Dawn ot the DAW tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which the symbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY) recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality. Dawn of the DAW first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, Dawn of the DAW discusses the concept of "the studio as musical instrument" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded music in tandem. Third, Dawn of the DAW details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough of Brooklyn. Finally, Dawn of the DAW examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. Dawn of the DAW concludes by discussing the ramifications of these new directions for the field of music education.

Angelica Lopez, a moreau descended from genetically altered rabbit stock, finds refuge from her tough street life as a waitress in San Francisco, until Byron the fox drags her into a lethal underground of information peddling and murder. Original.

Now together for the first time in one volume, the first three novels of the acclaimed Moreau series. Includes "Forests of the Night, Emperors of the Twilight, " and "Specters of the Dawn." Original.

"Lug is a cave boy who would rather paint than fight. When he is banished from his clan, he and his two friends discover that the Ice Age is coming, and must figure out how to save their people"--

A heart-warming tale about magic, responsibility, mothers and daughters Eleven-year-old Shelley only leaves her bedroom for two minutes, but when she gets back, there's a real, true-life, lavender-eyed baby on her bed. It's far too noisy, smelly and heavy to be a ghost baby - so whose is it? It can't be her mum's - Shelley would have noticed - but it's not like she's around for Shelley to ask, anyway. She's too busy trying to get her horrible ex-boyfriend Scott ('the Toadstool') back, who Shelley definitely does NOT like as much as her mum does. But someone's got to look after the baby, and give her a name. 'Celeste' sounds good (in fact, it sounds kind of magical) and so Shelley and little Celeste embark on some rather messy adventures, gain some new friends and realise that maybe some wishes can come true after all...

-Originally published in Great Britain in 2015 by Oxford University Press.---Verso.

INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action. Includes Black-and-White Illustrations