When Kent Nerburn received a letter from Jennifer, a young woman questioning her calling to spend her life in the arts, the writer and artist was struck by how closely her questions mirrored the doubts and yearnings of his own youth. Nerburn resolved that he would write his own letter: a letter of welcome and encouragement to all young artists setting out on the same strange and magical journey, sharing the wisdom of a life spent working in the arts. From struggles with money and the bitterness of rejection, to spiritual questions of inspiration and authenticity, Dancing With the Gods offers insight, solace and courage to help young artists on the winding road to artistic fulfilment. Tender and joyous, it is a celebration of art's power to transform the darkest of human experience and give voice to the grandest of human hopes.

Dancing with the Gods: Essays in Ga Ritual explores cosmological concepts and ritual actions of the Ga people of southeastern Ghana through case studies of calendrical agricultural rites, social status transition rites, and redressive rites. Based on fieldwork in the 1960s, the essays present descriptive analyses of verbal and non-verbal ritual action. While verbal ritual actions specify ideas pertinent to a particular rite, non-verbal ritual actions express more general concepts. Kilson's analyses show how the same motifs of non-verbal ritual action recur in sacred and secular Ga rites. Whenever and wherever such motifs occur, they convey the same basic underlying Ga concepts, thereby creating a unified conceptual network of belief that is the foundation of the Ga ritual system. The essays in this collection previously appeared in Anthropos, Journal of African Studies, Journal of Religion in Africa, Parabola, and Sextant.

A FEW ALTERATIONS Throckmorton P. Ruddygore, master wizard, had troubles--again! Ruddygore had defeated the Dark Baron and exiled him from the magical realm of Husaquahr to Earth. But he hadn't counted on the Baron's using an earthly computer to create even more effective spells. Of course, the Baron couldn't use those spells. But the forces of Hell soon sent him a second-rank wizard who could--and together they worked a scam so that Ruddygore couldn't cross the Sea of Dreams to deal with the Baron directly. Now the Baron was developing a scheme that would surely result in Armageddon before its time. Once again Marge the fairy and Joe the barbarian were called upon to do the dirty work. They had to return to their home world and stop the Baron--if they could . . . And that would be only the beginning of their assignment! "A damn fine storyteller . . . Chalker is a master." --Orson Scott Card

"A clear, sympathetic, and informed introduction to these people and their ceremonies ... should give every new onlooker a deeper appreciation of the dance which is really a prayer."--The Denver Post

This book is an ode to the mythological heritage of Bharatanatyam. The visual narrative captures the rich heritage of this temple dance and its original exponents, the Devadasis or 'handmaidens of the deity'. Its repertoire of movements and moods bring alive the fascinating stories of Hindu gods and goddesses and their kaleidoscopic lives. In the following pages, the authors have traced the myths and legends that are cherished in our performing arts, to delight the culture-curious reader. And what is interesting is that in these stories, the reader will discover the inter-connectedness of ancient mythologies around the world. Perhaps such discoveries go a long way in validating the role that art plays in connecting civilizations. The book is designed to engage the reader without pedagogy or scholastic strictures, but with a lightness of touch, that entertains while it informs. Because the vision here is to weave information, anecdotes and trivia, together in the spirit of a popular cultural ranconteur. Replete with rare photographs curated from the Sohinimoksha World Dance and Communications archives, complemented by a lucid narrative that wraps facts in the language of romance and adventure, this book promises to be a collector's item for those who value the legacy of India's most celebrated dance form. For glimpses of some live performances by Sohini Roychowdhury, and her Sohinimoksha World Dance troupe, celebrating the music, dance, mythology of India and the World, go on-line to 'Dancing With The God.... with Sohinimoksha World Dance' at https://youtu.be/naR7p6SKiko

BEYOND THE SEA OF DREAMS Life had not been kind to Joe and Marge. Now, according to the strangers who met them on a road that wasn't there, they were due to die in nineteen minutes, eighteen seconds. But the ferryboat that waited to take them across the Sea of Dreams could bring them to a new and perhaps better life. There lay a world where fairies still danced by moonlight and sorcery became real. Joe could become a mighty-thewed barbarian warrior. Marge could be beautiful and find her magical self. But there was much more than they realised to this strange land. This was a world where Hell still strove to win its ancient war and demon princes sent men into battles of dark magic. It was a world where Joe and Marge must somehow prevent the coming of Armageddon.

A San Francisco Chronicle Best Book of 2015 An NBC Latino Selection for Ten Great Latino Books Published in 2015 Arriving in Buenos Aires in 1913, with only a suitcase and her father’s cherished violin to her name, seventeen-year-old Leda is shocked to find that the husband she has travelled across an ocean to reach is dead. Unable to return home, alone, and on the brink of destitution, she finds herself seduced by the tango, the dance that underscores every aspect of life in her new city. Knowing that she can never play in public as a woman, Leda disguises herself as a young man to join a troupe of musicians. In the illicit, scandalous world of brothels and cabarets, the line between Leda and her disguise begins to blur, and forbidden longings that she has long kept suppressed are realized for the first time. Powerfully sensual, The Gods of Tango is an erotically charged story of music, passion, and the quest for an authentic life against the odds.

The most pervasive gods in ancient Rome had no traditional mythology attached to them, nor was their worship organized by elites. Throughout the Roman world, neighborhood street corners, farm boundaries, and household hearths featured small shrines to the beloved lares, a pair of cheerful little dancing gods. These shrines were maintained primarily by ordinary Romans, and often by slaves and freedmen, for whom the lares cult provided a unique public leadership role. In this comprehensive and richly illustrated book, the first to focus on the lares, Harriet Flower offers a strikingly original account of these gods and a new way of understanding the lived experience of everyday Roman religion. Weaving together a wide range of evidence, Flower sets forth a new interpretation of the much-disputed nature of the lares. She makes the case that they are not spirits of the dead, as many have argued, but rather benevolent protectors—gods of place, especially the household and the neighborhood, and of travel. She examines the rituals honoring the lares, their cult sites, and their iconography, as well as the meaning of the snakes often depicted alongside lares in paintings of gardens. She also looks at Compitalia, a popular midwinter neighborhood festival in honor of the lares, and describes how its politics played a key role in Rome’s increasing violence in the 60s and 50s BC, as well as in the efforts of Augustus to reach out to ordinary people living in the city’s local neighborhoods. A reconsideration of seemingly humble gods that were central to the religious world of the Romans, this is also the first major account of the full range of lares worship in the homes, neighborhoods, and temples of ancient Rome.

Back in Husaquahr, the other world, after a brief sojourn on Earth, Joe expected to pick up his life and go on, pretty much the same. He should have known better. To begin with, the evil Dark Baron had managed to escape and had teamed up in the far North with the Master of the Dead. Alone, either was a disaster; together, they were potential catastrophe. There were also some changes for which Joe wasn't prepared. He'd accepted the fact that his beloved Tiana now had the body of an exotic dancer. But then he discovered that she was a slave with a growing slave mindset - and would always be a slave. Worst of all, Joe discovered that there had been some highly unwelcome changes in him. In all literal truth, he could no longer call his soul his own - because it wasn't!

The fantastical Dance of Gods series kicks off with “a huge blast of action . . . leaving the reader breathless but satisfied” (Kliatt). In a world of magic, where computers and nanotechnology are long gone, where thoughtless gods struggle for power with little regard for those below, one unlucky man must make some tough decisions . . . Maximillian the Vaguely Disreputable isn’t sure what’s going on in the village of Roosing Oolvaya. Someone—probably a god—has trapped Max’s friend, the Great Karlini, in a castle that keeps trying to move at the most inconvenient times, and naturally it’s up to Max to figure out how to spring him. But the gods throwing their weight around in Roosing Oolvaya are more than Max bargained for, and soon he’s caught between necromancers, working with a detective named the Creeping Sword, and even dancing with Death itself in a desperate attempt to save the city from catastrophe. “A generally humorous and entertaining piece.” —Science Fiction Chronicle “An enjoyable book. The characters have a sense of who they are and can laugh at their own foibles. The action moves swiftly.” —Locus “Another bit of good reading . . . Plenty of action, likeable characters, plot twists galore a light-hearted humorous style and some pretty good lines.” —Out of This World Tribune & Niekas