Stamping: Southwest-motif pillows, dog and cat vests, a variegated leaves table, leaf cushions, a dragonfly bedroom, gossamer organza pillows, Asian chair pads, a novelty linen duster, a child's beanbag chair, an ombré ginkgo dress, Miyaki-style aprons, a layered organza shawl, a Samurai shirt, and a shawl collar bathrobe; embossing: an embossed leather table and suede chair, a black velvet evening bag, a soft wrapped sweater, a Miyaki-inspired jacket, and a falling leaves skirt.

This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.

Presents step-by-step instructions for creating surface designs on fabric using textile paints and printing ink, and includes tips on such techniques as stamping, silkscreen, image transfer, marbling, and Japanese shibori.

Polymer clay has grown and grown and grown in popularity since the publication of Donna Kato’s best-selling The Art of Polymer Clay in 1997. And there have been so many technical advances, too. Now poly-diva Donna Kato presents an all-new look at one of crafters’ all-time favorite mediums. Donna Kato’s Polymer Clay Innovations begins with the essentials of polymer clay, including its working properties, plus tools, curing, safety recommendations, and color blending (with full information on the now-indispensable Skinner Blend). Photo-packed chapters focus on exciting projects—beads, bracelets, pins, pendants, and boxes--and showcase new techniques, including image transfers, surface treatments such as stencils, stamps, paints, and inks, sculpting, inclusions, special effects, and finishing. Finished pieces by some of the biggest names in polymer clay, including Kathleen Dustin, Pier Voulkos, and Nan Roche, plus Donna Kato herself, offer ideas and inspiration.

The first book to present the work of Surfacedesign, an innovative San Francisco landscape architecture and urban design firm with major public and private projects throughout the Bay Area and in Hawaii, Mexico, and New Zealand. This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted. Twenty-five projects are presented, ranging in scale from the landscape approach to Auckland International Airport in New Zealand to intimate residential gardens in San Francisco and Los Angeles. Featured are Anaha, a Honolulu residential complex overlooking the Pacific Ocean, Land's End Lookout in the Golden Gate National Recreation area, Barnacles, a community gathering space on the Embarcadero, restoration of the Buena Vista Winery in Sonoma, the first commercial winery in California, and the landscape for the Museum of Steel in Monterrey, Mexico, a repurposed foundry that now incorporates the largest green roof in Central America.

In this book, leading linguists explore the empirical scope of syntactic theory, by concentrating on a set of phenomena for which both syntactic and nonsyntactic analyses initially appear plausible. Exploring the nature of such phenomena permits a deeper understanding of the nature of syntax and of neighbouring modules and their interaction. The book contributes to both traditional work in generative syntax and to the recent emphasis placed on questions relatedto the interfaces. The major topics covered include areas of current intensive research within the Minimalist Program and syntactic theory more generally, such as constraints on scope and binding relations, information-structural effects on syntactic structure, the structure of words and idioms,argument- and event-structural alternations, and the nature of the relations between syntactic, semantic, and phonological representations. After the editors' introduction, the volume is organized into four thematic sections: architectures; syntax and information structure; syntax and the lexicon; and lexical items at the interfaces. The volume is of interest to syntactic theorists, as well as linguists and cognitive scientists working in neighbouring disciplines such aslexical and compositional semantics, pragmatics and discourse structure, and morphophonology, and anyone with an interest in the modular architecture of the language faculty.

The renowned knitter shares her year-long adventure through America’s colorful, fascinating—and slowly disappearing—wool industry. Join Clara Parkes as she ventures across the country to meet the shepherds, dyers, and countless workers without whom our knitting needles would be empty, our mills idle, and our feet woefully cold. Along the way, she encounters a flock of Saxon Merino sheep in upstate New York, tours a scouring plant in Texas, visits a steamy Maine dyehouse, helps sort freshly shorn wool on a working farm, and learns how wool fleece is measured, baled, shipped, and turned into skeins. In pursuit of the perfect yarn, Parkes describes a brush with the dangers of opening a bale (they can explode), and her adventures from Maine to Wisconsin (“the most knitterly state”) and back again. By the end of the book, you’ll be ready to set aside the backyard chickens and add a flock of sheep instead.

When Jane Dunnewold's book Complex Cloth was published in 1996, it quickly became the bible of surface design for fiber artists. In the years since, the world of surface design has significantly expanded: now fiber artists, art-to-wear designers, and art quilters have a much broader range of surface design products to choose from, and there are a wealth of technique combinations that can be used to create art cloth. Art Cloth picks up where Complex Cloth left off, showing how to layer processes with the latest products to create stunning cloth for use in a variety of fiber art. Following Jane's techniques with step-by-step photography, you will learn to create art cloth using dyes, color removing agents, paints, and foils combined through processes that include silk-screen printing, stamping, stenciling, and handpainting. In addition to detailed step-by-step wet-media surface design techniques, Jane demonstrates how the use of color and design contribute to successful layering. She guides and inspires artists to take their art cloth to the next level through sidebars with design tips and exercises that support the technical information. Finally, each technique chapter concludes with project ideas for the skills learned, so anyone working through the book can literally build layers on cloth as each chapter is completed.

This book will show you inspirational ways in which paper can be used to create textured and relief surfaces. These techniques are mostly intuitive and easy to make, requiring no origami or paper engineering knowledge. There are 12 different techniques: Twisting narrow strips to make "paper string," Weaving strips, Layering, Coiling, Tearing, Bending, Incising and Lifting, Crumpling, Pleating, Cutting Pleats, Stippling, and using Translucent Surfaces. Each is beautifully illustrated with creative examples, first made in white paper and then in papers of different colors, weights, and textures. Finally, inspirational photographs show the techniques applied by designers to clothing, furniture, jewelry, and homewares, as well as artworks. These techniques could be used by professional designers, design students in disciplines from textiles to interior design, and anyone with an interest in paper craft.