In Masquerade, Alfred F. Young scrapes through layers of fiction and myth to uncover the story of Deborah Sampson, a Massachusetts woman who passed as a man and fought as a soldier for seventeen months toward the end of the American Revolution. Deborah Sampson was not the only woman to pose as a male and fight in the war, but she was certainly one of the most successful and celebrated. She managed to fight in combat and earn the respect of her officers and peers, and in later years she toured the country lecturing about her experiences and was partially successful in obtaining veterans’ benefits. Her full story, however, was buried underneath exaggeration and myth (some of which she may have created herself), becoming another sort of masquerade. Young takes the reader with him through his painstaking efforts to reveal the real Deborah Sampson in a work of history that is as spellbinding as the best detective fiction.

Biography of Deborah Sampson Gannett, a young woman who, disguised as a man, served in the army during the American Revolution.

“A remarkable novel” (The New York Times) about America’s first female soldier, Deborah Sampson Gannett, who ran away from home in 1782, successfully disguised herself as a man, and fought valiantly in the Revolutionary War. At a time when rigid societal norms seemed absolute, Deborah Sampson risked everything in search of something better. Revolutionary, Alex Myers’s richly imagined and carefully researched debut novel, tells the story of a fierce-tempered young woman turned celebrated solider and the remarkable courage, hope, fear, and heartbreak that shaped her odyssey during the birth of a nation. After years of indentured servitude in a sleepy Massachusetts town, Deborah chafes under the oppression of colonial society and cannot always hide her discontent. When a sudden crisis forces her hand, she decides to escape the only way she can, rejecting her place in the community in favor of the perilous unknown. Cutting her hair, binding her chest, and donning men’s clothes stolen from a neighbor, Deborah sheds her name and her home, beginning her identity-shaking transformation into the imaginary “Robert Shurtliff”—a desperate and dangerous masquerade that grows more serious when “Robert” joins the Continental Army. What follows is a journey through America’s War of Independence like no other—an unlikely march through cold winters across bloody battlefields, the nightmare of combat and the cruelty of betrayal, the elation of true love and the tragedy of heartbreak. As The Boston Globe raves, “Revolutionary succeeds on a number of levels, as a great historical-military adventure story, as an exploration of gender identity, and as a page-turning description of the fascinating life of the revolutionary Deborah Sampson.”

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A famous female soldier of the Revolutionary War There have been few notable women who have joined their nations colours to fight in its causes on the battlefield. Fewer still have actually donned the uniform of a soldier and in the guise of men fought in in the ranks. Several nations have notable examples. The English have their 'Mother Ross' who fought as a dragoon during Marlborough's campaigns and there are several examples from both sides of the American Civil War. Deborah Sampson also felt her nation's call, in her case the emergent United States of America at the time when the young country rose to shake off the shackles of colonialism. In 1778, aged just 18 years old, young Deborah disguised herself in male attire and attempted to join the ranks of Washington's Continental Army. Fearful she had been discovered she failed to report for duty; but in 1782 under the name of her late brother, Robert Shurtliff Sampson, she finally achieved her objective. She found herself posted to the distinctively uniformed ranks of the light company of the 4th Massachusetts Regiment. Deborah fought in several skirmishes before her first battlefield engagement at Tarrytown during which she was wounded in the thigh and cut about the head. Afraid of discovery, she treated herself with penknife and twine. Her gender was discovered in 1783 by a doctor who was treating her for a fever though he did not reveal his discovery. Deborah Sampson's true identity was never formally acknowledged right up to the point she was honourably discharged in October 1783. This book was originally published under the title The Female Review. Life of Deborah Sampson, the Female Soldier in the War of the Revolution. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

This classic middle grade novel tells the extraordinary story of Deborah Sampson, a woman who disguised herself as a man in order to enlist and fight in the American Revolution.

Cokie Roberts's number one New York Times bestseller, We Are Our Mothers' Daughters, examined the nature of women's roles throughout history and led USA Today to praise her as a "custodian of time-honored values." Her second bestseller, From This Day Forward, written with her husband, Steve Roberts, described American marriages throughout history, including the romance of John and Abigail Adams. Now Roberts returns with Founding Mothers, an intimate and illuminating look at the fervently patriotic and passionate women whose tireless pursuits on behalf of their families -- and their country -- proved just as crucial to the forging of a new nation as the rebellion that established it. While much has been written about the men who signed the Declaration of Independence, battled the British, and framed the Constitution, the wives, mothers, sisters, and daughters they left behind have been little noticed by history. Roberts brings us the women who fought the Revolution as valiantly as the men, often defending their very doorsteps. While the men went off to war or to Congress, the women managed their businesses, raised their children, provided them with political advice, and made it possible for the men to do what they did. The behind-the-scenes influence of these women -- and their sometimes very public activities -- was intelligent and pervasive. Drawing upon personal correspondence, private journals, and even favored recipes, Roberts reveals the often surprising stories of these fascinating women, bringing to life the everyday trials and extraordinary triumphs of individuals like Abigail Adams, Mercy Otis Warren, Deborah Read Franklin, Eliza Pinckney, Catherine Littlefield Green, Esther DeBerdt Reed, and Martha Washington -- proving that without our exemplary women, the new country might never have survived. Social history at its best, Founding Mothers unveils the drive, determination, creative insight, and passion of the other patriots, the women who raised our nation. Roberts proves beyond a doubt that like every generation of American women that has followed, the founding mothers used the unique gifts of their gender -- courage, pluck, sadness, joy, energy, grace, sensitivity, and humor -- to do what women do best, put one foot in front of the other in remarkable circumstances and carry on.

In the 1700s, women's responsibilities were primarily child rearing and household duties. But Deborah Sampson wanted more from life. She wanted to read, to travel—and to fight for her country's independence. When the colonies went to war with the British in 1775, Deborah was intent on being part of the action. Seeing no other option, she disguised herself in a man's uniform and served in the Continental army for more than a year, her identity hidden from her fellow soldiers. Accomplished writer Sheila Solomon Klass creates a gripping firstperson account of an extraordinary woman who lived a life full of danger, adventure, and intrigue.

In The Soldier’s Two Bodies, James M. Greene investigates an overlooked genre of early American literature—the Revolutionary War veteran narrative—showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation’s first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans’ past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans’ lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier’s Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.

The remarkable story of Deborah Sampson, a woman who fought in the American Revolution disguised as a man—and who ends up finding her true identity and purpose in life. Deborah Sampson didn’t like being told what to do, especially by the King of England. Fiercely independent, 18-year-old Deborah enlists as Robert Shurtliff in George Washington’s Continental Army to fight for her country’s independence. But being a soldier is hard, dangerous work. Can she fight for her country and keep her identity a secret? Can she also discover who she really is and find her true purpose? This unbelievable story from American history about a woman with a rebel spirit will inspire and enlighten young readers. “Cloaked in Courage is inspiring storytelling centering the life and actions of a brave woman and soldier, Deborah Sampson. Anderson’s contribution brings to light a lesser-known hero in history and emphasizes the importance of historical investigation and research.” —Lori Ann Terjesen, director of education, National Women’s History Museum