273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.

Jose Guadalupe Posada is one of the most important graphic artists of modern Mexico. This book offers a close examination of his extensive broadsheet work in its original context: the murders, disasters, revolts, and popular heroes that engaged the attention of the public in Mexico City in the declining years of Porfirio Diaz's dictatorship. Patrick Frank analyzes the sources of Posada's style in Mexican and European prints and cartoons and shows how he altered them to fill his illustrations with vigor and life. Frank shows that Posada's outlook was that of the working class and that he depicted the stories of his day from a vantage point belonging neither to the defenders of the regime nor to its organized opposition. This book brings fresh insights to the work of a major figure in Mexican art history.

Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.

Ceci anxiously awaits her first posada, the special Mexican Christmas party, and the opportunity to select a piñata for it.

Tomie dePaola's glorious paintings are as luminous as the farolitos that light up on the Plaza in Santa Fe for the procession of Las Posadas, the tradition in which Mary and Joseph go from door to door seeking shelter at the inn on Christmas Eve.This year Sister Angie, who is always in charge of the clebration, has to stay home with the flu, and Lupe and Roberto, who are to play Mary and Joseph, get caught in a snowstorm. But a man and a woman no one knows arrive in time to take their place in the procession and then mysteriously disappear at the end before they can be thanked.That night we witness a Christian miracle, for when Sister Angie goes to the cathedral and kneels before the statue of Mary and Jospeh, wet footprints from the snow lead up to the statue.

Presents a collection of historical engravings depicting costumed skeletons representing the Mexican celebration of of Dia de los Muertos.

n the occasion of Jose Guadalupe Posada's (1852-1913) lucentous centenary, a group of historians and writers reflect on different aspects of his life and work. The book contains essays written by Juan Villoro, Helia Bonilla, Montserrat Gali and Rafael Barajas. Added to this is the study by Mercurio Lopez Casillas, which compiles a significant part of Posada's work, organizing it in chronological order and by stamping techniques. It also contains two sections dealing with the technical transition from lead to zinc and examples of the iconographic sources that served as models for the engraver. It also collects about a thousand reproductions of original periodic prints and dozens of unpublished prints. For the quality of the studies, the design, the selection of work and the editorial care Posada: 100 years of skulls is outlined as the indispensable work of the centenary. 868 illustrations

Newbery Award-winning and New York Times bestselling author Matt de la Peña's Mexican WhiteBoy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions. Danny's tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound he loses it. But at his private school, they don’t expect much else from him. Danny’ s brown. Half-Mexican brown. And growing up in San Diego that close to the border means everyone else knows exactly who he is before he even opens his mouth. Before they find out he can’t speak Spanish, and before they realize his mom has blond hair and blue eyes, they’ve got him pegged. But it works the other way too. And Danny’s convinced it’s his whiteness that sent his father back to Mexico. That’s why he’s spending the summer with his dad’s family. Only, to find himself, he may just have to face the demons he refuses to see--the demons that are right in front of his face. And open up to a friendship he never saw coming. Matt de la Peña's critically acclaimed novel is an intimate and moving story that offers hope to those who least expect it. "[A] first-rate exploration of self-identity."-SLJ "Unique in its gritty realism and honest portrayal of the complexities of life for inner-city teens...De la Peña poignantly conveys the message that, despite obstacles, you must believe in yourself and shape your own future."-The Horn Book Magazine "The baseball scenes...sizzle like Danny's fastball...Danny's struggle to find his place will speak strongly to all teens, but especially to those of mixed race."-Booklist "De la Peña blends sports and street together in a satisfying search for personal identity."-Kirkus Reviews "Mexican WhiteBoy...shows that no matter what obstacles you face, you can still reach your dreams with a positive attitude. This is more than a book about a baseball player--this is a book about life."-Curtis Granderson, New York Mets outfielder An ALA-YALSA Top Ten Best Book for Young Adults A Junior Library Guild Selection