A lively, original, and challenging history of stock market speculation from the 17th century to present day. Is your investment in that new Internet stock a sign of stock market savvy or an act of peculiarly American speculative folly? How has the psychology of investing changed—and not changed—over the last five hundred years? In Devil Take the Hindmost, Edward Chancellor traces the origins of the speculative spirit back to ancient Rome and chronicles its revival in the modern world: from the tulip scandal of 1630s Holland, to “stockjobbing” in London's Exchange Alley, to the infamous South Sea Bubble of 1720, which prompted Sir Isaac Newton to comment, “I can calculate the motion of heavenly bodies, but not the madness of people.” Here are brokers underwriting risks that included highway robbery and the “assurance of female chastity”; credit notes and lottery tickets circulating as money; wise and unwise investors from Alexander Pope and Benjamin Disraeli to Ivan Boesky and Hillary Rodham Clinton. From the Gilded Age to the Roaring Twenties, from the nineteenth century railway mania to the crash of 1929, from junk bonds and the Japanese bubble economy to the day-traders of the Information Era, Devil Take the Hindmost tells a fascinating story of human dreams and folly through the ages.

The Devil is attacking our youth.

Temptation lurks around every corner in worlds sometimes dark, sometimes lurid. Giving in is both dangerous and satisfying, though never in the ways one expects. While these enticements offer a vast range of benefits and boons, the cost is a soul and the devil expects his due. Sometimes suave and charming or calculating and cruel, these devils have schemes and desires of their own. They can be creatures to run away from... or toward. Join the most unique and celebrated authors of LGBTQ urban fantasy and paranormal fiction for a fast-paced and unpredictable ride, from a city on the other side of reality, to a world suspended in dusk, to a twisted version of the 1960s and 70s. Meet devils in top hats and waistcoats, a defrocked motorcycle-riding priest, and a genderfluid antihero--among many more. Full of humor, romance, horror, action, intrigue, and magic, these stories have one common element.... They're one hell of a good time.

The uncompromising work of electric guitarist Allan Holdsworth is revered by some of the most accomplished musicians in rock, jazz, fusion and metal, including such ground-breaking artists as Steve Vai, John McLaughlin, Eddie Van Halen, Alex Lifeson, Frank Zappa, Joe Satriani, and countless others. Starting off his career with bands such as The Tony Williams New Lifetime, Bruford, U.K., and Soft Machine, in the early 1980s Holdsworth began releasing music under his own name, with bands comprised of some of the most creatively virtuosic players in rock and jazz. Aside from developing one of the most unique and recognizable styles in electric guitar, Holdsworth also pioneered the role of guitar synthesis in jazz composition and improvisation, and his work in the medium eventually gained the complexity and cinematic flavor of orchestral music (although achieved through electronic textures). This book (originally published in blog form as "A Thread of Lunacy: Appreciation and Analysis of the Otherworldly Music of Allan Holdsworth") traces the development of Holdsworth's musical works from 1969 to 2017 by examining more than 60 records which he led or recorded on. In addition to detailed musical explorations of these records, hundreds of published and unpublished interview fragments from print and online sources have been organized (by album) in order to give an idea of the circumstances behind each record and each stage of Holdsworth's career. Although this book is a perfect reference for Allan Holdsworth fans, another aim of this book is to help new listeners enter the frequently misunderstood universe of this "ahead-of-his-time" guitar genius. A full explanation of Holdsworth's approach to music composition and improvisation is presented, designed to be appreciated and understood by both casual music fans and advanced players.

Winner of the Dundee International Book Prize At £10,000, the Dundee International Book Prize is the richest prize for an unpubished novel in the UK. This year's winning title, Devil Take the Hindmost, is a gripping historical noir set during the amphetamine-fuelled craze for velodrome racing which took London by storm in the late 1920s. Into this world stumbles Paul, a bewildered Scottish farmboy running away from home. Powerfully built with a fierce passion for cycling, he is taken under the wing of Silas, a local loan shark, and from there enters a world he is ill-equipped to survive. As the races get harder, the bets get larger, and the terrifying Mr Morton starts to take an interest in Paul's career. For fans of Peaky Blinders and Brighton Rock, Devil Take the Hindmost is a thrilling ride through a historical London that is rarely visited. 'A Graham Greene-esque noir with suspense and peril. I loved the cut back and forth of the time line to create drama..." Denise Mina, author and judge, Dundee International Book Prize 'Intriguing, thrilling and brilliantly realised. A fantastic debut.' Danny Wallace, author, broadcaster and judge, Dundee International Book Prize 'Perhaps the first cycling noir I've ever read, Martin Cathcart's excellent debut, Devil Take the Hindmost, is filled with early twentieth century period detail and a slow-burn sense of menace that builds over the course of its twisting plot. But a good plot is nothing without character, and in the innocent abroad Paul and his new 'friend' Silas, we have one of the finest double acts I've read in a while. Devil Take the Hindmost is an assured first novel from an author who deserves to overtake the competition and race to take first place.' Russel D McLean, author of the J McNee detective series

Ms. Donna Haskins is an African American woman who wrestles with structural inequity in the streets of Boston by inhabiting an alternate dimension she refers to as the “spirit realm.” In this other place, she is prepared by the Holy Spirit to challenge the restrictions placed upon Black female bodies in the United States. Growing into her spiritual gifts of astral flight and time travel, Donna meets the spirits of enslaved Africans, conducts spiritual warfare against sexual predators, and tends to the souls of murdered Black children whose ghosts haunt the inner city. Take Back What the Devil Stole centers Donna’s encounters with the supernatural to offer a powerful narrative of how one woman seeks to reclaim her power from a lifetime of social violence. Both ethnographic and personal, Onaje X. O. Woodbine’s portrait of her spiritual life sheds new light on the complexities of Black women’s religious participation and the lived religion of the dispossessed. Woodbine explores Donna’s religious creativity and her sense of multireligious belonging as she blends together Catholic, Afro-Caribbean, and Black Baptist traditions. Through the gripping story of one local prophet, this book offers a deeply original account of the religious experiences of Black women in contemporary America: their bodies, their haunted landscapes, and their spiritual worlds.

"Historical fiction lovers will easily become lost in this thrilling Revolutionary War adventure." --RT Book Reviews"Fiction becomes believable and fascinating in this poignant story." --GoodbooksToday"An epic read in every sense of the word." --E-book Planet"Far more textured and authentic than a by-the-numbers romance." --Historical Novel SocietyGeorge Washington has been marked for death. British agents embedded in the Continental Army wait only for the order to strike. Racing against time, rebel spy Ethan Matlock sets out to protect the one man who can save the Revolution. Without General Washington, the whole American enterprise might easily collapse, for no one else has demonstrated the ability to keep together an army that constantly threatens to fall apart.Boldly Ethan infiltrates the heart of the British military, occupiers of grand old Philadelphia, where elegant officers posture in drawing rooms and frolic in the bedrooms of the rich. Surrounded by twenty thousand redcoats, aware that the slightest misstep could lead to the gallows, Ethan resorts to vicious measures to unravel a conspiracy of power-hungry men. Against his better judgment, he becomes entangled with the provocative Miss Maddie Graves, whose fierce devotion to the American cause ironically threatens his mission.A Readers' Favorite 2017 book award winner.

John Franklin Bardin's most acclaimed work plays a virtuoso performance on music and madness in this unforgettable thriller. In 1946 New York, Ellen, a world-renowned musician, is suffering from the effects of her latest mental breakdown. Amongst other challenges, a chance meeting with a folk singer from her past causes her psychological well-being to rapidly deteriorate. Over the following terrifying weeks, Ellen finds herself becoming both a criminal and a victim as she attempts to contend with the darkness within. "We have all had these feelings, more or less, and now and then. The healthier among us try to step back from the brink, try to laugh at what might have happened if we had gone a bit further. The reader of these tales will read in horror—those who can take it. And they will not forget very soon." —Patricia Highsmith

Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.