon strained this cozy relationship. Federal funding for area studies declined, while independent think tanks with ties to the government flourished. By the time the Bush administration declared its Global War on Terror, Osamah Khalil writes, think tanks that actively pursued agendas aligned with neoconservative goals were the drivers of America’s foreign policy.

It is sometimes said that the most segregated time of the week in the United States is Sunday morning. Even as workplaces and public institutions such as the military have become racially integrated, racial separation in Christian religious congregations is the norm. And yet some congregations remain stubbornly, racially mixed. People of the Dream is the most complete study of this phenomenon ever undertaken. Author Michael Emerson explores such questions as: how do racially mixed congregations come together? How are they sustained? Who attends them, how did they get there, and what are their experiences? Engagingly written, the book enters the worlds of these congregations through national surveys and in-depth studies of those attending racially mixed churches. Data for the book was collected over seven years by the author and his research team. It includes more than 2,500 telephone interviews, hundreds of written surveys, and extensive visits to mixed-race congregations throughout the United States. People of the Dream argues that multiracial congregations are bridge organizations that gather and facilitate cross-racial friendships, disproportionately housing people who have substantially more racially diverse social networks than do other Americans. The book concludes that multiracial congregations and the people in them may be harbingers of racial change to come in the United States.

Poetry. LGBTQIA Studies. "'behold / this litmus of longing,' Shelley Feller begins in the linguistic triumph that is their foray into extending the conversation that Hart Crane began in the last century. With DREAM BOAT, Feller anatomizes, churns, palpitates, then spews onto the page a powerful exorcism of self-loathing that non-cishet, non-binary souls like them have been forced to imbibe and digest all their lives. Feller does what others have not dared. They literally turn upside down, inside out, even metaphorically flip off the gaze of those who come to the page for easy catharsis. Don't expect the sense-making that anesthetizes the pain and suffering you've come to want to see. That Feller's speakers refuse to be anything other than their fleshly, full-bodied selves is the genius of this debut. O how fortunate we are to hold in our hands such a wondrous, hope-filled work of art."--L. Lamar Wilson "What a dream, to be 'sissy-cathected to death!' With generous helpings of cut-throat aplomb, Shelley Feller hacks up the hierophantic hairball of homo sapiens' compulsive language-ing and pokes it with the genius-stick until something falls out: ack. This book is a delirious conveyance to the viscid otherworld that coats the inside of this world's jeans. It's a sticky zipper, a gemmy hologram, and it's truly, truly, truly outrageous."--Joyelle McSweeney "The brine of Shelley Feller's textual seas is teeming with emergent queer life, post life, and glorious, grotesque effulgence."--Tim Jones-Yelvington "In DREAM BOAT, the sea is an 'open organ,' frothing with gender possibilities, some toxic, some giddy, but always endlessly recombining damaged pasts and rocking new hereafters. A 'chick-fil-a' pirate, Shelley Feller 'spake[s] sissy' into the entire Anglo-American poetic tradition with lavish oceanic sprays of emojis, taunts, schoolyard chants, pop songs, and campy lore. Sweet, nasty, tender, queer: this work is recklessly inventive. It's like nothing else. It's like the future."--Vidhu Aggarwal

Over the past fifty years, Puerto Rican voters have roundly rejected any calls for national independence. Yet the rhetoric and iconography of independence have been defining features of Puerto Rican literature and culture. In the provocative new book Dream Nation, María Acosta Cruz investigates the roots and effects of this profound disconnect between cultural fantasy and political reality. Bringing together texts from Puerto Rican literature, history, and popular culture, Dream Nation shows how imaginings of national independence have served many competing purposes. They have given authority to the island’s literary and artistic establishment but have also been a badge of countercultural cool. These ideas have been fueled both by nostalgia for an imagined past and by yearning for a better future. They have fostered local communities on the island, and still helped define Puerto Rican identity within U.S. Latino culture. In clear, accessible prose, Acosta Cruz takes us on a journey from the 1898 annexation of Puerto Rico to the elections of 2012, stopping at many cultural touchstones along the way, from the canonical literature of the Generación del 30 to the rap music of Tego Calderón. Dream Nation thus serves both as a testament to how stories, symbols, and heroes of independence have inspired the Puerto Rican imagination and as an urgent warning about how this culture has become detached from the everyday concerns of the island’s people. A volume in the American Literature Initiatives series

Toronto is home to multiple and thriving queer communities that reflect the intense diversity of the city itself, and Any Other Way is an eclectic history of how these groups have transformed Toronto since the 1960s. From pioneering activists to show-stopping parades, Any Other Way looks at how queer communities have gone from existing in the shadows to shaping our streets.