With acerbic aplomb, Jillian Weise's latest collection of poems investigates disability and ableism in the literary canon.

A Lacanian approach to murder scene investigation. What if Jacques Lacan—the brilliant and eccentric Parisian psychoanalyst—had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic tools. Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid. Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s—the period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual.

"Now a BBC America TV series event"--Cover.

Einstein is running amok! Darwin is losing his head! The science museum in Half Moon Bay is in big trouble because its robotic replicas of history’s greatest scientists keep going kablooey! As 11-year-old amateur inventors Nick and Tesla Holt try to uncover the cause, they’ll need to keep adding all-new gadgets to their latest creation, a customized super-cyborg glove. Follow the action, and then follow the illustrated instructions to build your own gadget glove with four incredible functions: LED signal light, emergency alarm, sound recorder, and UV secret-message revealer!

For many cultural theorists, the concept of the cyborg - an organism controlled by mechanic processes - is firmly rooted in the post-modern, post-industrial, post-Enlightenment, post-nature, post-gender, or post-human culture of the late twentieth century. Allison Muri argues, however, that there is a long and rich tradition of art and philosophy that explores the equivalence of human and machine, and that the cybernetic organism as both a literary figure and an anatomical model has, in fact, existed since the Enlightenment. In The Enlightenment Cyborg, Muri presents cultural evidence - in literary, philosophical, scientific, and medical texts - for the existence of mechanically steered, or 'cyber' humans in the works seventeenth- and eighteenth-century thinkers. Muri illustrates how Enlightenment exploration of the notion of the 'man-machine' was inextricably tied to ideas of reproduction, government, individual autonomy, and the soul, demonstrating an early connection between scientific theory and social and political thought. She argues that late twentieth-century social and political movements, such as socialism, feminism, and even conservatism, are thus not unique in their use of the cyborg as a politicized trope. The Enlightenment Cyborg establishes a dialogue between eighteenth-century studies and cyborg art and theory, and makes a significant and original contribution to both of these fields of inquiry.

"It's easier to imagine the end of the world than the end of capitalism," said philosopher Frederic Jameson. In Jordan A. Rothacker's The Death of the Cyborg Oracle the former has led to the latter. It's 2220 and climate catastrophe has made most of the earth uninhabitable. In this future, domed Atlanta, solar energy has ended want, but socialism would be more fun if the guilt of capitalism's role in the destruction of earth wasn't inherited by its descendants. Out of this void all goddesses and gods are reborn for worship, monotheism is verboten, and crime is divided into Sacred and Profane. Meet Assistant Sacred Detective Edwina Casaubon, she's just transferred from Profane and working with the legendary Sacred Detective Rabbi Jakob "Thinkowitz" Rabbinowitz. And not a moment too soon, someone has murdered the Oracle of Delphi. "Rothacker's The Death of The Cyborg Oracle is wildly creative, transgressive, and hilarious. With its dystopian futurism, dual critiques of capitalism and Christianity, the book feels beamed in from the future." - John Vanderslice, musician, producer, Pixel Revolt "When I read through The Death of the Cyborg Oracle, I wept. Not from sadness, but from its comforting familiarity and universalism during our times of chaos, anxiety, destruction, and uncertainty. Jordan A. Rothacker's treatment of themes ranging from science fiction to religion, and mythology to ontology provides hope in a time of despair, and a call for rebirth and regeneration while we stare at the possibility of our own dystopian future. Most of all, The Death of the Cyborg Oracle-through its stunning prose and flow-calls on us to examine, understand, and utilize the past to work for a better present." - Adam Shprintzen, historian, The Vegetarian Crusade "When the Profane prophet Alfred North Whitehead made that comment about footnotes and Plato, he could not have foreseen that The Death of the Cyborg Oracle would be the ideal embodiment of Platonic mythmaking. Set after the destruction of one Amazon and the dismantling of another, Rothacker's prescient fiction laments and celebrates our all too human blindnesses and insights. Like the eagle-like eyes of Detective Rabbi Jakob "Thinkowitz" Rabbinowitz, it felt like this book was reading and writing me all at once. Its particular mix of knowing tragedy and anarchic hope will continue to resonate long after closing its pages, like the thud of realization made by a brick of marble thrown into the hole of Tartarus." - Minus Plato, author of No Philosopher King: An Everyday Guide to Art and Life under Trump "Jordan A. Rothacker has written a holy lamb in wolf's clothing with this short novel-on the surface we have a futuristic detective yarn centred on a gruesomely violent murder, but at its heart it's a treatise on the destructive power of unfettered capitalism and the redemptive magic of faith on both a personal and community level." - Matt Neil Hill, writer, Invert/Extant press "In a time when we are all pickled in these moments and days, Jordan Rothacker's engrossing work allows us to imagine a world beyond this one." - Kelly Girtz, Mayor, Athens, Ga "A solar noir intrigue, complete with climate apocalypse, capitalism abandoned, and the murder of the Oracle at Delphi. Rothacker's bold intelligence and fleet styling will elevate and mesmerize you. Simultaneously a thrilling page turner, and a brilliant critical inquiry as to our time and our future. Smart, creative, prescient." - John Reed, author of Snowball's Chance and All the World's a Grave. "A deeply satisfying, intensely flavored stew of ancient myths and Hebrew iconoclasm, served warm in a glass postmodern bowl. I found it very comforting, especially in its humane account of genders and gods. If this is the future, we don't do as badly as we deserve." - Peter Gardella, religion scholar, author of Innocent Ecstasy and American Civil Religion

When the dead whisper, chaos follows. Gabby thought she had faced it all: raising a baby, working through grad school, and dealing with cadaver exhibits. But when a silent cadaver unexpectedly stirs, her world doesn’t just shift – it shatters. Once quiet ghosts scream into the night. Buried secrets claw to the surface. And a dark and ancient force sets its sights on Gabby and those she loves. With her family in danger and her sanity hanging by a thread, Gabby isn’t just fighting for survival but for the essence of her very being. Can she uncover the truth behind the supernatural forces besieging her, or will the darkness consume everything she’s fought to protect? The Sweet Skull is the second book in Manuel Ruiz’s The Sugar Skull series.

On cybernetic organisms (cyborgs)

Join editor George Wilhite and the authors of Thirteen O'Clock Press on a hunt for the bizarre and strange. Is what they find supernatural, or is there a logical explanation for the terror they experience? What recorded stories will YOU come across in this anthology of the strange? The accounts appear real enough. They're just stories... right? Or perhaps some of these tales are real afterall...