A fast-paced middle grade novel perfect for fantasy lovers! Lily's thirteenth birthday starts off with a bang. Literally. A present explodes on her porch . . . and soon after, a trio of leprechauns (yes, leprechauns) appears in her bedroom. They whisk her away to a land of clover, piskies, a new friend, a cute boy, and lots of glimmering, glittering gold. A world of Green. It turns out that Lily—as her grandmother was before her—is in line to be keeper for the Clan of Green, in charge of all their gold. That is, if she passes three tests. And she has to pass them. Because if she doesn't? She may never get to go home again. She'll be stuck with the Greens. Forever.

The themes that are interwoven like leitmotive in Julien Green's Journal--love, death, art, dreams, water, etc.--are also abundantly present in his novels. Wildgen traces these tapestry-like patterns throughout Green's works with sensitivity and comprehension. ",,,(Wildgen) looks for the deeper ways in which thematic threads connect, and she reveals patterns not previously explored by Green scholars. ...we are indeed in Kathryn Wildgen's debt for this important new achievement in Green studies." --South Atlantic Review.

It is widely understood that the burdens of ecological destruction are borne disproportionately by working-class and poor communities, both through illness and disease caused by pollutants and through the depletion of natural resources from which they make a living. Yet, consistently, the voices of the working class are the most marginalized, excluded, and silenced when discussing how to address ecological concerns and protect the environment from future destruction. Both mainstream environmental groups, such as the Sierra Club and Greenpeace, and radical environmentalists, such as EarthFirst!, are reluctant to engage with working-class and poor communities, often viewing blue-collar workers as responsible for the destruction these groups are trying to prevent. In Green Syndicalism, Shantz issues a call to action to the environmental movement and labor activists, particularly rank and file workers, to join forces in a common struggle to protect the environment from capitalism, corporate greed, and the extraction of resources. He argues for a major transformation to address the "jobs versus the environment" rhetoric that divides these two groups along lines of race and class. Combining practical initiatives and theoretical perspectives, Shantz offers an approach that brings together radical ecology and revolutionary unionism in a promising vision of green politics. Green syndicalists work as coalitions to increase community-based economics and productive decision making that encourages the participation of all stakeholders in the process. Drawing, in part, on his own experiences growing up in a working-class family and organizing within radical ecology and labor movements, Shantz charts a path that accesses the commonalities between these groups in an effort to take on the forces that destroy the environment, exploit people, and harm their communities.

By mid-career, many successful writers have found a groove and their readers come to expect a familiar consistency and fidelity. Not so with Henry Green (1905-1973). He prefers uncertainty over reason and fragmentation over cohesion, and rarely lets the reader settle into a nice cozy read. Evil, he suggests, can be as instructive as good. Through Green's use of paradoxical and ambiguous language, his novels bring texture to the flatness of life, making the world seem bigger and closer. We soon stop worrying about what Hitler's bombs have in store for the Londoners of Caught (1943) and Back (1946) and start thinking about what they have in store for each other. Praised in his lifetime as England's top fiction author, Green is largely overlooked today. This book presents a comprehensive analysis of his work for a new generation of readers.

A bold look at the body as a source of contention for those who suffer from personality disorders. This work connects interpersonal neurobiology, attachment theory, and psychoanalytic theory with cognitive and neuroscientific work on implicit memory, trauma theory, and dissociation to propose an integrated method for treating severe borderline and narcissistic disorders, with the prime aim of resolving the affect dysregulation that affects the various realms of bodily discomfort and existential pain. Each chapter presents a particular case and illustrates the methods for working with the specific problems that arise: from bulimia to self-cutting to sexual identity diffusion to suicidality. Treatment is illustrated from the initial level of careful diagnosis to the first stages of the interaction to the further steps and development of the interpersonal work of the dyad patient-therapist, including powerful enactments. In accessible language that references psychodynamic and relational psychoanalytic theory, the book proposes a revision of the etiopathogenesis of personality disorders, starting from the traumatic interpersonal exchanges (early relational trauma, maltreatment, deprivation, and abuse). The book breaks new ground on several levels. For the first time the body is accorded full attention in the treatment: developmentally and epigenetically situation as it is "in-between" the self and the other (at first, the caregiver, then in other circumstances of upbringing and traumatic personal relationships). The body is viewed as the main vehicle of this dysfunctional development, so that both the body and the subject are at once the "victim"—the recipient of the dysregulation resulting in impulsivity, destructiveness, self-harm, or eating disorders—and the internalized persecutor, i.e. the abuser of one's own body that sometimes also becomes the aggressor of others. Profoundly humane and scientifically sound, this book is a must-read for professionals, clients, and families involved in the difficult task of relieving the symptoms and reorganizing the personalities of subjects living in "borderline bodies."

Who WAS that gorgeous model? When a helicopter loses power and plunges into the icy waters of scenic Lake Tahoe, killing its only passenger, millionaire Albert Crocker Vansittart, what looks like a routine claim against a life insurance policy turns into a mystery for investigator Hobart Lindsey and his sometime collaborator Marvia Plum. The reason: half a century ago, the youthful Vansittart had come across a hardboiled mystery novel and become obsessed with the glamorous model who'd posed for the cover painting. Now, Vansittart's multimillion dollar policy is to go to "the girl on the cover of Death in the Ditch." Lindsey's pursuit of the now-aged model (if she's even still alive!) leads him into a maze of violence and deception with its roots in the politics and wars of past decades. Another first-rate combination of crime, collectibles, and American history--and the fifth book in this bestselling series!

Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound.

From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns. Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths of Oscar Wilde's half-sisters and dancer Isadora Duncan's accidental strangulation by entangled scarf; the book explores how garments have tormented those who made and wore them, and harmed animals and the environment in the process. Vividly chronicling evidence from Greek mythology to the present day, Matthews David puts everyday apparel under the microscope and unpicks the dark side of fashion. Fashion Victims is lavishly illustrated with over 125 images and is a remarkable resource for everyone from scholars and students to fashion enthusiasts.

One of Paul Green's best plays, The House of Connelly, was the first play performed (on Broadway in 1931) by the renowned Group Theatre of New York. This book reintroduces the play, and the playwright--famous in his day, but largely forgotten now, although his outdoor symphonic drama The Lost Colony continues to be performed every summer in Manteo, North Carolina. The House of Connelly, is a more traditional drama, comparable to the writing of Tennessee Williams, and the editor asserts that the play deals more directly and fully with racial issues of the early 20th-century South than Williams did in his work. A new edition of the play includes both the original tragic ending and the revised ending Green wrote upon the Group Theatre directors' request. The writing, production and publication history of the play is provided, as well as a scene-by-scene critical analysis and a discussion of the 1934 film adaptation, Carolina. The play's theme is change and Green shows with both endings that the South had to change to survive.