In the dead middle of summer, the Scarface Detectives investigate their creepiest case yet when a mysterious client sends them to Oak Hill Cemetery, where Loonie Loraine is buried.

Dead People is a book of eulogies, written for an eclectic assortment of famous and interesting people who died in recent years. The essays were written by Stefany Anne Golberg and 2013 Whiting Award winner Morgan Meis. The book covers twenty-eight dead people in all, including intellectuals like Susan Sontag, Christopher Hitchens and Eric Hobsbawn; musicians like Sun Ra, MCA (Beastie Boys) and Kurt Cobain; writers like David Foster Wallace, John Updike and Tom Clancy; artists like Thomas Kinkade and Robert Rauschenberg; and controversial political figures like Osama bin Laden and Mikhail Kalashnikov.

"DarkCreepyHaunted?Is there something in Alans loft?Or could it be someone?Good quality fiction for the seriously struggling reader aged from 12-16. The Bookseller Award-winning authors gripping and relevant stories Top quality, age-appropriate illustrations Stylish packagingInterest age 12 Reading age 7

Pat had been best friends with Joe Murphy since they were kids. But years ago they had a fight. A big one, and they haven't spoken since --- till the day before Joe's funeral. What? On the day before his funeral Joe would be dead, wouldn't he? Yes, he would... Roddy Doyle's first book for the Quick Reads programme to support adult literacy is fast, funny and just a tiny bit spooky.

At nine years old, Monica Holloway develops a fascination with the local funeral home. Small wonder, with a father who drives his Ford pick up with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children. In between her father's bouts of violence and abuse, Monica becomes fast friends with Julie Kilner, whose father is the town mortician. She and Julie preferred the casket showroom to the parks and grassy backyards in her hometown of Elk Grove, Ohio, where they would take turns lying in their favourite coffins. In time, Monica and Julie get a job driving the company hearse to pick up bodies from the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed...

One of a series of readers for African students which aims to help them to develop an awareness and a love of language, and consists of stories from all over Africa. In this story Tembo - an African James Bond - enjoys danger, and his life is now under threat. Who is trying to kill him, and why?

A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Boston Globe • The Seattle Times SHE KNOWS WHAT IT’S LIKE. . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer. But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open. Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time. BONUS: This edition includes an excerpt from Harry Bingham's Love Story, with Murders. Praise for Talking to the Dead “Gritty, compelling . . . a procedural unlike any other you are likely to read this year.”—USA Today “With Detective Constable Fiona ‘Fi’ Griffiths, Harry Bingham . . . finds a sweet spot in crime fiction . . . think Stieg Larsson’s Lisbeth Salander . . . Denise Mina’s ‘Paddy’ Meehan [or] Lee Child’s Jack Reacher. . . . The writing is terrific.”—The Boston Globe “The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for another. But along comes a book like Talking to the Dead, and suddenly an unadvertised opening is filled. . . . [This] has the feel of something fresh and compelling.”—New York Daily News “A stunner with precision plotting, an unusual setting, and a deeply complex protagonist . . . We have the welcome promise of more books to come about Griffiths.”—The Seattle Times “Recommended highly . . . [a] riveting procedural thriller.”—Library Journal (starred review)

This book is designed for those who wish to develop their natural gifts or to understand more about the afterlife and see the signs that their loved ones are around them. Firstly, let me introduce myself. My name is Lisa Williams, and I have been working as a psychic medium for over twenty years. I never planned to work as a medium. I mean, think about it: in the '80s, having a career as a medium was never heard of. If I had gone to my teachers and said, "I want to speak to dead people for a career," I would have been carted off to the nearest mental institute. In fact, there were times that my mother would joke about the men in white coats coming to get me. I thought she was serious, and I grew up thinking that I was a little weird and hiding my ability. I was lucky to have a friend who thought my weirdness was cool. She was always asking questions about it, so I started to feel more comfortable; but as friends do, we drifted apart, and I had a new circle of friends, so I went back into the closet. I still had a growing intuition, but I curbed it and didn't say anything. I just found that I "knew" things, and I couldn't really explain it. I was actually quite shy growing up, and I found that I conformed with society about what I believed I should be like. It was easy. I fit the mold, and I didn't say anything...many people would call that being a sheep and following the crowd. Does this sound familiar to your story? It probably does. Well let me tell you: you are normal. Just because you have this gift doesn't mean that you have to hide it. For years I hid from it. I even hid it from my own parents for a while. For most of my life, my father has been a huge skeptic, and I remember the time when I had been working as a psychic medium for a while and he asked me when I was going to get a "proper job." He was an atheist and couldn't wrap his head around the concept that our soul continues to live on when our body dies. When I finally decided to come out as a medium, it was accepted and most people had a fascination about it. It was "cool" to have this gift. I grew up in the United Kingdom and so we never showed emotions, never went to therapy, and we never said we loved each other. It was a very different world to what we live in now. Going to a psychic or a medium was better than going to a therapist in the United Kingdom. When you went to the therapist you were admitting that you had a problem, it was a sign of weakness. Now it's considered a gift to be aware of your challenges, and it's actually character building. I finally surrendered to my gift after my friend helped me see that I wasn't crazy and that I actually could help others. The rest is history. What I would have benefited from, though, in those early years was some structure, discipline, and understanding. Even though my grandmother worked as a medium she died before I started, and so I didn't have anyone really to talk too. The only thing that she said to me was: "Always trust your gut instincts. It will never let you down." That is something I live by, and I will suggest that you do, too. Through my work, I have been guided by Spirit, which has shown me the way forward to work with my gift. I have built my gift on discipline and respect, which is something that I will enforce within you. I have developed the skill of delivering a message, as well as enhancing and fine-tuning my gift. These are things that I will help you with. Throughout this book you will come to understand the history of Mediumship, how to develop your gift, and how to see signs from your loved ones. You will be given daily exercises to enhance your gift and to help you connect to your own loved ones and those of other people.

Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead. And push them away and, well, help them move on. So..okay, I'm not your average 17-year-old girl. For years I've been struggling to survive the souls still roaming around. The shitheads always seem to find me. Moving from town to town every few months never helped either. More dead just always find me. But things are changing for me now. I'm moving in with my uncle Rory and cousin Tara. I'm finally going to be able to do normal teenage stuff I've been missing out on. Right? Well, if this one bitch of a ghost could leave me alone on campus that would be great. Especially since I haven't told my new friends about my abilities. Can you believe this? Five good looking guys practically adopt me on my first day of school, and I still think they're a bit nuts for it. Now if I can only just keep my life with the dead from mixing with my normal life, everything would be great. Yeah...I don't see that happening either. But I'm going to give it a shot. Who knows? It might work.

A decade dead, Jacob Campbell is a preservationist, providing a kind of taxidermy to keep his clients looking lifelike for as long as the forces of entropy will allow. But in the Land of the Dead, where the currency is time itself and there is little for corpses to do but drink, thieve, and gamble eternity away, Jacob abandons his home and his fortune for an opportunity to meet the man who cheated the rules of life and death entirely. According to legend, the Living Man is the only adventurer to ever cross into the underworld without dying first. It's rumored he met his end somewhere in the labyrinth of pubs beneath Dead City's streets, disappearing without a trace. Now Jacob's vow to find the Living Man and follow him back to the land of the living sends him on a perilous journey through an underworld where the only certainty is decay. Accompanying him are the boy Remington, an innocent with mysterious powers over the bones of the dead, and the hanged man Leopold l'Eclair, a flamboyant rogue whose criminal ambitions spark the undesired attention of the shadowy ruler known as the Magnate. An ambitious debut that mingles the fantastic with the philosophical, Dead Boys twists the well-worn epic quest into a compelling, one-of-a-kind work of weird fiction that transcends genre, recalling the novels of China Miéville and Neil Gaiman.