Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead. And push them away and, well, help them move on. So..okay, I'm not your average 17-year-old girl. For years I've been struggling to survive the souls still roaming around. The shitheads always seem to find me. Moving from town to town every few months never helped either. More dead just always find me. But things are changing for me now. I'm moving in with my uncle Rory and cousin Tara. I'm finally going to be able to do normal teenage stuff I've been missing out on. Right? Well, if this one bitch of a ghost could leave me alone on campus that would be great. Especially since I haven't told my new friends about my abilities. Can you believe this? Five good looking guys practically adopt me on my first day of school, and I still think they're a bit nuts for it. Now if I can only just keep my life with the dead from mixing with my normal life, everything would be great. Yeah...I don't see that happening either. But I'm going to give it a shot. Who knows? It might work.

It's 1988 and Lily Bloom, a 65-year-old American lies dying of cancer in a London hospital. As her two daughters buzz around her and the nurses pump her full of morphine, she slides in and out of consciousness, outraged that there is so little time left and so many people still to disparage.

This memoir chronicles the Dead's seminal years: 1965-1985.

A powerfully told memoir of family, separation, and the things left unsaid, in the wake of the Second World War Raised by her grandparents in the USA, Inara Verzemnieks grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited. Her grandmother Livija's stories recalled the remote village in Latvia left behind, where she and her sister, Ausma, were separated during the Second World War. They would not see each other again for more than fifty years. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together her grandmother's survival through the years as a refugee, and her grandfather's own troubling history as a conscript in the Nazi forces. As she interweaves two parts of the family story in spellbinding, lyrical prose, she offers us a profound and cathartic account of loss and survival, resilience and love. Inara Verzemnieks teaches creative non-fiction at the University of Iowa. She has won a Pushcart Prize and a Rona Jaffe Writer's Award, and has been a finalist for the Pulitzer Prize in feature writing. She lives in Iowa City, Iowa.

My name is Alexis, though everyone calls me Lexie. I'm a Necromancer. We're rare enough that I've never met another in my life, until Claire came home to tell me she found one. In New Orleans.Now I am headed south with my best friends, staying in close quarters with five guys, four guys whom I have kissed, one who has been ignoring me for the last few weeks, one who keeps sneaking kisses, one who doesn't even remember it and another… Well, I don't know what he wants. Thank God for Miles. He's my one safe place in this disaster I've created.Naturally, that's not my only problem. Things aren't good in New Orleans. Representatives from the Witches Council are in town, the dead are everywhere, and the secrets are piling up. The whole situation is a powder keg just waiting for a match. But why am I holding the matches?

A Spectator Book of the Year It's fashionable to think of the writers of the past as irredeemably tarnished by prejudice. Aristotle despised women. John Milton, the great champion of free speech, wouldn't have granted it to Catholics. Edith Wharton's imaginative sympathies stopped short of her Jewish characters. But what if it is only through the works of such individuals that we can achieve a necessary perspective on the troubles of the present? Join literary scholar Alan Jacobs for a truly nourishing feast of learning. Discover what Homer can teach us about force, what Machiavelli has to say about reading and what Charlotte Brontë reveals about race. Not all the guests are people you might want to invite into your home, but they all bring something precious to the table. In Breaking Bread with the Dead, an omnivorous reader draws us into close and sympathetic engagement with minds across the ages, from Horace to Donna Haraway.

Trigger warning: Flashback scenes. Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead and help them move on. So... okay, I'm not your average 17-year-old girl. The Veil is still shut. Which means the dead can't move on, not on their own. Through my Link to the Veil, I've been able to start helping souls to cross. The Veil is changing, healing. Like I am. Since I came home from the hospital, I've been hiding behind my best friends. That's about to change. I want my life back. I'm ready to get back to normal. Then Sophie, the twins' little sister, tells me she's ready to cross over. Ethan pulled her back, and now it was time to face it. I have to tell Ethan and Isaac their sister's soul is in their house. What the hell am I going to say?

Please be advised: Possible Trigger Warning Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead and help them move on. So..okay, I'm not your average 17-year-old girl. Right now, the Veil is shut off, and the Way is closed. Which means the dead can't move on, so, they are camping out on my lawn. I'm trying to open the Way, juggle school and, well, deal with my feelings for two of my best friends. If that isn't enough, notes have been showing up in my locker since I got back from Christmas vacation. Things are getting creepier as time goes on. He's actually starting to scare me, to be honest. But with the guys, I'll be fine. They've got my back. No one is crazy enough to take on Zeke. Right?

“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death! George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete. Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead. Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it. It begins with one body. A pair of medical examiners find themselves battling a dead man who won’t stay dead. It spreads quickly. In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Haunting photographs and dark family secrets make this second spine-tingling novel from Norah Olson the perfect read for fans of creepy, suspenseful teen fiction. A love of photography, an old camera, and countless questions—these are all that sixteen-year-old Gretchen has left of her mother, who mysteriously disappeared years ago. Now she must return to the place where her mom vanished—a decaying mansion that Gretchen has suddenly inherited from her great-aunt Esther. However, Gretchen won’t find the answers she’s seeking without unraveling the secrets that lurk inside the house. There are stacks of photographs and letters from her ancestors that go back centuries, pointing to some kind of haunting past. But when proof of the mansion’s dark history appears to Gretchen in the form of ghostly visions and the soft, eerie whisper of her mother’s voice, there’s no doubt that something sinister has taken place there. No matter how scared she might be, Gretchen must somehow uncover the reasons why this indescribable force has descended upon her family and find a way to set everyone—even the dead—free.