In the summer of 1974 the movie Death Wish stunned audiences with its powerful story of an enraged businessman who hits the streets with a handgun to avenge the brutal violation of his wife and daughter. The film packed theaters with cheering moviegoers, became one of the highest-grossing and most controversial movies of the year, and turned star Charles Bronson into the hottest screen icon in the world. Over the next twenty years, four increasingly-violent sequels delivered thrills to a growing legion of fans and solidified the legend of Charles Bronson. Now, for the first time, Death Wish fanatics, Bronson cultists, and action movie lovers will discover fascinating information about the series. In exclusive comments, director Michael Winner, actor Kevyn Major Howard, novelist Brian Garfield, and many others reveal what it was like to work on the Death Wish movies with one of the most charismatic and elusive stars of all time. Covering every aspect of all five movies (including unused casting suggestions, deleted scenes and alternate cuts) and loaded with rare advertising artwork, Bronson's Loose!: The Making of the "Death Wish" Films tells the compelling, untold story behind the most explosive action series in film history.

EVIL KENEVIL MEETS THE PHANTOM OF THE OPERA IN THIS ORIGINAL FAST AND THE FURIOUS! THE GREATEST DAREDEVIL OF THEM ALL - BECAUSE HE DOESN'T CARE IF HE LIVES OR DIES! Blake Edmonds had it all - fame, money, looks... and then the world-famous F1 driver suffered a terrible accident which left him hideously disfigured. Fashioning a mask to hide his terrible visage, Edmonds has taken on a new career as a stuntman, flirting with death on a regular basis.

In a nightmarish new york city, life is there for the taking in the fourth Cal Leandros novel from New York Times bestselling author Rob Thurman. Half-human Cal Leandros and his brother Niko are barely getting by with their preternatural investigative agency when the vampire Seamus hires them. He’s being followed, and he wants to know by whom. But the Leandros brothers have to do more than they planned when Seamus turns up dead (or un-undead). Worse still is the return of Cal's nightmarish family—the Auphe. The last time Cal and Niko faced them, they were almost wiped out. Now, the Auphe want revenge. And Cal knows that before they get to him, they will destroy everything and everyone he holds dear. Because, for the Auphe, Cal's pain is a pleasure. And they’re feeling good...

Officer Gabriella Maria Flores desperately needs a big win to save her career. A case that proves that she has her act together, something non-controversial to make people forget the recent scandal she's been involved in. Instead, the murder she catches couldn't be more high-profile, the number one suspect her boss's brother. Means, motive, opportunity--check. And open-and-shut case, if she's ever seen one. But then, instead of arresting the suspect, why is she falling in love with him?

Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more. Passionate and idiosyncratic, each volume of Deep Focus is long-form criticism that's relentlessly provocative and entertaining.Christopher Sorrentino's examination of Death Wish is the second entry in the series. The fourth collabora.

Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more. Passionate and idiosyncratic, each volume of Deep Focus is long-form criticism that’s relentlessly provocative and entertaining. Christopher Sorrentino’s examination of Death Wish is the second entry in the series. The fourth collaboration between director Michael Winner and actor Charles Bronson, Death Wish was the apotheosis of a succession of films hitting screens during the seventies—including Bullitt, Dirty Harry, and Walking Tall—that tacked against a prevailing liberal wind in Hollywood cinema. Exploiting audience fears of a bestial “other” infesting American cities, and explicitly linking law and order with a pastoral ideal of the Old West (and exurban subdivisions), its glib endorsement of vigilantism infuriated liberal critics even as it filled theaters with cheering audiences. Sorrentino examines Death Wish in its various contexts—as movie, as provocation, as social commentary, as political tautology, and as depiction of urban life—and considers its lasting influence on cinema.

Hardware and Deathwish are getting closer to finding the serial killer. Hardware learns his partner’s ugly secret and makes a chilling personal discovery about the nature of vengeance. Written by Dwayne McDuffie and pencilled by Denys Cowan. Cover by Cowan and Mike Manley.

Poetry. Ben Fama's DEATHWISH drops us back into the beauty and the fantasies teased out in his first book of poetry, FANTASY, re-braiding them through BDSM scenarios, metaphysical inquiries, and the maximalism of the contemporary. "If your iPhone had any feelings it would write like Ben Fama."�Ariana Reines "Ben Fama's 'I' is a desolate seer; his 'you' is us all; reading DEATHWISH is a role play. These sexy, uncluttered poems are love notes and accusations saturated with a personal/political heartsickness I find weirdly consoling. Fama's vivid, semi-abstract renderings of moments within our terrible moments are gifts."�Johanna Fateman "DEATHWISH finds beauty in scarcity and drained resources�nudes take up all the data, and brunch is a blackout. These poems want to die young, but instead live out the melancholy of endurance. I loved this book."�Chelsea Hodson