Welcome to Verona Bay, a small coastal town where the secrets just won’t stay buried—and people aren’t always who they seem. She was the one that got away… Eight years ago Serenity Washington watched as her twin sister was murdered. She was lucky to escape the same grisly fate. With her sister’s killer in jail, she relocated and tried to move on with her life. She married a man in the Air Force and started a family, but when her husband dies unexpectedly she moves back to the last place she remembers being happy—Verona Bay, FL. Now that she’s come home, it’s all starting again… Within months of Serenity’s homecoming, she receives a ‘gift’—a bracelet from her sister that was never recovered after her death—and a taunting note. Terrified for herself and her young daughter, she turns to the local sheriff for help. But there’s only so much they can do without proof that the gifts aren’t more than sick pranks. There’s been no DNA, no fingerprints left behind—nothing to indicate who’s leaving them. As the horrifying gifts arrive with increasing frequency, Serenity has no doubt that she’s the ultimate target. But with her sister’s murderer—a confessed serial killer—still behind bars, she has no idea who’s stalking her. She turns to the one man she’s been trying to keep her distance from… Former Marine Lucas Jordan has been hung up on single mom Serenity since she moved back to Verona Bay, but she’s made it clear she’s not looking for a relationship. When she’s targeted, however, all bets are off. He won’t sit by while she’s terrorized, and with her and her daughter’s lives in danger he’s prepared to stand his ground and protect them both. Together they face the impossible task of trying to figure out who to trust before they all wind up six feet under.

From New York Times bestselling authors Amie Kaufman and Jay Kristoff comes an Illuminae prequel digital novella that gives readers a hair-raising glimpse into the calamity that befell the invincible AI system known as AIDAN--and the daring young programmer who would risk her life to keep it from crashing. AIDAN is the AI you'll love to hate. The advanced AI system was supposed to protect a fleet of survivors who'd escaped the deadly attack on Kerenza IV. AIDAN was supposed to be infallible. But in the chaotic weeks and months that followed, it became clear that something was terribly, terribly wrong with AIDAN...

A son learns more about his father than he ever could have imagined when a mysterious piece of art is unexpectedly restored to him After receiving an unexpected call from the Australian consulate, Matt Santos becomes aware of a painting that he believes was looted from his family in Hungary during the Second World War. To recover the painting, he must repair his strained relationship with his harshly judgmental father, uncover his family history, and restore his connection to his own Judaism. Along the way to illuminating the mysteries of his past, Matt is torn between his doting girlfriend, Tracy, and his alluring attorney, Rachel, with whom he travels to Budapest to unearth the truth about the painting and, in turn, his family. As his journey progresses, Matt’s revelations are accompanied by equally consuming and imaginative meditations on the painting and the painter at the center of his personal drama, Budapest Street Scene by Ervin Kálmán. By the time Memento Park reaches its conclusion, Matt’s narrative is as much about family history and father-son dynamics as it is about the nature of art itself, and the infinite ways we come to understand ourselves through it. Of all the questions asked by Mark Sarvas’s Memento Park—about family and identity, about art and history—a central, unanswerable predicament lingers: How do we move forward when the past looms unreasonably large?

A Hollywood screenwriter/producer and film professor explores forty-five of the twenty-first century's most popular films as vehicles of common grace.

Christopher Nolan is one of the defining directors of the 21st century. Few of his contemporaries can compete in terms of critical and commercial success, let alone cultural impact. His films have a rare ability to transcend audience expectations, appealing to both casual moviegoers and dyed-in-the-wool cineastes. Nolan's work ranges from gritty crime thrillers (Memento, Insomnia) to spectacular blockbusters (the Dark Knight trilogy, Inception). They have taken audiences from the depths of space (Interstellar) to the harsh realities of war (Dunkirk). And they have pushed the boundaries of the possible in modern movie making. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur.

The "Ethiope," the "tawny Tartar," the "woman blackamoore," and "knotty Africanisms"—allusions to blackness abound in Renaissance texts. Kim F. Hall's eagerly awaited book is the first to view these evocations of blackness in the contexts of sexual politics, imperialism, and slavery in early modern England. Her work reveals the vital link between England's expansion into realms of difference and otherness—through exploration and colonialism-and the highly charged ideas of race and gender which emerged. How, Hall asks, did new connections between race and gender figure in Renaissance ideas about the proper roles of men and women? What effect did real racial and cultural difference have on the literary portrayal of blackness? And how did the interrelationship of tropes of race and gender contribute to a modern conception of individual identity? Hall mines a wealth of sources for answers to these questions: travel literature from Sir John Mandeville's Travels to Leo Africanus's History and Description of Africa; lyric poetry and plays, from Shakespeare's Antony and Cleopatra and The Tempest to Ben Jonson's Masque of Blackness; works by Emilia Lanyer, Philip Sidney, John Webster, and Lady Mary Wroth; and the visual and decorative arts. Concentrating on the sixteenth and seventeenth centuries, Hall shows how race, sexuality, economics, and nationalism contributed to the formation of a modern ( white, male) identity in English culture. The volume includes a useful appendix of not readily accessible Renaissance poems on blackness.

Underground filmmaker Tina Mori became a legend with a stolen camera, then disappeared under mysterious circumstances. Film historian and debut novelist Brian Hauser delves into Mori's life and legacy, exploring the strange depths and fathomless shadows situated between truth, fiction, fantasy, and the uncanny.

As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what’s “real,” the political psychology of heroes and villains, and what it means to be a “viewer” of Nolan’s films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan’s films provoke; exploring these questions yields its own reward.

From USA Today Bestselling author Katie Reus, books 7-9 in her bestselling Darkness series are combined into one boxed set. This collection includes: Guardian of Darkness (book 7) He saw her die in a vision… Before five years ago, Gabriel had never met Vega, but he knows how she's going to die. He knows he'll be involved... unless he can make sure they never meet, never cross paths, so that his vision will never come true. So he left his pack behind, joined the Stavros pack and was determined to never let that future play out. To never meet her at all. Fate had other plans—and she walked right into his life when he least expected it. She’s writing her own future… Vega isn’t the same moody teenager who came to live with the Stavros pack all those years ago. With college behind her, she’s been recruited by a division of the government’s supernatural Black Ops. Trained and ready, she doesn’t expect Gabriel to crash her first assignment. To save her cover, they pretend to be a couple. But soon lines are blurred and neither can deny the incendiary attraction between them. As they race to stop a man who wants to sell out their people to the highest bidder, they find themselves fighting for a future together. Unfortunately, in order to save the woman he loves, Gabriel has to give her up. Sentinel of Darkness (book 8) She thought she’d put her past behind her… Local artist Keva might be human, but she knows about the things that go bump in the night. Years ago, a dragon shifter saved her from certain death. Ever since, she’s lived in his clan’s territory and put her life back together. But the feeling of security is only an illusion, because her past has come back to haunt her. A past with claws and fangs, demanding blood. He’ll do whatever it takes to defend his mate… Dagen has finally met his mate—except he insults her the first time they meet. He’s not too proud to grovel to get back into her good graces. But when a threat from her past emerges, he realizes that he’ll do anything to keep her safe. Even if it means dying—or losing her forever. Darkness Rising (book 9) When a bringer of death… Awakened after millennia, dragon warrior Reaper is ready to fulfill his destiny…until he sees Greer. With one glimpse, everything Reaper has ever known throughout his very long life is irrevocably changed. Greer’s his mate, he feels it in his blood, in his soul—but convincing her is another matter. The dragon clan healer finds him obnoxious and annoying, but he knows a woman’s interest when he smells it. And Greer smells like one word: mine. Meets a giver of life… Greer has spent hundreds of years using her healing abilities for the good of others, making her the polar opposite of Reaper. The ferocious war general may be an ancient, but his arrogance proves he hasn’t spent any of that time learning about women. Greer is displeased when her Alpha sends her to New Orleans with the insufferable warrior—then she sees him in action against a menace threatening to tear the city apart. Fierce, protective, magnificent…mate-worthy. Maybe opposites do attract, but if they want to live long enough to find out, they’ll first have to save the world teetering on the brink of obliteration.

The term “cult film” may be difficult to define, but one thing is certain: A cult film is any movie that has developed a rabid following for one reason or another. From highly influential works of pop art like Eraserhead and Faster, Pussycat! Kill! Kill! to trash masterpieces such as Miami Connection and Fateful Findings, thousands of movies have earned recognition as cult classics over the years, and new movies rise to cult status every year. So how do viewers searching for the best or most important cult films decide where to start? In 100 Greatest Cult Films, Christopher J. Olson highlights the most provocative, intriguing, entertaining, and controversial films produced over the last century. The movies included here have either earned reputations as bona fide cult classics or have in some way impacted our understanding of cult cinema, often transcending traditional notions of “good” and “bad” while featuring memorable characters, unforgettably shocking scenes, and exceptionally quotable dialogue. With detailed arguments for why these films deserve to be considered among the greatest of all time, Olson provides readers fodder for debate and a jumping-off point for future watching. A thought-provoking and accessible look at dozens of cinematic “treasures,” this resource includes valuable information on the films, creators, and institutions that have shaped cult cinema. Ultimately, The 100 Greatest Cult Films offers readers—from casual cinephiles, film scholars, and avid fans alike—a chance to discover or re-discover some of the most memorable films of all time.