This book analyzes the interaction of crimes, punishments, and Bernard Shaw in the nineteenth and twentieth centuries. It explores crimes committed by professional criminals, nonprofessional criminals, businessmen, believers in a cause, the police, the Government, and prison officials. It examines punishments decreed by judges, juries, colonial governors, commissars, and administered by the police, prison warders, and prison doctors. It charts Shaw's view of crimes and punishments in dramatic writings, non-dramatic writings, and his actions in real life. This book presents him in the context of his contemporaries and his world, inviting readers to view crimes and punishments in their context, history, and relevance to his ideas in and outside his plays, plus the relevance of his ideas to crimes and punishments in life.

The Nobel Prize–winning social critic examines the absurdities and moral indignities of modern incarceration in this classic work. Best known for his theatrical works of biting social satire, George Bernard Shaw was also a committed political activist who, at various times, found himself in conflict with the law. Though he was never arrested, Shaw was deeply concerned with the experience of imprisonment and its debilitating effects on inmates. In this polemical study of the contemporary prison system, Shaw dismantles many of the standard arguments for harsh prison sentences. He argues that the impulse for retribution is at odds with the goal of reform, and that prison often fosters greater criminality rather than acting as a deterrent.

This groundbreaking book by an award-winning psychoanalyst and forensic psychiatrist presents a comprehensive exploration of a timely but often taboo topic: the failure of punishment to deter crime and violence, an issue that affects us both individually and as a culture. Written at the culmination of the author s fifty-year career as a psychoanalyst, forensic psychologist and scholar, this wide-ranging work identifies the origins of violence and investigates the surprising consequences of punishment from a multitude of perspectives. In his treatment of the topic, Dr. Dorpat utilizes scientific research; ethical reasoning, and his vast clinical experience and insight. He also suggests the benefits of new and emerging humane alternatives to the revenge/punishment model currently entrenched in our society, such as restorative justice. In contrast to most contemporary measures, these new approaches while still imprisoning dangerous individuals effectively stress reparation and forms of sanctioning other than incarceration. When restitution replaces revenge, everyone benefits. Crimes of Punishment examines four key, interrelated social methods of punishment. These are (1) the corporal punishment of children, (2) the incarceration of adults in prisons, (3) capital punishment the death penalty, and (4) emotional (verbal) abuse. As he elucidates and analyzes each of these forms of punishment, Dr. Dorpat clearly and logically makes the case that punishment is not only ineffectual but that it also engenders more of what it ostensibly aims to stop: violence and misbehavior. Both children and adults who are subjected to punishment tend to become more violent individuals. In covering the full scope of our contemporary justice system Dr. Dorpat brings to the forefront those who are often overlooked or dismissed: the victims of crime. His concluding chapters present and clarify the psychological wounds and needs of these individuals, and demonstrate how restorative justice is effective in attending to victims in an ethical and healing manner. In a humane and ethically evolved society restitution replaces punishment. Market Comparison-- Crimes of Punishment is unique in that it covers not just one but four different types of punishment (the corporal punishment of children, the incarceration of adults, the death penalty, and verbal emotional] abuse). Two earlier books written by psychiatrists expose the terrible conditions in America s prisons. They are The Crime of Punishment (New York: Viking, 1968) by Karl Menninger, and Prison Madness by Terry Kupers (San Francisco: Jossey-Bass, 1999). This book differs in two important ways from the books written by Menninger and Kupers. First, The Crimes of Punishment covers other kinds of punishment, while those authors deal only with the punishment of incarceration. Secondly, the reforms they recommend are merely piecemeal modifications of the present criminal justice systems, whereas Dr. Dorpat argues for a radical change that includes the abolition of today s punitive prison (Retributive Justice) system and the establishment of a new and different system, namely Restorative justice, a system that has been developed over the past decade in Australia and New Zealand. The Crimes of Punishment differs from Menninger s book in covering the many changes that have occurred in prisons since 1968. In several short chapters on restorative justice, the book also explores this exciting new approach and serves as an informed introduction to a new, important, and effective moral approach to the treatment of criminals.

'Maxims for Revolutionists' by George Bernard Shaw is a brief but thought-provoking book filled with short yet powerful maxims that demand your attention. With just 20 pages, Shaw manages to pack in wisdom that will keep you meditating and reflecting for hours. Here's one of the maxims that can be found within this book's pages: "Titles distinguish the mediocre, embarrass the superior, and are disgraced by the inferior."

George Bernard Shaw is one of the most famous and celebrated Irish playwrights and this new collection brings together the very best of his witty and entertaining comedies in one volume; Pygmalion, Major Barbara and Androcles and the Lion. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has a preface by Oscar-winning actress Judi Dench. Pygmalion was first performed in 1914 and was an instant hit which then inspired the hit musical and award winning film, My Fair Lady. It tells the story of Eliza Doolittle and Henry Higgins, who tries to elevate a feisty flower girl out of her working-class roots and into high society. In Major Barbara, idealistic Barbara is a major in the Salvation Army, at odds with her millionaire father as they war over the best route to salvation. Androcles and the Lion is a clever retelling of the Bible story about a gentle Christian who pulls a thorn from a lion’s paw. All three plays are not only wonderfully amusing, they also showcase Shaw's intense concerns about poverty, class and inequality.

“Dukore’s style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic.” - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century.” - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship – of his plays and those of others, of his works for the screen and those of others – he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate.” Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren’s Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.

Today, questions about how and why societies punish are deeply emotive and hotly contested. In Crime and Punishment in Contemporary Culture, Claire Grant argues that criminal justice is a key site for the negotiation of new collective identities and modes of belonging. Exploring both popular cultural forms and changes in crime policies and criminal law, Grant elaborates on new forms of critical engagement with the politics of crime and punishment. In doing so, the book discusses: teletechnologies, punishment and new collectivities the cultural politics of victims rights discourses on foreigners, crime and diaspora terror, the death penalty and the spectacle of violence. Crime and Punishment in Contemporary Culture makes a timely and important contribution to debate on the possibilities of justice in the media age. This book is essential reading for undergraduates, postgraduates and researchers interested in the area of crime and punishment.

Today, questions about how and why societies punish are deeply emotive and hotly contested. In Crime and Punishment in Contemporary Culture, Claire Valier argues that criminal justice is a key site for the negotiation of new collective identities and modes of belonging. Exploring both popular cultural forms and changes in crime policies and criminal law, Valier elaborates new forms of critical engagement with the politics of crime and punishment. In doing so, the book discusses: · Teletechnologies, punishment and new collectivities · The cultural politics of victims rights · Discourses on foreigners, crime and diaspora · Terror, the death penalty and the spectacle of violence. Crime and Punishment in Contemporary Culture makes a timely and important contribution to debate on the possibilities of justice in the media age.

The Little Book of Crime and Punishment is a repository of fascinating, obscure, strange and entertaining facts and trivia about the history of the British criminal justice system. Learn of the days when noses, hands and heads were cut off, heretics were burned at the stake and rebels were hanged, drawn and quartered. A reference book and a quirky guide, this can be dipped in to time and time again to reveal something new about the various forms of punishments; from ducking scolds, imposing curfews, tagging persistent offenders and, of course, imprisonment

This eBook features the unabridged text of ‘Crime and Punishment’ from the bestselling edition of ‘The Complete Works of Fyodor Dostoyevsky’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dostoyevsky includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Crime and Punishment’ * Beautifully illustrated with images related to Dostoyevsky’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles