Everything you think you know...is a lie. The Doctor and the Master; their conflict of light and dark has spanned many times and faces across the universe. This collection - of five short stories and a novella - explores the depths of darkness in the Master’s hearts; the arch-schemer’s secrets and sinister ambitions revealed through brand new adventures and encounters. Join six incarnations of evil for undreamed of adventures: a quest to free alien warlords... a dangerous mission to save a vital ally... a meeting with Bram Stoker... a shattering of lives on a distant world... a trial of wits to gain untold power... and drop in on the Master’s latest incarnation during his 77 years of imprisonment on Earth.

Even a Time Lord can’t change the past. A wasteland. A dead world... No, there is a biodome, rising from the ash. Here, life teems and flourishes, with strange and lush plants, and many-winged insects with bright carapaces – and one solitary sentient creature, who spends its days watering the plants, talking to the insects, and tending this lonely garden. This is Inyit, the Last of the Kotturuh. In All Flesh is Grass we are transported back to The Dark Times. The Tenth Doctor has sworn to stop the Kotturuh, ending Death and bringing Life to the universe. But his plan is unravelling – instead of bringing Life, nothing has changed and all around him people are dying. Death is everywhere. Now he must confront his former selves – one in league with their greatest nemesis and the other manning a ship of the undead...

Know your frenemy. ‘I’ve had adventures too. My whole life doesn’t revolve around you, you know.’ When she's not busy amassing armies of Cybermen, or manipulating the Doctor and his companions, Missy has plenty of time to kill (literally). In this all new collection of stories about the renegade Time Lord we all love to hate, you'll discover just some of the mad and malevolent activities Missy gets up to while she isn't distracted by the Doctor. So please try to keep up.

When the Ninth Doctor lands in the town of Kennet, he finds that something is terribly wrong. The people are scared. They don't like going out at night, they don't like making too much noise, and they certainly don't like strangers asking questions. What alien force has invaded the town and why is it watching barmaid Alison Cheney? The Ninth Doctor is sardonic, witty, compassionate, and tired of how foolish humans can be. He has lived through things his predecessors never dreamed of but has difficulty with things that those before him have taken for granted. He has secrets that may put him, Alison, and the whole world in danger. The Doctor is helped by his new military liaison Major Kennet and his Royal Green Jacket troops. Starting with a small community under threat, this Doctor Who story takes in the entire world, from New Zealand to India, Siberia to the USA, and cosmic expanses beyond. Originally published in 2004.

Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly

A new edition of the bestselling classic – published with a special introduction to mark its 10th anniversary This pioneering account sets out to understand the structure of the human brain – the place where mind meets matter. Until recently, the left hemisphere of our brain has been seen as the ‘rational’ side, the superior partner to the right. But is this distinction true? Drawing on a vast body of experimental research, Iain McGilchrist argues while our left brain makes for a wonderful servant, it is a very poor master. As he shows, it is the right side which is the more reliable and insightful. Without it, our world would be mechanistic – stripped of depth, colour and value.

An adventure featuring the fifth Doctor Who, Tegan, Nyssa and Adric, and delving into the past of the first Doctor. The story explores the relationship between the universe and one of the Doctor's oldest protagonists, the Celestial Toymaker.

This ancient Time Lord manual has been kicking around the TARDIS for thousands of years, giving the Doctor plenty of time to 'improve' it with scribbles, doodles and post-it notes as a gift for his successor, the Twelfth Doctor. He's even ripped out the middle of the book and replaced it with a scrapbook packed with everything important to our hero, and how to be just like him! So if you have ever wondered if you'd cut it in the Time Lord Academy, how to fly the TARDIS, or the correct way to dip a fish finger into custard, this is the book for you! Essential reading for all aspiring Time Lords!

A bold, brain-based teaching approach to culturally responsive instruction To close the achievement gap, diverse classrooms need a proven framework for optimizing student engagement. Culturally responsive instruction has shown promise, but many teachers have struggled with its implementation—until now. In this book, Zaretta Hammond draws on cutting-edge neuroscience research to offer an innovative approach for designing and implementing brain-compatible culturally responsive instruction. The book includes: Information on how one’s culture programs the brain to process data and affects learning relationships Ten “key moves” to build students’ learner operating systems and prepare them to become independent learners Prompts for action and valuable self-reflection

Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.