From victory dances to healing and wall breaking dances, you will discover how exciting and enjoyable biblical dance is, and how it can be part of your Christian life. This book also provides practical steps to building a dance ministry, It focuses on dancers, worship leaders, and church leaders revealing ways all three groups can work together in unity for a greater release of personal and corporate creativity. Be open to what God may want to do creatively through you. Allow yourself to be used in any way that God chooses. Dance as the Spirit Moves.

Each woman has a special spiritual destiny, as unique and inalienable as the rhythms that govern her life. Maria Harris teaches women how to dance to the music of their own souls and discover the spiritual steps that can transform their lives.

Using a contemporary synthesis of Jungian and Post-Jungian imaginal perspectives, animate ecological phenomenology, somatics and recent scholarship in dance movement and progressive spiritualities, this unique book discusses how the promotion of a fluid relationship between imagination and movement can bring the mover back into relationship with soul and spirit. This connection with soul and spirit is considered as an essential and powerful resource in mental health. The book provides a rich digest of theory and produces a clear framework for the application of transpersonal theories to Dance Movement Psychotherapy (DMP) practice, writing and research, illustrating the use and value of transpersonal perspectives through detailed case studies. Providing spiritual, soulful and mythological perspectives on DMP rooted in theory and practice, this book will be essential reading for dance movement psychotherapists, drama psychotherapists, expressive arts therapists, and dance movement psychotherapy students, drama psychotherapy students and arts therapy students.

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

The author’s journey to becoming a Bushman shaman and healer and how this tradition relates to shamanic practices around the world • Explores the Bushmen’s ecstatic shaking and dancing practices • Written by the first non-Bushman to become fully initiated into their healing and spiritual ways In Bushman Shaman, Bradford Keeney details his initiation into the shamanic tradition of the Kalahari Bushmen, regarded by some scholars as the oldest living culture on earth. Keeney sought out the Bushmen while in South Africa as a visiting professor of psychotherapy. He had known of the Kalahari “trance dance,” wherein the dancers’ bodies shake uncontrollably as part of the healing ceremony. Keeney was drawn to this tradition in the hope that it might explain and provide a forum for his own ecstatic “shaking,” which he had first experienced at the age of 19 and had tried to suppress and hide throughout his adult life. For more than a dozen years Keeney danced with Bushmen shamans in communities throughout Botswana and Namibia, until finally becoming fully initiated into their doctoring and spiritual ways. Through his rediscovery of the “rope to God” in a Bushman shaman dream, he offers readers accounts of his shamanic world travels and the secrets of the soul he learned along the way. In Bushman Shaman Keeney also reveals his work with shamans from Japan, Tibet, Bali, Thailand, Australia, and North and South America, providing new understandings of other forms of shamanic spiritual expression and integrating the practices of all these traditions into a sacred circle of one truth.

Are you cursed with two left feet? Are your dance moves unrighteous? Do you refrain from getting down lest others judge you cruelly? Fear not. Salvation is at hand. Singing hymns of praise is standard practice-now it's time to set your feet a-tapping with a collection of original dance moves inspired by Jesus and the likes of Moses and John the Baptist. Dances include: the Water Walk, the Temptation Tango, the Judas Hustle, and The Apostolic Conga. Each dance move is outlined with: how to, inspiration, and an illustration. Slyly irreverent but ultimately festive, Dancing with Jesus is illustrated in full color. Best of all, two of the dances are animated for full effect by a lenticular cover and last-spread finale, making this a truly one-of-a-kind novelty item! As the Bible says in Ecclesiastes, there is, "A time to weep, a time to laugh, a time to mourn, a time to dance."

Pastor and bestselling author Cymbala explores the person and work of the Holy Spirit in this six-session DVD study with participant's guide that will bring a fresh sense of God's power to your church and your life as a follower of Jesus.

When rock and roll was transforming American culture in the 1950s and '60s, East Harlem pulsed with the sounds of mambo and merengue. Instead of Elvis and the Beatles, Marta Moreno Vega grew up worshiping Celia Cruz, Mario Bauza, and Arsenio Rodriguez. Their music could be heard on every radio in El Barrio and from the main stage at the legendary Palladium, where every weekend working-class kids dressed in their sharpest suits and highest heels and became mambo kings and queens. Spanish Harlem was a vibrant and dynamic world, but it was also a place of constant change, where the traditions of Puerto Rican parents clashed with their children's American ideals. A precocious little girl with wildly curly hair, Marta was the baby of the family and the favorite of her elderly abuela, who lived in the apartment down the hall. Abuela Luisa was the spiritual center of the family, an espiritista who smoked cigars and honored the Afro-Caribbean deities who had always protected their family. But it was Marta's brother, Chachito, who taught her the latest dance steps and called her from the pay phone at the Palladium at night so she could listen, huddled beneath the bedcovers, to the seductive rhythms of Tito Puente and his orchestra. In this luminous and lively memoir, Marta Moreno Vega calls forth the spirit of Puerto Rican New York and the music, mysticism, and traditions of a remarkable and quintessentially American childhood.

"The Great Dance" is astonishing vision of human life and the mystery of its intersection with the life of the Triune God. Dr. Kruger charts a course from the Trinity to the incarnation to the union of humanity with God in Jesus Christ. In that light he offers a breathtaking interpretation of our human existence as participation in the life of the Father, Son and Spirit. He uncovers the untold dignity of our ordinary humanity--from motherhood to baseball, from relationships and music to golf, gardening and designing lakes. This is a book about who we are and why we are here and what is really happening in our lives. Step by step, Dr. Kruger walks us through the stratagems of evil and the messes we make of our lives. More important, he explains why we hurt, what we are really after and how to get there, and why faith in Jesus Christ is so critical for abundant life. "The Great Dance" is theology at its very best--steeped in tradition, yet unfamiliar and exciting, even revolutionary; deeply personal and honest, yet universally relevant. Written with pace and poetry and winsome grace, "The Great Dance" is the voice of the ancient church speaking to us across the ages through the pen of a Southerner who loves life. C. Baxter Kruger (Ph.D., Kings College, University of Aberdeen) is a theologian, writer, and fishing lure designer. A native of Prentiss, Mississippi, he has worked as a minister to college students, as a lecturer in theology, and as an associate pastor. He is an avid fisherman and golfer, loves coaching little league baseball and has designed a range of fishing lures called "Dr. K's Klones." He and his wife Beth have three children -- Baxter, Laura and Kathryn.