This volume explores Cyprus in ancient literature and through contemporary evidence, discussing texts from Greco-Roman antiquity that examine the island, its myths, gods, heroes, and literary output, as well as the way it is perceived in ancient literature.

A collection of essays, most of which were published previously. Partial contents:

Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

A collection of articles published previously.

In The Aroma of Righteousness, Deborah Green explores images of perfume and incense in late Roman and early Byzantine Jewish literature. Using literary methods to illuminate the rabbinic literature, Green demonstrates the ways in which the rabbis’ reading of biblical texts and their intimate experience with aromatics build and deepen their interpretations. The study uncovers the cultural associations that are evoked by perfume and incense in both the Hebrew Bible and midrashic texts and seeks to understand the cultural, theological, and experiential motivations and impulses that lie behind these interpretations. Green accomplishes this by examining the relationship between the textual traditions of the Hebrew Bible and Midrash, the surviving evidence from the material culture of Palestine in the late Roman and early Byzantine periods, and cultural evidence as described by the rabbis and other Roman authors.

The international conference "Egypt and Cyprus in Antiquity" held in Nicosia in April 2003 filled an important gap in historical knowledge about Cyprus' relations with its neighbours. While the island's links with the Aegean and the Levant have been well documented and continue to be the subject of much archaeological attention, the exchanges between Cyprus and the Nile Valley are not as well known and have not before been comprehensively reviewed. They range in date from the mid third millennium B.C. to Late Antiquity and encompass every kind of interconnection, including political union. Their novelty lies in the marked differences between the ancient civilisations of Cyprus and Egypt, the distance between them geographically, which could be bridged only by ship, and the unusual ways they influenced each other's material and spiritual cultures. The papers delivered at the conference covered every aspect of the relationship, with special emphasis on the tangible evidence for the movement of goods, people and ideas between the two countries over a 3000 year period.

The maintenance of human health and the mechanisms by which this is achieved – through medicine, medical intervention and care-giving – are fundamentals of human societies. However, archaeological investigations of medicine and care have tended to examine the obvious and explicit manifestations of medical treatment as discrete practices that take place within specific settings, rather than as broader indicators of medical worldviews and health beliefs. This volume highlights the importance of medical worldviews as a means of understanding healthcare and medical practice in the past. The volume brings together ten chapters, with themes ranging from a bioarchaeology of Neanderthal healthcare, to Roman air quality, decontamination strategies at Australian quarantine centres, to local resistance to colonial medical structures in South America. Within their chapters the contributors argue for greater integration between archaeology and both the medical and environmental humanities, while the Introduction presents suggestions for future engagement with emerging discourse in community and public health, environmental and planetary health, genetic and epigenetic medicine, 'exposome' studies and ecological public health, microbiome studies and historical disability studies. The chapters in this book were originally published as a special issue of World Archaeology.

Cyprus was a thriving and densely populated late antique province. Contrary to what used to be thought, the Arab raids of the mid-seventh century did not abruptly bring the island’s prosperity to an end. Recent research instead highlights long-lasting continuity in both urban and rural contexts. This volume brings together historians and archaeologists working on diverse aspects of Cyprus between the sixth and eighth centuries. They discuss topics as varied as rural prosperity, urban endurance, artisanal production, civic and private religion and maritime connectivity. The role of the imperial administration and of the Church is touched upon in several contributions. Other articles place Cyprus back into its wider Mediterranean context. Together, they produce a comprehensive impression of the quality of life on the island in the long late antiquity.

This volume provides a set of in-depth case studies about the role of questions and answers (Q&A) in ancient Greek medical writing from its Hippocratic beginnings up to, and including, Late Antiquity.

The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.