From New York Times bestselling authors Amie Kaufman and Jay Kristoff comes an Illuminae prequel digital novella that gives readers a hair-raising glimpse into the calamity that befell the invincible AI system known as AIDAN--and the daring young programmer who would risk her life to keep it from crashing. AIDAN is the AI you'll love to hate. The advanced AI system was supposed to protect a fleet of survivors who'd escaped the deadly attack on Kerenza IV. AIDAN was supposed to be infallible. But in the chaotic weeks and months that followed, it became clear that something was terribly, terribly wrong with AIDAN...

The brilliance of Christopher Nolan's ingenious thriller Memento has had moviegoers coming back for more. James Mottram now offers the fullest imaginable guide to the film's many complexities. Memento's protagonist Leonard Shelby (Guy Pearce) is on a mission to find the man who murdered his wife. But Leonard suffers from a rare form of amnesia, and in order to keep track of his life he must surround himself with written reminders, some etched on his own flesh . . . This invaluable guidebook steers the reader through the mysteries of the movie's making and its many possible meanings, with expert guidance from Nolan himself and his key creative collaborators.

Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics: memory, emotion, and self-consciousness agency, free will, and responsibility personal identity narrative and popular cinema the film genre of neo-noir Memento and multimedia Including annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies.

The book introduces Memento as an important independent film and uses it to explore relationships between "e;indie,"e; arthouse and commercial mainstream cinema, independent film marketing practices and online fan communities. The book also locates Memento within debates around key film studies concepts such as genre, narrative and reception.

Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film’s central character, it follows Leonard’s chaotic and visceral quest to discover the identity of his wife’s killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics: memory, emotion, and self-consciousness agency, free will, and responsibility personal identity narrative and popular cinema the film genre of neo-noir Memento and multimedia Including annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies.

If you're looking for inspiration, escape, or just poetic entertainment, you've come to the right place. Memento Mori's poems are honest, simple and beautifully crafted. Their honesty gives them force, and their simplicity makes them accessible. There is no wondering, no confusion, no searching for a message. Some poems will thrill you as you read them, others will work slowly into your heart, and still others will call you back time and time again to revisit them. Memento Mori offers something for everybody. The newcomer will find they "get" these poems without having to struggle, while the veteran will enjoy discovering the secret treasures hidden within them. In a time when poetry seems to be more about what is not said than what is, Memento Mori gets back to the basics by combining the delicate beauty of poetry with the fine art of storytelling. Memento Mori: in Latin it means "remember your mortality." Life is short-it's time to read and feel the poetry.

A son learns more about his father than he ever could have imagined when a mysterious piece of art is unexpectedly restored to him After receiving an unexpected call from the Australian consulate, Matt Santos becomes aware of a painting that he believes was looted from his family in Hungary during the Second World War. To recover the painting, he must repair his strained relationship with his harshly judgmental father, uncover his family history, and restore his connection to his own Judaism. Along the way to illuminating the mysteries of his past, Matt is torn between his doting girlfriend, Tracy, and his alluring attorney, Rachel, with whom he travels to Budapest to unearth the truth about the painting and, in turn, his family. As his journey progresses, Matt’s revelations are accompanied by equally consuming and imaginative meditations on the painting and the painter at the center of his personal drama, Budapest Street Scene by Ervin Kálmán. By the time Memento Park reaches its conclusion, Matt’s narrative is as much about family history and father-son dynamics as it is about the nature of art itself, and the infinite ways we come to understand ourselves through it. Of all the questions asked by Mark Sarvas’s Memento Park—about family and identity, about art and history—a central, unanswerable predicament lingers: How do we move forward when the past looms unreasonably large?

Diagnosed with cystic fibrosis at eleven, Emily DeArdo knew what it was like to live with a keen awareness of her own mortality. In this book, she draws on the medieval practice of memento mori, “remember you must die,” and shares her personal story with unique and compelling insight into the meaning of Christian life and death. Using the Stations of the Cross as a framework, DeArdo leads readers to trust in God’s providence as they confront suffering and death and develop enduring spiritual strength and courage along the way. Sr. Theresa Aletheia Noble, FSP, kicked off a rediscovery of memento mori on social media when she began tweeting about #mementomori and what it’s like living with a plastic skull on her desk. Emily DeArdo said the practice caught on with millennials like her who were searching for what’s real, true, and lasting in life. Trying to find the answer to “is this all there is?” often led her to thinking about death and what happens afterward, she noted. In Living Memento Mori, DeArdo shares the insight she gained from living her life on the precipice of death: a willingness to embrace the Cross of Christ can transform the pain and loss we all inevitably experience into a source of spiritual growth. DeArdo’s life and reflections on mortality give a fresh voice to the traditional themes found in the Stations of the Cross. She offers the courage to face one's own suffering and concerns about death and to follow Jesus wherever he leads. You will discover: how memento mori can help you live a deeper spiritual life how to unite your sufferings with those of Jesus what the Catholic faith teaches about the meaning of suffering Station by station, DeArdo links her personal and spiritual journey to the suffering of Christ and shows readers how to do the same. Each chapter of Living Memento Mori begins with scripture, including a quotation from Pope John Paul II’s Salvifici Doloris (The Christian Meaning of Human Suffering), and closes with three questions for personal reflection or group discussion. An appendix provides readers with a guide to praying the Stations of the Cross with original meditations in the spirit of memento mori. Emily DeArdo passed away in 2023 at the age of 41. Her memory and reflection on memento mori show us how even a life of considerable suffering can be full of joy, hope, and peace. “I have fought the good fight, I have finished the race, I have kept the faith.” 2 Timothy 4:7

Amicus Arcane is about to retire from his position as the ghost librarian of the Haunted Mansion. But before he does so, Amicus wants to find the scariest story of all, so he invites ghost writers from all over the world to the Haunted Mansion to tell their tales. As he hears these frightening fictions, Amicus will soon realize that the scariest story of all is--well, that would be telling, wouldn't it? Return with us, foolish mortals, if you dare to the Haunted Mansion for the most terrifying Tales from the Haunted Mansion of all-- Volume IV: Memento Mori.

NEW YORK TIMES BESTSELLER • In this lovely, easy-to-use illustrated guide to decluttering, the beloved author of The Happiness Project shows us how to take control of our stuff—and, by extension, our lives. Gretchen Rubin knows firsthand that creating order can make our lives happier, healthier, more productive, and more creative. But for most of us, a rigid, one-size-fits-all solution doesn't work. When we tailor our approach to suit our own particular challenges and habits, we can find inner calm. With a sense of fun, and a clear idea of what’s realistic for most people, Rubin suggests dozens of manageable tips and tricks for creating a more serene, orderly environment, including: • Never label anything “miscellaneous.” • Ask yourself, “Do I need more than one?” • Don’t aim for minimalism. • Remember: If you can’t retrieve it, you won’t use it. • Stay current with a child’s interests. • Beware the urge to “procrasticlear.” By getting rid of things we don’t use, don’t need, or don’t love, we free our minds (and our shelves) for what we truly value.