The pursuit of happiness, -the pursuit of one's own happiness, -is it a vain quest? and, if not vain, is it a worthy object of life? There have been plenty to condemn it on both grounds. They have said that the endeavor is hopeless; that to study the art of being happy is like studying the art of making gold, which is the only art by which gold can never be made. Nothing, they add, is so unpropitious to happiness as the very effort to attain it. They go farther. "Let life," they proclaim, "have a larger purpose than enjoyment." They quote the mighty Plato, when he demands that the right aim of living shall stand apart, and out of all relation to pleasure or pain. They declare that the theory of happiness as an end is the most dangerous of all in modern sociology-the tap-root of the worst weeds in the political theories of the day, for the reason that the individual pursuit of enjoyment is necessarily destructive of that of society at large. Moreover, they urge, who dares write of it? For he who has not enjoyed it, cannot speak wisely of it; and in him who has attained it, 'twere insolence to boast of it.

Chiefly letters from Brinton to his parents during the Civil War years of 1863 and 1864. Brinton's letters give the reader descriptions about troop movements before, during, and after the battles of Chancellorsville and Gettysburg. Although Brinton is said to have served with the troops at Chickamauga, Lookout Mountain, and Missionary Ridge, the letters in the collection stop in Sept. 1863 and begin again in Aug. 1864 when Brinton writes his family from the U.S. General Hospital in Quincy, Ill., where he was superintendent for the remainder of the war. Correspondence includes references to Lewis A. Armistead, Francis C. Barlow, O.O. Howard, Robert E. Lee, George G. Meade, Carl Schurz, Adolph von Steinwehr, Frederick William Stowe, Horatio Worrall, and to Mosby's Guerillas. He also mentions his cook, John Copeland, Sr., who was the father of John Copeland, Jr. (1834-1859), of Harper's Ferry fame.

"Rare archival illustrations show contemporary (1870-1900) photographs of the University of Pennsylvania Museum library and portraits of individual authors represented in the Brinton Library."--BOOK JACKET.