“Dukore’s style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic.” - Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). "This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century.” - - Lauren Arrington, Professor of English, Maynooth University, Ireland A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship – of his plays and those of others, of his works for the screen and those of others – he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate.” Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren’s Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.

Bernard Shaw on the American Stage is the first comprehensive study of the production of Bernard Shaw’s plays in America. During his lifetime (1856-1950), Shaw was America’s most popular living playwright; productions of his plays were outnumbered only by Shakespeare. Forty-four of Shaw’s plays were staged in America before his death, eight more posthumously. Eleven of the productions were world premieres. Bernard Shaw on the American Stage tells the story of the fifty-two premieres, which, apart from a few fragments, is his total dramatic oeuvre. The book also includes, again for the first time, production data and concise overviews of dozens of the most notable American revivals of the plays, from the 1890s to the beginning of the 2020 pandemic. Illustrations—production photographs, programmes, theatre buildings, playbills, actors’ studio portraits— inform the study throughout.

This book explores, through a multidisciplinary approach, the immense influence exerted by Bernard Shaw on the Spanish-speaking world on both sides of the Atlantic. This collection of essays encompasses the reception and dissemination of his ideas; the translation of his works into Spanish; the performance history of his plays in Spain and Latin America; and Shaw’s influence on many key figures of literature in Spanish. It begins by delving into Shaw’s knowledge of Spanish literature and gauging his acquaintance with the Spanish cultural milieu throughout his tenure as an art, music, and theatre critic. His early exposure to Spanish-speaking culture later made the return trip in the form of profuse critical reception and theatrical success in countries like Spain, Argentina, Mexico, and Uruguay. This allows for a more detailed investigation into the unmistakable mark that Bernard Shaw left in the oeuvre of leading Spanish-speaking authors like Ramiro de Maeztu, Jorge Luis Borges or Nemesio Canales. This volume also assesses the translations of Shaw’s works into Spanish—while also providing a detailed publication history of these translations.

When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.

This new volume of Bernard Shaw's book reviews is a companion to Brian Tyson's previously edited collection of Shaw's earlier book reviews. Here Tyson collects seventy-three of the best remaining literary book reviews written by Shaw throughout his lifetime. Two-thirds of the reviews appear in book form for the first time, the originals residing in the archives of newspaper libraries, and only three of the remainder have been reprinted within the last twenty years. Politics feature largely in the works that Shaw reviewed: there are books of socialist theory and its practical appearance in the Soviet Union, as well as books on the individualism of J. H. Levy, the anti-socialism of Thomas McKay, and the economics of E. C. K. Gonner and Philip Wicksteed. There is often an immediacy about the books reviewed, too: discussion of books on World War I, the Soviet Revolution, women's suffrage, the British General Strike of 1926, and World War II all take place concurrently with the events. Many of the works reviewed are biographies, which give Shaw the opportunity to reveal his personal acquaintance with their subjects, including Samuel Butler, William Morris, and Dean Inge. This widely varied collection sparkles with wit and wisdom, taking us briskly through Shaw's own writing life, beginning when he was relatively unknown and concluding when he was a legend.

First Published in 1963 A Guide to the Plays of Bernard Shaw is a descriptive and critical account of Bernard Shaw’s work as a playwright. The leading ideas contained in the plays are discussed because they are relevant to the work of the dramatist, and the author has also commented on their original production as they were mostly done under Shaw’s direction. Author argues that if Shaw were to be reincarnated as a dramatic critic he would only too often be as scathing of the treatment of his plays upon the stage today as was G.B.S. when writing of the Shakespeare productions in the London theatre. This book is a must read for students of English literature.

Shaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women’s roles, while expanding this advocacy into considerations of Ireland. Shaw’s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues.

George Bernard Shaw's frequently stormy but always creative relationship with the British Broadcasting Corporation was in large part responsible for making him a household name on both sides of the Atlantic. From the founding of the BBC in 1922 to his death in 1950, Shaw supported the BBC by participating in debates, giving talks, permitting radio and television broadcasts of many of his plays - even advising on pronunciation questions. Here, for the first time, Leonard Conolly illuminates the often grudging, though usually mutually beneficial, relationship between two of the twentieth century's cultural giants. Drawing on extensive archival materials held in England, the United States, and Canada, Bernard Shaw and the BBC presents a vivid portrait of many contentious issues negotiated between Shaw and the public broadcaster. This is a fascinating study of how controversial works were first performed in both radio and television's infancies. It details debates about freedom of speech, the editing of plays for broadcast, and the protection of authors' rights to control and profit from works performed for radio and television broadcasts. Conolly also scrutinizes Second World War-era censorship, when the British government banned Shaw from making any broadcasts that questioned British policies or strategies. Rich in detail and brimming with Shaw's irrepressible wit, this book also provides links to online appendices of Shaw's broadcasts for the BBC, texts of Shaw's major BBC talks, extracts from German wartime propaganda broadcasts about Shaw, and the BBC's obituaries for Shaw.

This carefully crafted ebook: "The Collected Plays of George Bernard Shaw (Illustrated)" is formatted for your eReader with a functional and detailed table of contents. George Bernard Shaw (1856 - 1950) was an Irish playwright, essayist, novelist and short story writer and wrote more than 60 plays. He is the only person to have been awarded both a Nobel Prize in Literature (1925) and an Academy Award (1938). Table of Contents George Bernard Shaw by G. K. Chesterton Plays: Widowers' Houses (1892) The Philanderer (1898) Mrs. Warren's Profession (1898) The Man Of Destiny (1897) Arms And The Man: An Anti-Romantic Comedy in Three Acts (1894) Candida (1898) You Never Can Tell (1897) Three Plays for Puritans: The Devil's Disciple (1897) Captain Brassbound's Conversion (1900) Caesar and Cleopatra: A History (1901) The Gadfly Or The Son of the Cardinal (1898) The Admirable Bashville Or Constancy Unrewarded (1901) Man And Superman: A Comedy and A Philosophy (1903) John Bull's Other Island (1904) How He Lied To Her Husband (1904) Major Barbara (1905) Passion, Poison, And Petrifaction (1905) The Doctor's Dilemma: A Tragedy (1906) The Interlude At The Playhouse (1907) Getting Married (1908) The Shewing-Up Of Blanco Posnet (1909) Press Cuttings (1909) Misalliance (1910) The Dark Lady Of The Sonnets (1910) Fanny's First Play (1911) Androcles And The Lion (1912) Overruled: A Demonstration (1912) Pygmalion (1913) Great Catherine (Whom Glory Still Adores) (1913) The Music Cure (1913) Beauty's Duty (Unfinished) (1913) O'Flaherty, V. C. (1915) Macbeth Skit (unfinished) (1916) Glastonbury Skit (unfinished) (1916) The Inca Of Perusalem: An Almost Historical Comedietta (1916) Augustus Does His Bit (1916) Skit For The Tiptaft Revue (1917) Annajanska, The Bolshevik Empress (1917) Heartbreak House (1919) Back To Methuselah: A Metabiological Pentateuch (1921) In the Beginning The Gospel of the Brothers Barnabas The Thing Happens Tragedy of an Elderly Gentleman ...