"It's easier to imagine the end of the world than the end of capitalism," said philosopher Frederic Jameson. In Jordan A. Rothacker's The Death of the Cyborg Oracle the former has led to the latter. It's 2220 and climate catastrophe has made most of the earth uninhabitable. In this future, domed Atlanta, solar energy has ended want, but socialism would be more fun if the guilt of capitalism's role in the destruction of earth wasn't inherited by its descendants. Out of this void all goddesses and gods are reborn for worship, monotheism is verboten, and crime is divided into Sacred and Profane. Meet Assistant Sacred Detective Edwina Casaubon, she's just transferred from Profane and working with the legendary Sacred Detective Rabbi Jakob "Thinkowitz" Rabbinowitz. And not a moment too soon, someone has murdered the Oracle of Delphi. "Rothacker's The Death of The Cyborg Oracle is wildly creative, transgressive, and hilarious. With its dystopian futurism, dual critiques of capitalism and Christianity, the book feels beamed in from the future." - John Vanderslice, musician, producer, Pixel Revolt "When I read through The Death of the Cyborg Oracle, I wept. Not from sadness, but from its comforting familiarity and universalism during our times of chaos, anxiety, destruction, and uncertainty. Jordan A. Rothacker's treatment of themes ranging from science fiction to religion, and mythology to ontology provides hope in a time of despair, and a call for rebirth and regeneration while we stare at the possibility of our own dystopian future. Most of all, The Death of the Cyborg Oracle-through its stunning prose and flow-calls on us to examine, understand, and utilize the past to work for a better present." - Adam Shprintzen, historian, The Vegetarian Crusade "When the Profane prophet Alfred North Whitehead made that comment about footnotes and Plato, he could not have foreseen that The Death of the Cyborg Oracle would be the ideal embodiment of Platonic mythmaking. Set after the destruction of one Amazon and the dismantling of another, Rothacker's prescient fiction laments and celebrates our all too human blindnesses and insights. Like the eagle-like eyes of Detective Rabbi Jakob "Thinkowitz" Rabbinowitz, it felt like this book was reading and writing me all at once. Its particular mix of knowing tragedy and anarchic hope will continue to resonate long after closing its pages, like the thud of realization made by a brick of marble thrown into the hole of Tartarus." - Minus Plato, author of No Philosopher King: An Everyday Guide to Art and Life under Trump "Jordan A. Rothacker has written a holy lamb in wolf's clothing with this short novel-on the surface we have a futuristic detective yarn centred on a gruesomely violent murder, but at its heart it's a treatise on the destructive power of unfettered capitalism and the redemptive magic of faith on both a personal and community level." - Matt Neil Hill, writer, Invert/Extant press "In a time when we are all pickled in these moments and days, Jordan Rothacker's engrossing work allows us to imagine a world beyond this one." - Kelly Girtz, Mayor, Athens, Ga "A solar noir intrigue, complete with climate apocalypse, capitalism abandoned, and the murder of the Oracle at Delphi. Rothacker's bold intelligence and fleet styling will elevate and mesmerize you. Simultaneously a thrilling page turner, and a brilliant critical inquiry as to our time and our future. Smart, creative, prescient." - John Reed, author of Snowball's Chance and All the World's a Grave. "A deeply satisfying, intensely flavored stew of ancient myths and Hebrew iconoclasm, served warm in a glass postmodern bowl. I found it very comforting, especially in its humane account of genders and gods. If this is the future, we don't do as badly as we deserve." - Peter Gardella, religion scholar, author of Innocent Ecstasy and American Civil Religion

We are currently living in an age of scientific humanism. Cyborgs, robots, avatars, and bio-technologically created beings are new entities that exist alongside biological human beings. As with many emerging technologies, many people will find the concept foreign and frightening. There is a strong possibility that these entities will be mistreated. Philosophical Issues of Human Cyborgization and the Necessity of Prolegomena on Cyborg Ethics discusses the ethics of human cyborgization as well as emerging technologies of robots and avatars that exhibit human-like qualities. The chapters build a strong case for the necessity of cyborg ethics and protocols for preserving the vitality of life within an ever-advancing technological society. Covering topics such as cyborg hacking, historical reality, and naturalism, this book is a dynamic resource for scientists, ethicists, cyber behavior professionals, students and professors of both technological and philosophical studies, faculty of higher education, philosophers, AI engineers, healthcare professionals, researchers, and academicians.

Book I - Trinity of the Dark Legacy Cycle details the violent end of the Kai Order-an ancient, spiritual guild of warrior guardians and priestesses who have sworn their lives to protect the Oracle Queen of Atlantis-at the hands of Maniok, the being referred to as the "Great Evil" in the age-old Song of the Oracle King. It is a chronicle of Arkan, the last Kai guardian, and his desperate attempt to save the life of his priestess who carries his unborn son, and his escape from Atlantis. It is the story of Kieko, a lonely Lemurian boy of mixed blood who seeks to know more about his absent father's mysterious Atlantean past. Constantly bullied by Aiko, he eventually takes refuge with the village priest in the Kadek Temple where he studies medicinal and culinary arts, calligraphy, and ultimately, the art of Ki sword. Under the tutelage of the priest he comes to know the grim truth about his father, and is prepared to face the horrific assault of the armies of the Atlantean Empire upon his humble world. And this is just the beginning . . .

The Wheel of Time is now an original series on Prime Video, starring Rosamund Pike as Moiraine! In The Shadow Rising, the fourth novel in Robert Jordan’s #1 New York Times bestselling epic fantasy series, The Wheel of Time®, Rand al’Thor now wields the sword Callandor. He is both the Champion of Light and the Dragon Reborn. Now, he seeks answers to another prophecy that lies with the warrior people known as the Aiel to put him on the path of learning how to wield the One Power. Accompanied by Moiraine Damodred, Rand arrives at the Aiel Waste and is granted permission by the Wise Ones to enter the sacred city of Rhuidean. After passing through a doorframe ter'angreal, Moiraine gains foresight while the Aiel await Rand's return, either with both arms marked by dragon symbols, validating his identity as He Who Comes With the Dawn, the Chief of Chiefs of all the Aiel—or to never emerge at all. Since its debut in 1990, The Wheel of Time® has captivated millions of readers around the globe with its scope, originality, and compelling characters. The last six books in series were all instant #1 New York Times bestsellers, and The Eye of the World was named one of America's best-loved novels by PBS's The Great American Read. The Wheel of Time® New Spring: The Novel #1 The Eye of the World #2 The Great Hunt #3 The Dragon Reborn #4 The Shadow Rising #5 The Fires of Heaven #6 Lord of Chaos #7 A Crown of Swords #8 The Path of Daggers #9 Winter's Heart #10 Crossroads of Twilight #11 Knife of Dreams By Robert Jordan and Brandon Sanderson #12 The Gathering Storm #13 Towers of Midnight #14 A Memory of Light By Robert Jordan and Teresa Patterson The World of Robert Jordan's The Wheel of Time By Robert Jordan, Harriet McDougal, Alan Romanczuk, and Maria Simons The Wheel of Time Companion By Robert Jordan and Amy Romanczuk Patterns of the Wheel: Coloring Art Based on Robert Jordan's The Wheel of Time At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Building off the highly successful The Cyborg Handbook, this new collection of essays, interviews, and creative pieces brings together a set of compelling personal accounts about what it means to live as a cyborg in the twenty-first century. Human integration with complex technologies goes back to clothes, cooking, and language, but has accelerated incredibly in the last few centuries, with interest spreading among scientists, coders, people with sophisticated implants, theorists, and artists. This collection includes some of the most articulate of these voices from over 25 countries, including Donna Haraway, Stelarc, Natasha Vita-More, Steve Mann, Amber Case, Michael Chorost, Moon Ribas, Kevin Warwick, Sandy Stone, Dion Farquhar, Angeliki Malakasioti, Elif Ayiter, Heesang Lee, Angel Gordo, and others. Addressing topics including race, gender, sexuality, class, conflict, capitalism, climate change, disability and beyond, this collection also explores the differences between robots, androids, cyborgs, hybrids, post-, trans-, and techno-humans, offering readers a critical vocabulary for understanding and discussing the cyborgification of culture and everyday life. Compelling, interdisciplinary, and international, the book is a perfect primer for students, researchers, and teachers of cyberculture, media and cultural theory, and science fiction studies, as well as anyone interested in the intersections between human and machine.

Events that led Barbara Gordon to become the master cyber-sleuth Oracle are revealed. Plus, a tale of young Bruce Wayne before the death of his parents forging the beginnings of a lifelong relationship with the man who would become friend, confidant, even surrogate father: Alfred Pennyworth.

With a covert spy leading Cyborg and his Giant Robots away from their secure base, the formerly secret location of Chikushu Island is revealed and the Dojo is attacked and destroyed. The only hope Cyborg has to regenerate his downed Giant Robots will also rob him of his own powers...which is exactly what Mekkan-X intends.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

Controversial, fascinating, disturbing, and often beautiful, plastinated human bodies—such as those found at Body Worlds exhibitions throughout the world—have gripped the public's imagination. These displays have been lauded as educational, sparked protests, and drawn millions of visitors. This book looks at the powerful sway these corpses hold over their living audiences everywhere. Plastination was invented in the 1970s by German anatomist Gunther von Hagens. The process transforms living tissues into moldable plastic that can then be hardened into a permanent shape. Von Hagens first exhibited his expertly dissected, artfully posed plastinated bodies in Japan in 1995. Since then, his shows have continuously attracted so many paying customers that they have inspired imitators, brought accusations of unethical or even illegal behavior, and ignited vigorous debates among scientists, educators, religious leaders, and law enforcement officials. These lively, thought-provoking, and sometimes personal essays reflect on such public displays from ethical, legal, cultural, religious, pedagogical, and aesthetic perspectives. They examine what lies behind the exhibitions' popularity and explore the ramifications of turning corpses into a spectacle of amusement. Contributions from bioethicists, historians, physicians, anatomists, theologians, and novelists dig deeply into issues that compel, upset, and unsettle us all.