New Englanders are always cursing. But a colorful profanity uttered by some stero-typically taciturn old Yankee is usually more humorous than menacing. Yet, true maledictions (the opposite of benedictions) have frequently been spoken on New England soil, curses intended to invoke evil, injury, or total destruction against other people. Stories about preternatural revenge are numerous in Yankee lore, with each New England state providing its favorites. You’ll read about curses that were followed by the strange disappearance of a father and daughter in Rhode Island, mysterious afflictions in Massachusetts, a river of death in Maine, an unaccountable blight in New Hampshire, unexplained madness in Connecticut, and other eerie happenings from New England’s colorful history. Some are well known, at least regionally. Others are nearly forgotten. Within these pages, storyteller Joseph A. Citro vividly brings these tales to life, letting us decide if these tales of woe were bad luck or . . . something else.

New England's dark hills, fogbound coasts, and hidden villages have inspired generations of writers such as Hawthorne, Lovecraft, and King. But these authors' dark imaginings pale when compared to little-known but well-documented and true tales. In this delightfully spine-tingling tour of all six New England states, Citro chronicles the haunted history and folklore of a region steeped in hardship and horror, humor and pathos.

Points the way to all the tantalizing treats and terrifying treasures that remain tucked away in overlooked museums, private collections, and forgotten recesses of this very special region

The Gothic Literature and History of New England surveys the history, nature and future of the Gothic mode in the region, from the witch trials through the Black Lives Matter Movement. Texts include Cotton Mather and other Puritan divines who collected folklore of the supernatural; the Frontier Gothic of Indian captivity narratives; the canonical authors of the American Renaissance such as Melville and Hawthorne; the women's ghost story tradition and the Domestic Gothic from Harriet Beecher Stowe to Charlotte Perkins Gilman to Shirley Jackson; H. P. Lovecraft; Stephen King; and writers of the current generation who respond to racial and gender issues. The work brings to the surface the religious intolerance, racism and misogyny inherent in the New England Gothic, and how these nightmares continue to haunt literature and popular culture—films, television and more.

New England's history is marked with witch executions, curses and an untold number of cemeteries hiding mysteries beneath their stones. In this sometimes harsh landscape, the truth is often stranger than fiction. Examine the footprints burned into the ledge of Devil's Foot Rock in Rhode Island. Spend a night at the Kennebunk Inn in Maine, where the mischievous specter of Silas Perkins still resides. Traverse an old dirt road near Sterling, Connecticut, where the Darn Man's frozen body was uncovered in 1863. Authors Thomas D'Agostino and Arlene Nicholson uncover the history behind the region's best-kept secrets and lore. As you flip through these pages of New England's legends, tread lightly--you just might find a story that will follow you home.

"Funny and fearful true stories of witches, innocent victims and their accusers in the 17th, 18th, and 19th centuries. Curses that seemingly worked their magic and cures by healers that begot them the gallows. Emphasis is on Salem Village in 1692, where 20 accused of witchcraft were executed."

A collection of riveting stories about preternatural revenge. Discover the riveting stories about Queen Esther and the Iroquois Slaughter, The Curse of Mamie O’Rourke, The Rangers, the Stanley Cup and the Curse of 1940, The Death of a President and the City that Fails to Thrive, and many more. Some stories will be regionally well known. Others are nearly forgotten. All are cursed.

NATIONAL BESTSELLER “A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST "A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLY Named a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture • Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more! The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read. “Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake.” –O, THE OPRAH MAGAZINE

A major reexamination of New England's cultural society, in which Puritans share the stage with many other discourses.

Bethany Tudor relates the story of her mother's life through a smooth-flowingnarrative, old and contemporary photographs and samples of the artist's work.96 pp.