Who WAS that gorgeous model? When a helicopter loses power and plunges into the icy waters of scenic Lake Tahoe, killing its only passenger, millionaire Albert Crocker Vansittart, what looks like a routine claim against a life insurance policy turns into a mystery for investigator Hobart Lindsey and his sometime collaborator Marvia Plum. The reason: half a century ago, the youthful Vansittart had come across a hardboiled mystery novel and become obsessed with the glamorous model who'd posed for the cover painting. Now, Vansittart's multimillion dollar policy is to go to "the girl on the cover of Death in the Ditch." Lindsey's pursuit of the now-aged model (if she's even still alive!) leads him into a maze of violence and deception with its roots in the politics and wars of past decades. Another first-rate combination of crime, collectibles, and American history--and the fifth book in this bestselling series!

Serial killing is an extremely rare phenomenon in reality that is none-theless remarkably widespread in the cultural imagination. Moreover, despite its rarity, it is also taken to be an expression of characteristic aspects of humanity, masculinity, or our times. Richard Dyer investigates this paradox, focusing on the notion at its heart: seriality. He considers the aesthetics of the repetition of nastiness and how this relates to the perceptions and anxieties that images of serial killing highlight in the societies that produce them. Shifting the focus away from the US, which is often seen as the home of the serial killer, Lethal Repetition instead examines serial killing in European culture and cinema – ranging from Scandinavia to the Mediterranean and from Britain to Romania. Spanning all brows of cinema – including avant-garde, art, mainstream and trash – Dyer provides case studies on Jack the Ripper, the equation of Nazism with serial killing, and the Italian giallo film to explore what this marginal and uncommon crime is being made to mean on European screens.

The three decades following WWII are considered the golden age of the British thriller film. Newer characters like James Bond, along with established icons such as Sherlock Holmes, Miss Marple and The Saint, all contributed to the era's bountiful array of cinematic mystery, danger, excitement and suspense. For the first time, the extensive output of British thrillers from 1950 to 1979 is covered in one volume. Themed chapters cover a total of 845 films including spy thrillers, mystery thrillers, psychological thrillers, action-adventure thrillers, and crime thrillers. Within these chapters, films appear chronologically, each with a synopsis/review. Additional information provided for each film includes production companies and alternate British and U.S. titles, and the work includes eight useful appendices.

Harry H. Corbett rose from the slums of Manchester to become one of the best-known television stars of the 20th century. Having left home as a 17-year-old Royal Marine during the Second World War, he fought in the North Atlantic and the jungles of the Pacific and witnessed first-hand the devastation wrought by the Hiroshima bomb. On his return home he wandered into the local theatre company and landed a starring role – The Front Legs of the Cow. Soon becoming a leading light in Joan Littlewood's Theatre Workshop and a widely-respected classical stage actor, his life was changed forever by the television comedy Steptoe and Son. Overnight he became a household name as the series drew unparalleled viewing figures of over 28 million, with fans ranging from the working classes to the Royal Family. Naturally shy and a committed socialist, fame and fortune didn't sit easily on his shoulders, and for the next twenty years, until his untimely death at the age of only 57, he had to learn how to be ''Arold'. Written by his daughter, Susannah Corbett, an actor herself, this is the first biography of Harry H. Corbett, the man who was once described as being 'the English Marlon Brando'.

Seven puzzlers range from police procedurals featuring Marvia Plum and the insurance investigations of Hobart Lindsey to a superbly affecting reunion story.

Is it really over? Have Hobart Lindsey and Marvia Plum solved their last case? Lindsey, the mild-mannered bachelor insurance adjuster. Plum, the tough inner-city cop and single mom. You can hardly think of an odder couple, but somehow they were able to bring out the best in each other. Through a series of eight novels that carried them from California to Louisiana, from Denver to Chicago to New York to Rome, they explored the eccentricities of American pop culture, from comic books to race movies, from classic cars to sleazy gangster novels. And now...is this really the end? One Murder at a Time chronicles eight shorter cases of Lindsey and Plum, originally published in magazines and anthologies in the United States and Great Britain. Bonus material in this surprising book are the complete text of "Death in the Ditch," the McGuffin in The Cover Girl Killer, as well as "Yesterday Calling," the complete radio scripts of The Radio Red Killer. And the biggest treat of all--an alternate ending that was omitted from The Emerald Cat Killer, something that will delight every Lindsey and Plum fan. First-rate mystery and suspense writing from a master of the genre!

Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound. Look at the popularity of such reading guides as Willetta Heising's Detecting Women (3rd ed. 0-9644593-7-X) or Amanda Cross' fiction (Honest Doubt 0-345-44011-0 11/00).

Insurance investigator Hobart Lindsey and Berkeley police detective Marvia Plum agree to work together on a case in the San Francisco Bay Area, where a local book publisher is being sued over a novel that may be the final, missing work of a recently murdered writer.

He was a white, suburban bachelor. A total square. Lived with his mother. Worked for an insurance company. She was a black, tough, streetwise cop. Then somebody stole a quarter million dollars worth of rare comic books. And then people started getting murdered. Lindsey and Plum were like oil and water, but they had to work together, like it or not! Joe Gores, author of Hammett and other novels, said: "Lupoff writes with intelligence, humor, wisdom, and a zest for life. He had a lot of fun writing this book, and it shows; because of it, we have a lot of fun reading it." The Comic Book Killer is the first volume in Richard A. Lupoff's hugely popular Lindsey-and-Plum series. Readers will cheer the return of these grand characters and their exciting investigations.

Bob Bjorner is the last of the "red hot lefties" at radio station KRED in Berkeley, Calif. His paranoia makes him bring his personal lock to keep intruders out of the studio while he's on the air--but they get to him anyway! He opens his lunch, takes his first mouthful of sashimi, and falls over dead. Homicide detective Marvia Plum scrambles to the station in time to see broadcasters, engineers, and administrators trying to figure out what to do next. Bob Bjorner, Radio Red himself, is clearly visible through the window between the on-air studio and the control room--and nobody can get to him! THE RADIO RED KILLER is the most baffling--and fascinating!--case yet in Richard A. Lupoff's irresistable "Killer" mystery series.