The inscription on the back cover says it all: "I have not lived in vain but lived for this." Since my Collected Poems were published in 2004, I have lived and learned, loved and lost, and lived to love again. This is the journal of my journey, contained within these three hundred pieces of my heart. This is my best, and never mind the rest. As the title indicates, I write from my heart to yours, "dancing naked" as it were as I deal with disability and struggle to survive in this house haunted by a hundred years of the colorful history of my strange family. The poems cover the entire spectrum of human experience from tragedy to triumph, despair to delight, and all my adventures between along the way. I am a wanderer, a lone wolf, an outsider looking in. This is my story, this is my heart in three hundred pieces. I offer it to you with love and the pride of an honest craftsman, in both softcover and collectible hardcover editions. Respect and solidarity, +Steven Curtis Lance

Karin continues to come to terms with her feelings for Kenta, but her flirting will have to be put on hold for now. Karin's grandmother is in town, and that's enough to put her entire family into a panic. Elda Marker is no silver-haired, cookie-baking matriarch. She's a hot and heavy vampire vixen with a taste for blood, but a distaste for everything else having to do with the human race. So how can Karin possibly tell her about her new human almost-sorta-not-quite-boyfriend? It's going to be one freaky family reunion! -- VIZ Media

Fiction. Translated from the French by John Ashbery. Pierre Reverdy's short story HAUNTED HOUSE, originally published in 1930 in a collection of prose tales called Risques et Perils, is very different than his typically oblique, allusive and dreamlike poetry. Rife with mock rhetorical grandeur and ironic asides, HAUNTED HOUSE was lauded and included in Andre Breton's list of ten books he would take to a desert island. John Ashbery is the author of numerous volumes of poetry and has translated the works of Stephane Mallarme, Giorgio de Chirico, Raymond Roussel, Max Jacob and Alfred Jarry. Since 1990 he has been the Charles P. Stevenson, Jr. Professor of Languages and Literature at Bard College.

From the author of Street Pharm and Snitch comes an acclaimed urban fantasy that tests the limits of love and immortality. Zin dances with fire in every step, speaks with a honey-sweet voice, and sees with eyes that can peer into your soul. Nicole’s friendship with him is the only thing that saves her from the boredom of school and the turmoil of her family life. It’s no wonder why Nicole is madly in love with him. But she can’t understand why he keeps her at a distance, even though she can feel his soul reaching out for hers. Zin is like no man Nicole has ever met, and he carries with him a very old secret. When Nicole uncovers the truth, her love may be the only thing that can save him from it…

Beware a girl in pointy shoes! A girl wearing pointy shoes might be a witch. And the first thing a spook's apprentice learns is never, ever to trust a witch. In this bone-chilling collection of tales, you will learn exactly why that is, as you encounter: a fair and beautiful woman with green scales running down her spine . . . a dead witch who lurks under rotting leaves and hunts for blood . . . Alice, Tom Ward's best friend, who once lived with one of the darkest witches of all . . . and a witch whose cry of revenge can kill. The dark is all around. Who will survive?

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

Timmy and Chowderhead and Peg are lifeguards. They spend summers sitting in those tall chairs, smoking dope and staring at the waves, swatting insects, tormenting seagulls. Winters they work shit jobs like unloading trucks at Mickey's Deli. At night, winter and summer, they drink. Drink and get rowdy. Then there's Alex, the girl who gets away, not only from old boyfriend Timmy but also from "Rotaway"-on scholarship to a rich-kid's college in New England. One midsummer night when the four are reunited, tensions erupt in feats of daring and self-destruction during the wild, cathartic, near-sacred lifeguard ritual known as the Death Keg. Brilliantly capturing the restlessness and casual nihilism of working-class youth with no options, Jill Eisenstadt's acclaimed first novel startles in its power and originality, its depth of feeling, its bright and dark comic turns.