The author’s journey to becoming a Bushman shaman and healer and how this tradition relates to shamanic practices around the world • Explores the Bushmen’s ecstatic shaking and dancing practices • Written by the first non-Bushman to become fully initiated into their healing and spiritual ways In Bushman Shaman, Bradford Keeney details his initiation into the shamanic tradition of the Kalahari Bushmen, regarded by some scholars as the oldest living culture on earth. Keeney sought out the Bushmen while in South Africa as a visiting professor of psychotherapy. He had known of the Kalahari “trance dance,” wherein the dancers’ bodies shake uncontrollably as part of the healing ceremony. Keeney was drawn to this tradition in the hope that it might explain and provide a forum for his own ecstatic “shaking,” which he had first experienced at the age of 19 and had tried to suppress and hide throughout his adult life. For more than a dozen years Keeney danced with Bushmen shamans in communities throughout Botswana and Namibia, until finally becoming fully initiated into their doctoring and spiritual ways. Through his rediscovery of the “rope to God” in a Bushman shaman dream, he offers readers accounts of his shamanic world travels and the secrets of the soul he learned along the way. In Bushman Shaman Keeney also reveals his work with shamans from Japan, Tibet, Bali, Thailand, Australia, and North and South America, providing new understandings of other forms of shamanic spiritual expression and integrating the practices of all these traditions into a sacred circle of one truth.

Written for therapists, scholars, clergy, students, and those with an interest in non-traditional healing practices, this book tells the story of Bradford Keeney, the first non-African to be inducted as a shaman in the Kung Bushman and Zulu cultures.

The first comprehensive presentation of the core teachings of the Kalahari Bushmen as told by the Tribal Elders • Reveals how the Bushmen are able to receive direct transmissions of God’s love for healing and spiritual transformation • Explores tribal legends and teaching tales, the importance of dreams and animals, and the origins of their dances, rituals, and ceremonies Step into the imaginative realm of one of the oldest continuous cultures on Earth, the Kalahari Ju/’hoansi Bushmen. Translated by Beesa Boo, a Bushman, and interspersed with detailed commentary from Bradford and Hillary Keeney, this book presents the core teachings of the Kalahari Bushmen as told by the tribal elders themselves. Decades in the making, it constitutes the first comprehensive work on the world’s oldest tradition of healing and spiritual experience. Told in their own words, these teachings reveal how the Bushmen are able to receive direct transmissions of God’s love in the form of the universal life force, n/om. The individuals who are filled with this force describe it as an awakened, energized feeling of love that inspires a spontaneous and heightened ecstatic awareness that opens mystical perception. Having your heart transfixed by this force enables true healing and spiritual growth to occur. Experiencing the force in your entire being, through a vision of “God’s egg”, awakens deep spiritual wisdom and extraordinary healing gifts. Those who “own the egg” are blessed with the ability to have direct communication with the Divine, a “rope to God,” and can communicate with others for all “ropes” are connected. Conveying the deep love that is the dominant emotion of Bushman spirituality, the book explores tribal legends and teaching tales, the importance of dreams and encounters with animals, the origins of their dances, such as the giraffe dance, and specific rituals and ceremonies, including puberty rites for boys and girls. “As the elder teachers of the Ju’/hoan Bushman (San) people, we hold the most enduring traditional wisdom concerning healing and spiritual experience. This book is a testimony of our ecstatic ways. We happily share our basic teachings about spirituality and healing with those whose hearts are sincerely open.”

Accompanying DVD contains a videorecording of 2 healing dances: Giraffe dance (Men's healing dance) and !Gwa dance (Women's healing dance).

A revolutionary call to reawaken our bodies and minds to powerful healing through ecstatic movement • Shows how shaking medicine is one of the oldest healing modalities--practiced by Quakers, Shakers, Bushmen, Japanese, and others • Teaches readers how to shake for physical as well as spiritual therapeutic benefit • Includes a link to 40 minutes of ecstatic drumming audio tracks to use while shaking Shaking Medicine reintroduces the oldest medicine on earth--the ecstatic shaking of the human body. Most people’s worst fear is losing control--of their circumstances, of their emotions, and especially of their bodies. Yet in order to achieve the transcendent state necessary to experience deep healing, we must surrender control. Examining cultural traditions from around the world where shaking has been used as a form of healing--from the Shakers and Quakers of New England to the shaking medicine of Japan, India, the Caribbean, the Kalahari, and the Indian Shakers of the Pacific Northwest--Bradford Keeney shows how shaking can bring forth profound therapeutic benefits. Keeney investigates the full spectrum of the healing cycle that occurs when moving from ecstatic arousal to deep trance relaxation. He explains how the alternating movement produced while shaking brings all the body’s energetic systems into balance. He includes practical exercises in how to shake for physical therapeutic benefit, and he shows how these techniques lead ultimately to the shaking medicine that both enables and enhances spiritual attunement. The book also includes a link to 40 minutes of ecstatic drumming audio tracks to use while shaking.

What would you see if you could view the world through the eyes of a Diné healer, a Zulu High Sanusi, or a Shaker from St. Vincent Island? The answer can be found in Shamans of the World, an intimate encounter with traditional healers from nine unique indigenous cultures. Through mesmerizing firsthand accounts of miraculous transformation and healing, Shamans of the World transports you to the otherworldly reality of the shaman. Your global adventure begins in the lands of the Diné Nation, as you meet Walking Thunder, the Medicine Woman who reveals the importance of living life with full appreciation. Next, you visit Brazil and faith healers Otavia and João, who embody "a love that breaks through all boundaries of reason and rationality." South Dakota and Lakota Yuwipi Man Gary Holy Bull come next, as you glimpse at the inner life of one dedicated to the service of spirit. Then it's off to the jungles of Paraguay, where the insights of Guarani Forest Shaman Ava Tape Miri unveil the immediate unity of all creation. The traditional healers of Bali share vital lessons on balanced living, before you explore the secrets of Japan's masters of seiki jutsu. After hearing from the Shakers of St. Vincent, who use the power of mourning and ecstatic prayer to create community-based healing, you conclude your journey in Africa, where you witness the ceremonial dances of Kalahari Bushman Mabolelo Shikwe, "the man who says and knows everything." With 24 pages of full-color photographs, and poetry and prayers from the shamans themselves, Shamans of the World brings you authentic "first wisdom" directly from its source. Here is an unprecedented collection of our spiritual roots that offers a radical new understanding of the planet we share. Note: Drawn from the ten-volume Profiles of Healing series edited by Bradford Keeney and published by Ringing Rocks Foundation.

A guide for interpreting the mfecane's role in history Was the mfecane a figment of historians' imagination as Julian Cobbing contends? How large a responsibility do Shaka and the Zulu people bear for the social turbulence in South-central and South-east Africa in the early decades of the 19th century? These are some of the issues explored in this collection, which is designed as a response to the radical critique of Dr. Cobbing and other scholars. The mfecane, suggests Cobbing, must be seen as a myth lying at the root of a set of interlinked assumptions and distortions that have seriously twisted our understanding of the main historical processes of late 18th- and early 19th-century Southern Africa. Contributors to this collection assess the implications of this critique for scholars from a range of disciplines, notably history, anthropology, archaeology, history of art and African languages. But the book is not only about the debate over Cobbing's work; it is also an indicator of the state of current scholarship in Southern Africa in the 18th and 19th centuries and, because it raises questions about the nature of sources and, indeed, about the nature of historical debate itself, it is also about historiography. This book should provide a useful guide for students starting out in this field, as well as a resource for established scholars seeking their way through the textual intricacies of varied editions and secondary texts that become the primary sources for historiographical debate.

Wilhelm Bleek was fascinated by African languages and set out to make sense of a complex and alien Bushman tongue. At first Lucy Lloyd worked as his assistant, but soon proved to be so gifted a linguist and empathetic a listener that she created a monumental record of Bushman culture. Their informants were a colorful cast. The teenager, /A!kunta, taught Bleek and Lloyd their first Bushman words and sentences. The wise old man and masterful storyteller, //Kabbo, opened their eyes to a richly imaginative world of myth and legend. The young man, Dia!kwain, explained traditional beliefs about sorcery, while his friend #Kasin spoke of Bushman medicines and poisons. The treasures of Bushman culture were most fully revealed in conversations with a middle-aged man known as /Han=kass'o, who told of dances, songs and the meaning of images on rocks. The human histories and relationships involved in this unique collaboration across cultures are explored in full for the first time in this remarkable narrative.

In the late nineteenth century, the first discoveries of prehistoric painting were greeted with incredulity. How could there have been such deft and skillful artists in the world over 30,000 years ago? Noted art historian Nigel Spivey begins with this puzzle to explore the record of humanity's artistic endeavors, and their impact on our own development. How Art Made the World , in conjunction with the PBS miniseries, reveals how artists from the earliest caveman to the most studied Renaissance master have grappled with the same questions in their work: What is a man? Why must we die? Is there a God? With the help of vivid color illustrations of some of the world's most moving and enduring works of art, Spivey shows how that art has been used as a means of mass persuasion, essential to the creation of hierarchical societies, and finally, the extent to which art has served as a mode of terror management in the face of our inevitable death. Packed with new insights into ancient wonders and fascinating stories from all around the globe, How Art Made the World is a compelling account of how humans made art and how art makes us human.

" . . . a first-rate piece of scholarship . . . an invaluable summary and commentary on the multilingual literature on [Bushman] people." —Choice The trickster and trance dancer are the guides through Bushman (or San) religion, a world of ambiguity and contradiction, and of enchantment. The two figures, who in Bushman belief are symbolically equivalent and mystically linked, embody these antistructural traits.