This book opens up a range of important perspectives on law and violence by considering the ways in which their relationship is formulated in literature, television and film. Employing critical legal theory to address the relationship between crime fiction, law and justice, it considers a range of topics, including: the relationship between crime fiction, legal reasoning and critique; questions surrounding the relationship between law and justice; gender issues; the legal, political and social impacts of fictional representations of crime and justice; post-colonial perspectives on crime fiction; as well as the impact of law itself on the crime fiction’s development. Introducing a new sub-field of legal and literary research, this book will be of enormous interest to scholars in critical, cultural and socio-legal studies, as well as to others in criminology, as well as in literature.

The "exciting" and "clever" debut thriller (New York Times Book Review): No one knows what happened that night. Seven strangers must decide. Earl Thomas, a straight-laced taxman with his fair share of police encounters, is the begrudging foreperson in a high-stakes trial in Miami. Laura Hurtado-Perez is a physician whose unassuming manner conceals a private pain. Joseph Cole is the founder of his local neighborhood watch, unduly obsessed with the families around him. Along with four others, these jurors of varying ages and walks of life whose paths would likely never have otherwise crossed must come together to make one of the most important decisions of their lives. On the night Melina Mora, a free-spirited woman both proud and kind, was murdered, she was seen with a young man of Gabriel Soto’s description. Two strands of her hair were found in his bedroom. Sandy Grunwald, a young prosecutor whose political ambitions depend on securing a conviction, finds herself pitted against Jordan Whipple, a preening public defender armed with a freshly discovered, dynamite piece of evidence on the eve of the trial—if the Honorable Darla Tackett will admit it. What Sandy, Jordan, and Judge Tackett all know, however, is that the criminal justice system is complicated, and everyone has a story—especially the jury. And it’s their experiences, biases, and beliefs that will ultimately shape the verdict. With striking originality and expert storytelling, Robin Peguero’s debut novel explores the prejudice that hangs over every trial in America. You’ve never read a legal thriller quite like this. There’s never been a thriller writer quite like Peguero. And you will not be able to predict how it all ends.

This work explores the situating of law and crime within the vast range and scope of contemporary media forms. Sheila Brown shows how crime and the law, or our understanding of them, are produced, reproduced, disturbed, and challenged in and through media culture.

When an anonymous letter arrives for Mr Justice Barber, the High Court judge, warning of imminent revenge, he dismisses it as the work of a harmless lunatic. But then a second letter appears, followed by a poisoned box of the judge's favourite chocolates, and he begins to fear for his life.

INSPIRATION FOR THE ORIGINAL SERIES THE LINCOLN LAWYER – COMING SOON TO NETFLIX Lincoln Lawyer Mickey Haller is back on the job in this heart-stopping thriller from a renowned #1 New York Times bestselling author. “One of the finest legal thrillers of the last decade” —Associated Press On the night he celebrates a big win, defense attorney Mickey Haller is pulled over by police, who find the body of a former client in the trunk of his Lincoln. Haller is immediately charged with murder but can’t post the exorbitant $5 million bail slapped on him by a vindictive judge. Mickey elects to represent himself and is forced to mount his defense from his jail cell in the Twin Towers Correctional Center in downtown Los Angeles. All the while he needs to look over his shoulder—as an officer of the court he is an instant target, and he makes few friends when he reveals a corruption plot within the jail. But the bigger plot is the one against him. Haller knows he’s been framed, whether by a new enemy or an old one. As his trusted team, including his half-brother, Harry Bosch, investigates, Haller must use all his skills in the courtroom to counter the damning evidence against him. Even if he can obtain a not-guilty verdict, Mickey understands that it won’t be enough. In order to be truly exonerated, he must find out who really committed the murder and why. That is the law of innocence. In his highest stakes case yet, the Lincoln Lawyer fights for his life and proves again why he is “a worthy colleague of Atticus Finch . . . in the front of the pack in the legal thriller game” (Los Angeles Times). A CBS The Doctors Book Club Pick A People Book of the Week Selection

Here is self help book for aspiring writers which has been written by an acclaimed author and a publisher. In So You Want to Write Marge Piercy teams up with novelist and publisher Ira Wood to offer a comprehensive and inspiring guide. Marge has been writing for 45 years and Ira for 25, and for the last ten years they have co-taught two popular master classes on how to write fiction. Their book offers excellent specific and highly motivating advice on how to: Begin a piece by seducing your reader; Create characters that are fully formed and intriguing; Master the elements of plotting fiction; Create a strategy for telling the story of your life; Write about painful material without coming off as a victim; Deal with continual rejection - and learn about agents, work habits and how much writers really earn

Perfect for fans of Celeste Ng and Megan Abbott, Lynne Reeves' The Dangers of an Ordinary Night is an exploration of the explosive family secrets that are often hidden in plain sight. On a chilly fall evening at the prestigious Performing Arts High School of Boston, best friends Tali Carrington and June Danforth go missing after auditioning for a play. They're last seen in grainy, out-of-focus surveillance footage that shows them walking away from the school. Two days later in a town south of Boston, Tali is found disoriented and traumatized by the ocean's edge, while June is pronounced dead at the scene. Tali's mother, Nell, is so bent on protecting her daughter from further emotional harm that she ignores rumors of her husband’s involvement and enlists the help of Cynthia Rawlins, a reunification therapist with personal insight into the riptide that hides below the surface of every unsuspecting family. Meanwhile, Detective Fitz Jameson uncovers a criminal undertow involving the high school’s overachieving students, and finally sees an opportunity for personal redemption from a secret that’s haunted him for years. As Nell, Cynthia, and Fitz confront their own contributions to the scandals that beleaguer them, their lives turn out to be more deeply intertwined than they'd ever imagined. In the end, they must decide what lengths they're willing to go to protect the people they love while also saving themselves.

Like the popular TV series, this book walks the thin line between reality and fantasy, focusing on crime scenes from the show's most popular episodes. Includes 100+ high-quality photos in a rivet-bound, foil-stamped hardcover flawlessly replicating an authentic police blotter.

Who decides what is right or wrong, ethical or immoral, just or unjust? In the world of crime and spy fiction between 1880 and 1920, the boundaries of the law were blurred and justice called into question humanity's moral code. As fictional detectives mutated into spies near the turn of the century, the waning influence of morality on decision-making signaled a shift in behavior from idealistic principles towards a pragmatic outlook taken in the national interest. Taking a fresh approach to Sir Arthur Conan Doyle's popular protagonist, Sherlock Holmes, this book examines how Holmes and his rival maverick literary detectives and spies manipulated the law to deliver a fairer form of justice than that ordained by parliament. Multidisciplinary, this work views detective fiction through the lenses of law, moral philosophy, and history, and incorporates issues of gender, equality, and race. By studying popular publications of the time, it provides a glimpse into public attitudes towards crime and morality and how those shifting opinions helped reconstruct the hero in a new image.

In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.