Satan, Judas, a Soviet writer, and a talking black cat named Behemoth populate this satire, “a classic of twentieth-century fiction” (The New York Times). In 1930s Moscow, Satan decides to pay the good people of the Soviet Union a visit. In old Jerusalem, the fateful meeting of Pilate and Yeshua and the murder of Judas in the garden of Gethsemane unfold. At the intersection of fantasy and realism, satire and unflinching emotional truths, Mikhail Bulgakov’s classic The Master and Margarita eloquently lampoons every aspect of Soviet life under Stalin’s regime, from politics to art to religion, while interrogating the complexities between good and evil, innocence and guilt, and freedom and oppression. Spanning from Moscow to Biblical Jerusalem, a vibrant cast of characters—a “magician” who is actually the devil in disguise, a giant cat, a witch, a fanged assassin—sow mayhem and madness wherever they go, mocking artists, intellectuals, and politicians alike. In and out of the fray weaves a man known only as the Master, a writer demoralized by government censorship, and his mysterious lover, Margarita. Burned in 1928 by the author and restarted in 1930, The Master and Margarita was Bulgakov’s last completed creative work before his death. It remained unpublished until 1966—and went on to become one of the most well-regarded works of Russian literature of the twentieth century, adapted or referenced in film, television, radio, comic strips, theater productions, music, and opera.

Mikhail Bulgakov’s novel The Master and Margarita, set in Stalin’s Moscow, is an intriguing work with a complex structure, wonderful comic episodes and moments of great beauty. Readers are often left tantalized but uncertain how to understand its rich meanings. To what extent is it political? Or religious? And how should we interpret the Satanic Woland? This reader’s companion offers readers a biographical introduction, and analyses of the structure and the main themes of the novel. More curious readers will also enjoy the accounts of the novel’s writing and publication history, alongside analyses of the work’s astonishing linguistic complexity and a review of available English translations.

In his own lifetime, Russian novelist and playwright Mikhail Bulgakov was scarcely published. A quarter of a century after his death, his novel, "The Master and the Margarita", has become a worldwide bestseller.;In this book, J.A.E. Curtis presents a chronicle of Bulgakov's life. She is the only Westerner to have been granted access to either his or his wife's diaries which record the nightmarish precariousness of life during the Stalinist purges. She combines this with extracts from letters to and from Bulgakov and with her own commentary. She also includes letters to Stalin, in which Bulgalov pleads to be allowed to emigrate; letters to his siblings; intimate notes to his second and third wives; and letters to and from other writers such as Gorky and Zamyatin.

English translation of Mikhail Bulgakov's classic Russian novel, with an introduction by the translator, John Dougherty, and several footnotes explaining references to uniquely Soviet cultural, social and political concepts.

Sofia Petrovna is Lydia Chukovskaya's fictional account of the Great Purge. Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

“In this hilarious, candid, and thought-provoking memoir, [Groskop] explains how she used lessons from Russian classics to understand herself better.” —Gretchen Rubin, #1 New York Times–bestselling author As Viv Groskop knows from personal experience, everything that has ever happened to a person has already happened in the Russian classics: from not being sure what to do with your life (Anna Karenina), to being hopelessly in love with someone who doesn’t love you back (Turgenev’s A Month in the Country), or being socially anxious about your appearance (all of Chekhov’s work). In The Anna Karenina Fix, a sort of literary self-help memoir, Groskop mines these and other works, as well as the lives of their celebrated creators, and her own experiences as a student of Russian, to answer the question “How should you live your life?” This is a charming and fiercely intelligent book, a love letter to Russian literature and an exploration of the answers these writers found to life’s questions. “[Groskop is] a delight, a reader’s reader whose professional and personal experiences have allowed her to write the kind of book that not only is complete unto itself, but makes you want to head to the library and revisit or discover the great works she loves.” —The Washington Post “Learn how to hack life nineteenth-century Russian style! You’ll totally be like Anna Karenina without getting (spoiler alert) run over by a train!” —Gary Shteyngart, New York Times-bestselling author “For anyone intimidated by Russia’s daunting literary heritage, this humorous yet thoughtful introduction will serve as the perfect entrée.” —Publishers Weekly

A love triangle involving Mikhail Bulgakov, an agent of Stalin's secret police, and the bewitching Margarita, and its inescapable consequences. It is 1933 and Mikhail Bulgakov's enviable career is on the brink of being dismantled. His friend and mentor, the poet Osip Mandelstam, has been arrested, tortured, and sent into exile. Meanwhile, a mysterious agent of the secret police has developed a growing obsession with exposing Bulgakov as an enemy of the state. To make matters worse, Bulgakov has fallen in love with the dangerously outspoken Margarita. Facing imminent arrest, infatuated with Margarita, he is inspired to write his masterpiece. Ranging between lively readings in the homes of Moscow's literary elite to the Siberian Gulag, Mikhail and Margarita recounts a passionate love triangle while painting a portrait of a country with a towering literary tradition confronting a dictatorship that does not tolerate dissent. Margarita is a strong, idealistic woman, who is fiercely loved by two very different men, both of whom will fail in their attempts to shield her from the machinations of a regime hungry for human sacrifice. Himes launches a rousing defence of art and the artist during a time of systematic deception and she movingly portrays the ineluctable consequences of love for one of history's most enigmatic literary figures.

Mikhail Bulgakov's novel The Master and Margarita is, among other things, a satire. The author criticises real people in the Soviet Union of the 30s and creates absurd situations by mixing reality and fiction. That mix is hidden everywhere throughout the novel in small details which, at first sight, seem to be trivial, but which are significant for those who know why they are mentioned. In this book you can find annotations, ordered by chapter, explaining the names, locations, situations, quotations and other elements which Mikhail Bulgakov used to illustrate his view of Soviet society, with the aim of better understanding the novel. The terms are mentioned in the order of their first appearance in the novel. On various places in this book you will find Quick Reference (QR) codes which you can scan to gain immediate access to more detailed information on the Master and Margarita website.

The first comprehensive study of Bulgakov's The Master and Margarita in English, Between Two Worlds describes the genesis and reception of this important and controversial novel inside and outside the Soviet Union. The first comprehensive study of Bulgakov's The Master and Margarita in English, Between Two Worlds describes the genesis and reception of this important and controversial novel inside and outside Russia.

'The devil had his workshop here in Belarus. The deepest graves are in Belarus. But nobody knows about them' A young boy grows up in Terezn - an infamous fortress town with a sinister past. Together with his friends he plays happily in this former Nazi prison, scouting the tunnels for fragments of history under the careful eye of one of its survivors, Uncle Lebo, until one day there is an accident, and he is forced to leave. Returning to Terezn many years later, he joins Lebo's campaign to preserve the town, but before long the authorities impose a brutal crack-down, chaos ensues, and the narrator finds himself fleeing to Belarus, where fresh horrors drive him ever closer to the evils he had hoped to escape. Bold, brilliant and blackly comic, The Devil's Workshop paints a deeply troubling portrait of two countries dealing with their ghosts and asks: at what point do we consign the past to history?