'The Pursuit of Happiness' by Daniel G. Brinton is a classic book that offers valuable insights into the pursuit of happiness. It explores the definition of happiness and the desirability of learning how to become happy, as well as pleasure and pain, the hierarchy of enjoyments, and the distribution of happiness. It provides principles for self-education and the promotion of personal happiness, as well as insights into how our happiness depends on nature, fate, others, and ultimately, ourselves.

The pursuit of happiness, -the pursuit of one's own happiness, -is it a vain quest? and, if not vain, is it a worthy object of life? There have been plenty to condemn it on both grounds. They have said that the endeavor is hopeless; that to study the art of being happy is like studying the art of making gold, which is the only art by which gold can never be made. Nothing, they add, is so unpropitious to happiness as the very effort to attain it. They go farther. "Let life," they proclaim, "have a larger purpose than enjoyment." They quote the mighty Plato, when he demands that the right aim of living shall stand apart, and out of all relation to pleasure or pain. They declare that the theory of happiness as an end is the most dangerous of all in modern sociology-the tap-root of the worst weeds in the political theories of the day, for the reason that the individual pursuit of enjoyment is necessarily destructive of that of society at large. Moreover, they urge, who dares write of it? For he who has not enjoyed it, cannot speak wisely of it; and in him who has attained it, 'twere insolence to boast of it.

Excerpt from The Pursuit of Happiness: A Book of Studies and Strowings "We hold these truths to be self-evident, - that all men are created equal; that they are endowed by their Creator with certain inalienable rights; that among these are life, liberty, and The Pursuit Of Happiness." - The Declaration of Independence of the United States of America. "The sun and stars that float in the open air, The apple-shaped earth and we upon it, surely the drift of them is something grand, I do not know what it is except that it is something grand, and that it is Happiness." - Walt Whitman. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Promise of Happiness is a provocative cultural critique of the imperative to be happy. It asks what follows when we make our desires and even our own happiness conditional on the happiness of others: “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way. Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.

The making of a writer Ruskin Bond's first full-fledged autobiographical book covers his -formative years,' till the age of twenty-one. The world of Anglo-India, with all its conflicting pulls, comes alive as he tells his story. His earliest memoirs are bitter-sweet, and relate to Jamnager where he lives till he is six. The happy hours spent in exploring the Ram Vilas Palace grounds and playing with his younger sister Ellen and the palace children are overshadowed by the acrimonious relation between his parents. Their estrangement while he is still a child leaves him with a life-long sense of insecurity. His unhappiness is exacerbated by the untimely death of his father " his emotional anchor when the author is just ten. Forced to stay with his mother and his stepfather, both of whom are absorbed in their own worlds, he tries to fend off his loneliness through books and the company of a few friends. Left for the most part to himself, the gentle dreamer realizes very early as -a pimply adolescent' his calling as a writer. His first book, The Room on the Roof, materializes in England, the land of his forefathers, where he is sent to make a career for himself. Despite the unexpected success of his novel, which wins a major British literary prize, the author's yearning for India is too powerful to let him remain abroad for long. He returns and begins a writing career which has spanned four decades, and earned him a place in the pantheon of great Indian writers.