Excerpt from Designs on Prehistoric Hopi PotteryAs a, rule archeologists have relied on technique, form, and especi ally color, in the classification of Pueblo pottery, leading, on the technical side, .to the groups known as (a) rough, coiled ware, and (b) smooth, polished ware; and on that of form, to bowls, vases, jars, dippers, etc. When color is used as the basis of classification the divisions black and white, red, yellow, orange, and polychrome are readily differentiated. Classifications based on these data are useful, as they indicate cultural as 'well as geographical differences in Pueblo ceramics; but these-divisions can be used only with limita tions in a study of stages Of culture growth. The fact that they are not emphasized in the present article is not because their importance is overlooked, but rather for the purpose of supplementing them with a classification that is independent of and in some particulars more reliable for indicating chronology and culture distinctions.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Hardcover, 199 pages, 750 color and historic b & w illustrations; Dimensions (in inches): 11.50 x 1.00 x 8.75 Vol. 1 - American Indian Art Series. REVIEWS: ***** The Bible of Native Arts! Native Peoples Magazine The volume will for decades remain a primary resource. Dr. Bruce Bernstain, Smithsonian Institutiton, National Museum of the American Indian We applaud the efforts of Dr. Gregory Schaaf in his American Indian Art Series. Susan Pourian, The Indian Craft Shop, Department of Interior THE reference books for Indian art. Isa and Dick Diestler

When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

This Is A New Release Of The Original 1919 Edition.

273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.

A key to the interpretation of rock art of the American Southwest, providing descriptions and illustrations of rock art symbols, along with their ascribed meanings, and including general and specific information on rock art sites.