Temptation lurks around every corner in worlds sometimes dark, sometimes lurid. Giving in is both dangerous and satisfying, though never in the ways one expects. While these enticements offer a vast range of benefits and boons, the cost is a soul and the devil expects his due. Sometimes suave and charming or calculating and cruel, these devils have schemes and desires of their own. They can be creatures to run away from... or toward. Join the most unique and celebrated authors of LGBTQ urban fantasy and paranormal fiction for a fast-paced and unpredictable ride, from a city on the other side of reality, to a world suspended in dusk, to a twisted version of the 1960s and 70s. Meet devils in top hats and waistcoats, a defrocked motorcycle-riding priest, and a genderfluid antihero--among many more. Full of humor, romance, horror, action, intrigue, and magic, these stories have one common element.... They're one hell of a good time.

The road to hell is paved with good intentions. Or is that wicked seductions? Annie Theophilus is used to life not going her way, but now the future is looking bright. She's engaged and finally getting her happily-ever-after-until she catches her fianc cheating. The garage seems to be the safest place for a well-deserved crying jag. Instead, it proves to be a portal from hell, out of which a sexy denizen of the underworld has just emerged. Namtar, one-time death-bringer to mortals, has come through an Earth portal for one thing-power. If he can convince a human to willingly sacrifice mortality for eternity in the Underworld, he will gain the power he needs to get the queen off her throne and secure a future for his people. But Annie's seduction doesn't go as smoothly as planned. Somehow she steals a piece of his heart, and he finds himself struggling with a depth of feeling he's never known. Now, thanks to his own hesitation, they're on the run from a murderous ex-fianc and a few enraged demons. How can he ask her to give him her soul-when all he can offer her is pain? Warning: This book contains sex in a garage, sex on the run, and shades of BDSM experimentation between willing partners as well as graphic depictions of an insane demon queen punishing her male and female lovers with stuff that put the ick in icky.I mean kinky.

A lively, original, and challenging history of stock market speculation from the 17th century to present day. Is your investment in that new Internet stock a sign of stock market savvy or an act of peculiarly American speculative folly? How has the psychology of investing changed—and not changed—over the last five hundred years? In Devil Take the Hindmost, Edward Chancellor traces the origins of the speculative spirit back to ancient Rome and chronicles its revival in the modern world: from the tulip scandal of 1630s Holland, to “stockjobbing” in London's Exchange Alley, to the infamous South Sea Bubble of 1720, which prompted Sir Isaac Newton to comment, “I can calculate the motion of heavenly bodies, but not the madness of people.” Here are brokers underwriting risks that included highway robbery and the “assurance of female chastity”; credit notes and lottery tickets circulating as money; wise and unwise investors from Alexander Pope and Benjamin Disraeli to Ivan Boesky and Hillary Rodham Clinton. From the Gilded Age to the Roaring Twenties, from the nineteenth century railway mania to the crash of 1929, from junk bonds and the Japanese bubble economy to the day-traders of the Information Era, Devil Take the Hindmost tells a fascinating story of human dreams and folly through the ages.

The Devil is attacking our youth.

In the 1920s the prohibition on liquor was in full swing in the US and unscrupulous Canadians sold liquor across the border to the thirsty Americans. In an isolated corner of Tsawwassen, BC right on the the border with Point Roberts, Wash stood a roughly built house and lodge. "A place of entertainment were you could get anything you wanted. You could bring a woman of if you didn't have one she'd get you one," said Provincial Police Constable Warren "Slim" Cameron. The roughneck woman who lived there and ran the operation was Pansy May Stuttard. She lived an interesting life, often on the wrong side of the law. After American prohibition ended in the 1930s, she moved up the road to where Fred Gingell Park is today. This is the story of "Pistol-packin' Pansy" and her survival in what was very much a man's world.

Ms. Donna Haskins is an African American woman who wrestles with structural inequity in the streets of Boston by inhabiting an alternate dimension she refers to as the “spirit realm.” In this other place, she is prepared by the Holy Spirit to challenge the restrictions placed upon Black female bodies in the United States. Growing into her spiritual gifts of astral flight and time travel, Donna meets the spirits of enslaved Africans, conducts spiritual warfare against sexual predators, and tends to the souls of murdered Black children whose ghosts haunt the inner city. Take Back What the Devil Stole centers Donna’s encounters with the supernatural to offer a powerful narrative of how one woman seeks to reclaim her power from a lifetime of social violence. Both ethnographic and personal, Onaje X. O. Woodbine’s portrait of her spiritual life sheds new light on the complexities of Black women’s religious participation and the lived religion of the dispossessed. Woodbine explores Donna’s religious creativity and her sense of multireligious belonging as she blends together Catholic, Afro-Caribbean, and Black Baptist traditions. Through the gripping story of one local prophet, this book offers a deeply original account of the religious experiences of Black women in contemporary America: their bodies, their haunted landscapes, and their spiritual worlds.

The uncompromising work of electric guitarist Allan Holdsworth is revered by some of the most accomplished musicians in rock, jazz, fusion and metal, including such ground-breaking artists as Steve Vai, John McLaughlin, Eddie Van Halen, Alex Lifeson, Frank Zappa, Joe Satriani, and countless others. Starting off his career with bands such as The Tony Williams New Lifetime, Bruford, U.K., and Soft Machine, in the early 1980s Holdsworth began releasing music under his own name, with bands comprised of some of the most creatively virtuosic players in rock and jazz. Aside from developing one of the most unique and recognizable styles in electric guitar, Holdsworth also pioneered the role of guitar synthesis in jazz composition and improvisation, and his work in the medium eventually gained the complexity and cinematic flavor of orchestral music (although achieved through electronic textures). This book (originally published in blog form as "A Thread of Lunacy: Appreciation and Analysis of the Otherworldly Music of Allan Holdsworth") traces the development of Holdsworth's musical works from 1969 to 2017 by examining more than 60 records which he led or recorded on. In addition to detailed musical explorations of these records, hundreds of published and unpublished interview fragments from print and online sources have been organized (by album) in order to give an idea of the circumstances behind each record and each stage of Holdsworth's career. Although this book is a perfect reference for Allan Holdsworth fans, another aim of this book is to help new listeners enter the frequently misunderstood universe of this "ahead-of-his-time" guitar genius. A full explanation of Holdsworth's approach to music composition and improvisation is presented, designed to be appreciated and understood by both casual music fans and advanced players.

A Dickensian coming-of-age tale about poverty, sex, World War I, and the darker side of human nature as seen through the eyes of a lobby boy in a Budapest hotel. Temptation is a rediscovered masterwork of twentieth-century fiction, a Dickensian tale of a young man coming of age in Budapest between the wars. Illegitimate and unwanted, Béla is packed off to the country to be looked after by a peasant woman the moment he is born. She starves and bullies him, and keeps him out of school. He does his best to hold his own, and eventually his mother brings him back to live with her in the city. In thrall to his feckless father, Mishka, and living in a crowded tenement, she works her fingers to the bone, while Béla shares a room with a hardworking prostitute. Finally, Béla secures a job in a fancy hotel. Though exhausted by endless work, he is fascinated by the upper-crust world that his new job exposes him to; soon he is embroiled with a rich, damaged, and dangerous woman. The atmosphere of Budapest is increasingly poisoned by the appeal of fascism, while Béla grows ever more aware of how power and money keep down the working classes. In the end, with all the odds still against him, he musters the resolve to set sail for a new future.

In the last fifty years, folklorists have amassed an extraordinary corpus of contemporary legends including the “Choking Doberman,” the “Eaten Ticket,” and the “Vanishing Hitchhiker.” But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s. Young introduces seventy Victorian urban legends ranging from “Beetle Eyes” to the “Shoplifter’s Dilemma” and from “Hands in the Muff” to the “Suicide Club.” While a handful of these stories are already known, the vast majority have never been identified, and they have certainly never received scholarly treatment. Young begins the volume with a lengthy introduction assessing nineteenth-century media, emphasizing the importance of the written word to the perpetuation and preservation of these myths. He draws on numerous nineteenth-century books, periodicals, and ephemera, including digitized newspaper archives—particularly the British Newspaper Archive, an exciting new hunting ground for folklorists. The Nail in the Skull and Other Victorian Urban Legends will appeal to an academic audience as well as to anyone who is interested in urban legends.