In The Soldier’s Two Bodies, James M. Greene investigates an overlooked genre of early American literature—the Revolutionary War veteran narrative—showing that it by turns both promotes and critiques a notion of military heroism as the source of U.S. sovereignty. Personal narratives by veterans of the American Revolution indicate that soldiers in the United States have been represented in two contrasting ways from the nation’s first days: as heroic symbols of the body politic and as human beings whose sufferings are neglected by their country. Published from 1779 through the late 1850s, narrative accounts of Revolutionary War veterans’ past service called for recognition from contemporary audiences, inviting readers to understand the war as a moment of violence central to the founding of the nation. Yet, as Greene reveals, these calls for recognition at the same time underscored how many veterans felt overlooked and excluded from the sovereign power they fought to establish. Although such narratives stem from a discourse that supports centralized, continental nationalism, they disrupt stable notions of a unified American people by highlighting those left behind. Greene discusses several well-known examples of the genre, including narratives from Ethan Allen, Joseph Plumb Martin, and Deborah Sampson, along with Herman Melville's fictional adaptation of the life of Israel Potter. Additional chapters focus on accounts of postwar frontier actions, including narratives collected by Hugh Henry Brackenridge that voice concerns over populist violence, along with stranger narratives like those of Isaac Hubbell and James Roberts, which register as fantastic imitations of the genre commenting on antebellum racial politics. With attention to questions of historical context and political ideology, Greene charts the process by which veteran narratives promote exception, violence, and autonomy, while also encouraging restraint, sacrifice, and collectivity. Revolutionary War veteran narratives offer no easy solutions to the appropriation of veterans’ lives within military nationalism and sovereign violence. But by bringing forward the paradox inherent in the figure of the U.S. soldier, the genre invites considerations of how to reimagine those representations. Drawing attention to paradoxes presented by the memory of the American Revolution, The Soldier’s Two Bodies locates the origins of a complicated history surrounding the representation of veterans in U.S. politics and culture.

A poignant, deeply human portrait of Egypt during the Arab Spring, told through the lives of individuals A FINANCIAL TIMES AND AN ECONOMIST BOOK OF THE YEAR 'This will be the must read on the destruction of Egypt's revolution and democratic moment' Sarah Leah Whitson, Middle East director of Human Rights Watch 'Sweeping, passionate ... An essential work of reportage for our time' Philip Gourevitch, author of We Wish to Inform You That Tomorrow We Will Be Killed with Our Families In 2011, Egyptians of all sects, ages and social classes shook off millennia of autocracy, then elected a Muslim Brother as president. New York Times correspondent David D. Kirkpatrick arrived in Egypt with his family less than six months before the uprising first broke out in 2011. As revolution and violence engulfed the country, he lived through Cairo's hopes and disappointments alongside the diverse population of his new city. Into the Hands of the Soldiers is a heartbreaking story with a simple message: the failings of decades of autocratic rule are the reason for the chaos we see across the Arab world. Understanding the story of what happened in those years can help readers make sense of everything taking place across the region today – from the terrorist attacks in North Sinai to the bedlam in Syria and Libya.

An explosive thriller of drugs, gang warfare, and two fatherless teenage boys on the wrong side of the law. In a bleak Stockholm suburb where juvenile gang crime is rapidly on the rise, two 19-year-old boys, best friends since third grade and drug addicts since age 9, have spent their young lives establishing a ruthless criminal enterprise--known as the Raby Warriors. With the recruitment of children as foot soldiers, the Warriors are now poised to become the most powerful syndicate in the region. Twenty years on the force, Jose Pereira now heads the Organized Crime and Gang Section in Raby. If it was not so deadly, Pereira might appreciate the absurdity of watching boys like Leon and Gabriel, raised on Hollywood images, morph themselves into characterizations of gangsters. After Leon and Gabriel execute a maximum-security prison break, in which a female guard is kidnapped and feared murdered, Pereira Chief Superintendent Ewert Grens joins the investigation, a maverick detective who never gives up. For Grens, this case awakens troubled ghosts from his past. Soon all four are on a violent collision course that will irrevocably change all their lives.

The award-winning combat historian and author of Washington’s Immortals honors the Unknown Soldier with this “gripping story” of America’s part in WWI (Washington Times). The Tomb of the Unknown Soldier is sacred ground at Arlington National Cemetery. Originally constructed in 1921 to hold one of the thousands of unidentified American soldiers lost in World War I, it now receives millions of visitors each year. “With exhaustive research and fluid prose,” historian Patrick O’Donnell illuminates the saga behind the creation of the Tomb itself, and the stories of the soldiers who took part in its consecration (Wall Street Journal). When the first Unknown Soldier was laid to rest in Arlington, General John Pershing selected eight of America’s most decorated veterans to serve as Body Bearers. These men appropriately spanned America’s service branches and specialties. Their ranks include a cowboy who relived the charge of the light brigade, an American Indian who heroically breached mountains of German barbed wire, a salty New Englander who dueled a U-boat for hours in a fierce gunfight, a tough New Yorker who sacrificed his body to save his ship, and an indomitable gunner who, though blinded by gas, nonetheless overcame five machine-gun nests. In telling the stories of these brave men, O’Donnell shines a light on the service of all veterans, including the hero they brought home. Their stories present an intimate narrative of America’s involvement in the Great War, transporting readers into the midst of dramatic battles that ultimately decided the conflict.

This vibrant collection of essays reveals the intimate politics of how people with a wide range of relationships to war identify with, and against, the military and its gendered and racialised norms. It synthesises three recent turns in the study of international politics: aesthetics, embodiment and the everyday, into a new conceptual framework. This helps us to understand how militarism permeates society and how far its practices can be re-appropriated or even turned against it.

By 1914, Australia's German immigrants were well-regarded in their communities and made up (after Irish and Scots) the fourth-largest white ethnic community in Australia. This history traces the experience of the immigrants who enlisted for service in World War I and the difficulties they faced.

This book highlights obedience as an American cultural motif by examining the ways in which citizens understand and dramatize the struggle between autonomy and allegiance. Willing Obedience tells the story of Americans who worked out the simultaneous demands of liberty and obedience in fiction, military memoir, and political writing from the Revolution through the nineteenth century. In contrast to the European model of a subject's blind obedience to a monarch, Americans imagined an allegiance that preserved autonomy even as they consented to the constraints of a new republic. In particular, the book considers the case of the soldier, whose surprisingly complex relationship to authority is in fact representative of the situation of all citizens in a republic.