Angelica Lopez, a moreau descended from genetically altered rabbit stock, finds refuge from her tough street life as a waitress in San Francisco, until Byron the fox drags her into a lethal underground of information peddling and murder. Original.

It’s 2053, and the US has long since genetically engineered life successfully. “Moreaus,” humanoid and animal hybrids, and “frankensteins,” genetically manipulated humans, live as second-class citizens. The Moreau Quartet: Volume Two brings together two of S. Andrew Swann’s novels set in the Moreau universe. In Emperors of the Twilight: Evi is a frankenstein—the next step beyond human, her physiology bioengineered to make her the best Agency special operative in the business. When she’s forced to go on the run from an unidentified hit team ready to destroy a skyscraper just to take her out, Evi’s only hope is to evade her stalkers long enough to make contact with her superiors. But she soon discovers that even the Agency may not be able to save her. In Specters of the Dawn: A moreau of rabbit stock, Angel Lopez is the last survivor of a Cleveland street gang. A tough street fighter in search of a haven, she’s come to “tolerant” San Francisco only to find that even the old-fashioned kind of humans aren’t keen on moreaus. Still, she thinks she’s found a home and safety until Byron the fox barges into her life, dragging her into the deadly underground of information-peddling, and a series of confrontations that may blow not just San Francisco but the whole planet wide open.

Now together for the first time in one volume, the first three novels of the acclaimed Moreau series. Includes "Forests of the Night, Emperors of the Twilight, " and "Specters of the Dawn." Original.

Prodigiously influential, Jacques Derrida gave rise to a comprehensive rethinking of the basic concepts and categories of Western philosophy in the latter part of the twentieth century, with writings central to our understanding of language, meaning, identity, ethics and values. In 1993, a conference was organized around the question, 'Whither Marxism?’, and Derrida was invited to open the proceedings. His plenary address, 'Specters of Marx', delivered in two parts, forms the basis of this book. Hotly debated when it was first published, a rapidly changing world and world politics have scarcely dented the relevance of this book.

Specters of Revolution examines the development of two guerrilla insurgencies led by schoolteachers in Mexico during the 1960s. Relying upon recently declassified documents and oral histories, it chronicles a history of nonviolent peasant political action, underscored by long-held rural utopian ideals, radicalized by persistent state terror.

Complete with romance, action, comedy, and an army of shambling corpses, this prequel to the hit mash-up novel will have Jane Austen rolling in her grave—or crawling out of it! Four years before the events of Pride and Prejudice and Zombies, the Bennet sisters are enjoying a peaceful life in the English countryside, reading, gardening, and daydreaming about future husbands—until a funeral at the local parish goes strangely and horribly awry. Suddenly, corpses are springing from the soft earth—and only one family can stop them. As the bodies pile up, Elizabeth Bennet grows from a naive young teenager into a savage slayer of the undead. Along the way, two men vie for her affections: Master Hawksworth is the powerful warrior who trains her to kill, while thoughtful Dr. Keckilpenny seeks to conquer the walking dead using science instead of strength. Will either man win the prize of Elizabeth’s heart? Or will their hearts be feasted upon by hordes of marauding zombies?

Neel Ahuja tracks the figure of the climate refugee in public media and policy over the past decade, arguing that journalists, security experts, politicians, and nongovernmental organizations have often oversimplified climate change and obfuscated the processes that drive mass migration. To understand the systemic reasons for displacement, Ahuja argues, it is necessary to reframe climate disaster as interlinked with the history of capitalism and the global politics of race, wherein racist presumptions about agrarian underdevelopment and Indigenous knowledge mask how financial, development, migration, and climate adaptation policies reproduce growing inequalities. Drawing on the work of Cedric Robinson and theories of racial capitalism, Ahuja considers how the oil industry transformed the economic and geopolitical processes that lead to displacement. From South Asia to the Persian Gulf, Europe, and North America, Ahuja studies how Asian trade, finance, and labor connections have changed the nature of race, borders, warfare, and capitalism since the 1970s. Ultimately, Ahuja argues that only by reckoning with how climate change emerges out of longer histories of race, colonialism, and capitalism can we begin to build a sustainable and just future for those most affected by environmental change.

Specters of Democracy examines how figurations of blackness were used to illuminate the fraught relationship between citizenship, equality, and democracy in the antebellum U.S. Through close readings of Frederick Douglass, William Wells Brown, Frances Ellen Watkins Harper, and Walt Whitman (on aurality), and Herman Melville, William J. Wilson, and a host of genre painters (on visuality), the book reveals how the difficult tasks of representing African Americans-both enslaved and free-in imaginative expression was part of a larger dilemma concerning representative democracy itself.

A beautiful presentation of a new suite of works made for the Menil Collection by Allora & Calzadilla The Puerto Rico-based collaborative duo Allora & Calzadilla created Specters of Noon as a group of seven large-scale works specifically for the Menil Collection. The ensemble is orchestrated around the idea of solar noon, a notion derived from Surrealist texts by Caillois, Césaire, and others that probe the transcultural mythology of noon--a time when shadows vanish and delirious visions momentarily reign. The works include light projections, guano, ship engines, live vocal performance, and coal. Using the Menil's Surrealist holdings as a point of departure, Specters of Noon is infused throughout with a Caribbean perspective that addresses the instability of environmental and colonial politics; one work is a power transformer damaged in Hurricane Maria that is half-sheathed in bronze. Filled with stunning installation photography and insightful texts both commissioned and reprinted, this volume captures the spirit of Jennifer Allora (b. 1974) and Guillermo Calzadilla's (b. 1971) deeply researched and multifaceted work.