In Crossing Bully Creek, acclaimed author Margaret Erhart chronicles change through generations. As the scion of a large Southern plantation lies dying in the late 1960s, the various people who know him recall his life, including his wife, Rowena; his servant Rutha; his granddaughter; and the plantation manager. At the story's heart is the owner of Longbrow Plantation, Henry Detroit--now on his deathbed as the 1960s come to a close. Around him swirl servants, retainers, workers, and family, all gathered to preside over his death, and the death of life as they know it in the South. The book moves back and forth from the 1920s to the 1960s. From Henry's wife Rowena, to the servant Rutha, from his saucy granddaughter to the man running the plantation for his son, characters white and black move through a time when old traditions linger, yet begin to give way--subtly transformed through the small, determined acts.

"The modern American male is center stage in this collection of short stories. The characters come from all walks of life - hockey players, middle managers, feckless bouncers, and wayward husbands - but all share a tendency to turn violent when life spins out of control. In these pieces, Gary Amdahl illuminates the rage and desperation lurking beneath the veneer."--BOOK JACKET.

General William Tecumseh Sherman's devastating "March to the Sea" in 1864 burned a swath through the cities and countryside of Georgia and into the history of the American Civil War. As they moved from Atlanta to Savannah--destroying homes, buildings, and crops; killing livestock; and consuming supplies--Sherman and the Union army ignited not only southern property, but also imaginations, in both the North and the South. By the time of the general's death in 1891, when one said "The March," no explanation was required. That remains true today. Legends and myths about Sherman began forming during the March itself, and took more definitive shape in the industrial age in the late-nineteenth century. Sherman's March in Myth and Memory examines the emergence of various myths surrounding one of the most enduring campaigns in the annals of military history. Edward Caudill and Paul Ashdown provide a brief overview of Sherman's life and his March, but their focus is on how these myths came about--such as one description of a "60-mile wide path of destruction"--and how legends about Sherman and his campaign have served a variety of interests. Caudill and Ashdown argue that these myths have been employed by groups as disparate as those endorsing the Old South aristocracy and its "Lost Cause," and by others who saw the March as evidence of the superiority of industrialism in modern America over a retreating agrarianism. Sherman's March in Myth and Memory looks at the general's treatment in the press, among historians, on stage and screen, and in literature, from the time of the March to the present day. The authors show us the many ways in which Sherman has been portrayed in the media and popular culture, and how his devastating March has been stamped into our collective memory.

A Pakistani teenager is trapped by tradition in this tale by “Pakistan’s finest English-language novelist” (New York Times). Wild, austere, and magnificently beautiful, the territories of northern Pakistan are a forbidding place, particularly for women. Traveling alone from the isolated mountain village where he was born, Qasim, a tribal man, takes Zaitoon, an orphaned girl, for his daughter and brings her to the glittering city of Lahore. Amid the pungent bazaars and crowded streets, he makes his fortune and a home for the two of them. Yet as the years pass, Qasim grows nostalgic for his life in the mountains, and fifteen-year-old Zaitoon envisions a romantic landscape, filled with tall men who roam the mountains like gods. Impulsively, Qasim promises Zaitoon in marriage to a man of his tribe. But once she arrives in the mountains, the ancient customs of unquestioning obedience and backbreaking work make accepting her fate as the bride of an inscrutable husband impossible. Unfortunately, the only escape is one from which there is no return. Prescient and provocative in its assessment of the plight of women in a tribal society in Pakistan, the first of Bapsi Sidhwa’s novels is a story of marriage and commitment, of the conflict between adherence to tradition and indomitable force of a woman’s spirit. Praise for The Pakistani Bride “At a breathless pace [Sidhwa] weaves her exotic cliffhanger from passion, power, lust, sensuality, cruelty and murder.” —Financial Times (UK) “Bapsi Sidhwa is a powerful and dramatic novelist who knows how to flesh out a story.” —London Times (UK) “Sidhwa writes with the same vivacity that made the author’s first novel, The Crow Eaters so memorable.” —Telegraph (UK)