Dive into the psychological depths of "Crime and Punishment" by Fyodor Dostoevsky. This groundbreaking novel explores the moral dilemmas faced by Raskolnikov, a troubled student who commits a heinous act, sparking a profound journey of guilt, redemption, and the search for meaning. As Dostoevsky unravels Raskolnikov's inner turmoil, you'll confront a haunting question: What does it truly mean to suffer, and can redemption be found in the darkest corners of the human soul? But here’s the unsettling truth: How far can one go in justifying their actions before the weight of conscience becomes unbearable? Engage with Dostoevsky's masterful narrative that intricately weaves philosophical questions into a gripping plot. Each character serves as a mirror reflecting society’s complexities and the shadows lurking within us all. Are you ready to embark on a journey through the intricacies of crime, punishment, and the quest for moral clarity? Experience the depth of Dostoevsky's writing through short, impactful paragraphs that challenge your perceptions and provoke deep reflection. This book is not just a story; it’s a profound exploration of the human condition. This is your chance to confront the ethical dilemmas that resonate through time. Will you let "Crime and Punishment" guide you through the labyrinth of morality and existence? Don’t miss the opportunity to own this literary masterpiece. Purchase "Crime and Punishment" now and delve into the depths of human experience!

"Crime and Punishment," written by Fyodor Dostoevsky, is a psychological novel published in 1866. It follows the story of Rodion Raskolnikov, a destitute ex-student in St. Petersburg, who plans and executes a brutal murder

A study and analysis of lack of enforcement against criminal actions in corporate America and what can be done to fix it. In the early 2000s, federal enforcement efforts sent white collar criminals at Enron and WorldCom to prison. But since the 2008 financial collapse, this famously hasn’t happened. Corporations have been permitted to enter into deferred prosecution agreements and avoid criminal convictions, in part due to a mistaken assumption that leniency would encourage cooperation and because enforcement agencies don’t have the funding or staff to pursue lengthy prosecutions, says distinguished Columbia Law Professor John C. Coffee. “We are moving from a system of justice for organizational crime that mixed carrots and sticks to one that is all carrots and no sticks,” he says. He offers a series of bold proposals for ensuring that corporate malfeasance can once again be punished. For example, he describes incentives that could be offered to both corporate executives to turn in their corporations and to corporations to turn in their executives, allowing prosecutors to play them off against each other. Whistleblowers should be offered cash bounties to come forward because, Coffee writes, “it is easier and cheaper to buy information than seek to discover it in adversarial proceedings.” All federal enforcement agencies should be able to hire outside counsel on a contingency fee basis, which would cost the public nothing and provide access to discovery and litigation expertise the agencies don't have. Through these and other equally controversial ideas, Coffee intends to rebalance the scales of justice. “Professor Coffee’s compelling new approach to holding fraudsters to account is indispensable reading for any lawmaker serious about deterring corporate crime.” —Robert Jackson, professor of Law, New York University, and former commissioner, Securities and Exchange Commission “A great book that more than any other recent volume deftly explains why effective prosecution of corporate senior executives largely collapsed in the post-2007–2009 stock market crash period and why this creates a crisis of underenforcement. No one is Professor Coffee’s equal in tying together causes for the crisis.” —Joel Seligman, author, historian, former law school dean, and president emeritus, University of Rochester

Raskolnikov is an impoverished former student living in Saint Petersburg, Russia who feels compelled to rob and murder Alyona Ivanovna, an elderly pawn broker and money lender. After much deliberation the young man sneaks into her apartment and commits the murder. In the chaos of the crime Raskolnikov fails to steal anything of real value, the primary purpose of his actions to begin with. In the period that follows Raskolnikov is racked with guilt over the crime that he has committed and begins to worry excessively about being discovered. His guilt begins to manifest itself in physical ways. He falls into a feverish state and his actions grow increasingly strange almost as if he subconsciously wishes to be discovered. As suspicion begins to mount towards him, he is ultimately faced with the decision as to how he can atone for the heinous crime that he has committed, for it is only through this atonement that he may achieve some psychological relief. As is common with Dostoyevsky's work, the author brilliantly explores the psychology of his characters, providing the reader with a deeper understanding of the motivations and conflicts that are central to the human condition. First published in 1866, "Crime and Punishment" is one of Fyodor Dostoyevsky's most famous novels, and to this day is regarded as one of the true masterpieces of world literature. This edition is printed on premium acid-free paper, is translated by Constance Garnett, and includes an Introduction by Nathan B. Fagin.

Presenting an engaging critique of current criminal justice practice in the UK and USA, this book introduces central questions of criminal law theory. It develops a forceful argument that the prevailing justifications for punishment are misguided, and have resulted in the systematic infliction of unnecessary human misery.

Crime and Punishment is the 19th-century psychological thriller by esteemed Russian writer Fyodor Dostoevsky. Now 200 years after his birth, we celebrate this bicentennial with a new introduction by Professor Robin Miller, the perfect lead-in to the celebrated translation by Constance Garnett.

A celebrated new translation of Dostoevsky’s masterpiece reveals the “social problems facing our own society” (Nation). Published to great acclaim and fierce controversy in 1866, Fyodor Dostoevsky’s Crime and Punishment has left an indelible mark on global literature and on our modern world. Declared a PBS “Great American Read,” Michael Katz’s sparkling new translation gives new life to the story of Raskolnikov, an impoverished student who sees himself as extraordinary and therefore free to commit crimes—even murder—in a work that best embodies the existential dilemmas of man’s instinctual will to power. Embracing the complex linguistic blend inherent in modern literary Russian, Katz “revives the intensity Dostoevsky’s first readers experienced, and proves that Crime and Punishment still has the power to surprise and enthrall us” (Susan Reynolds). With its searing and unique portrayal of the labyrinthine universe of nineteenth-century St. Petersburg, this “rare Dostoevsky translation” (William Mills Todd III, Harvard) will captivate lovers of world literature for years to come.

‘Novel in Nine Letters’ is an incredibly inventive short story by Dostoevsky about a comical miscommunication between two friends. The story unfolds through letters as we learn that Ivan is unsuccessfully trying to collect money that he loaned to Pyotr. A comedy of errors ensues as neither man understands the other and Ivan becomes paranoid that Pyotr is avoiding him. Their world becomes a labyrinth as they attempt to connect but consistently fail due to unfortunate mishaps until a shocking final letter reveals what their previous correspondence could not. This story, which is one of Dostoevsky’s earliest, shows why he would become one of the most celebrated Russian writers of all time. It creatively blends farce and social commentary and has two compelling characters that readers can root for and against. ‘Novel in Nine Letters’ is as relevant in the social media age as when it was written, and its satirical nature makes it a perfect read for fans of ‘A Confederacy of Dunces’. Fyodor Dostoevsky (1821-1881) was a famous Russian writer of novels, short stories, and essays. A connoisseur of the troubled human psyche and the relationships between the individuals, Dostoevsky’s oeuvre covers a large area of subjects: politics, religion, social issues, philosophy, and the uncharted realms of the psychological. He is most famous for the novels ‘Crime and Punishment’, ‘The Idiot’, and ‘The Brothers Karamazov’. James Joyce described Dostoevsky as the creator of ‘modern prose’ and his literary legacy is influential to this day as Dostoevsky’s work has been adapted for many movies including ‘The Double’ starring Jesse Eisenberg.

Several encyclopedias overview the contemporary system of criminal justice in America, but full understanding of current social problems and contemporary strategies to deal with them can come only with clear appreciation of the historical underpinnings of those problems. Thus, this five-volume work surveys the history and philosophy of crime, punishment, and criminal justice institutions in America from colonial times to the present. It covers the whole of the criminal justice system, from crimes, law enforcement and policing, to courts, corrections and human services. Among other things, this encyclopedia: explicates philosophical foundations underpinning our system of justice; charts changing patterns in criminal activity and subsequent effects on legal responses; identifies major periods in the development of our system of criminal justice; and explores in the first four volumes - supplemented by a fifth volume containing annotated primary documents - evolving debates and conflicts on how best to address issues of crime and punishment. Its signed entries in the first four volumes--supplemented by a fifth volume containing annotated primary documents--provide the historical context for students to better understand contemporary criminological debates and the contemporary shape of the U.S. system of law and justice.

The gruesome double-murder upon which the novel Crime and Punishment hinges leads its culprit, Raskolnikov, into emotional trauma and obsessive, destructive self-reflection. But Raskolnikov's famous philosophical musings are just part of the full philosophical thought manifest in one of Dostoevsky's most famous novels. This volume, uniquely, brings together prominent philosophers and literary scholars to deepen our understanding of the novel's full range of philosophical thought. The seven essays treat a diversity of topics, including: language and the representation of the human mind, emotions and the susceptibility to loss, the nature of agency, freedom and the possibility of evil, the family and the failure of utopian critique, the authority of law and morality, and the dialogical self. Further, authors provide new approaches for thinking about the relationship between literary representation and philosophy, and the way that Dostoevsky labored over intricate problems of narrative form in Crime and Punishment. Together, these essays demonstrate a seminal work's full philosophical worth--a novel rich with complex themes whose questions reverberate powerfully into the 21st century.