The Must-Have Reference Tool For Surface Design Success. Create your own hand-painted designs on fabrics, paper, and more. Expert advice from popular art quilter and surface design teacher Jane Dávila. Learn the basics of mixing paints and see how easy it is to create your own effects. Includes 7 projects and an inspirational fiber art gallery. Discover the secrets of using mediums. Create fun designs with found objects. Add new dimension to your quilts and fiber art.

Presents step-by-step instructions for creating surface designs on fabric using textile paints and printing ink, and includes tips on such techniques as stamping, silkscreen, image transfer, marbling, and Japanese shibori.

This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.

Beginning with studio practices and safety rules, this information-packed handbook is appropriate for both newcomers and experienced dyers but assumes that readers have a serious interest in textile design. An overview of dyeing starts with fibers and fabrics and discusses all aspects of the dyes favored by textile studios--fiber reactive, acid, vat, and disperse--before explaining discharging, screen printing, monoprinting, stamping, stenciling, resist dyeing, devore, and painting. Would-be fabric artists are advised along the way to identify a personal approach to dyeing--free spirit? rule-follower?--and color photographs of work by today's top fiber artists elucidate prevailing styles. Recipes and techniques are accompanied by step-by-step instructions with photographs, and a concealed spiral binding allows the book to lie flat. Ten appendices include a worksheet for recording chemicals, procedures, and costs for all projects; a guide to washing fabric; descriptions of stock solutions, thickeners, and steaming; a metric conversion table; and a guide to water temperatures.

When Jane Dunnewold's book Complex Cloth was published in 1996, it quickly became the bible of surface design for fiber artists. In the years since, the world of surface design has significantly expanded: now fiber artists, art-to-wear designers, and art quilters have a much broader range of surface design products to choose from, and there are a wealth of technique combinations that can be used to create art cloth. Art Cloth picks up where Complex Cloth left off, showing how to layer processes with the latest products to create stunning cloth for use in a variety of fiber art. Following Jane's techniques with step-by-step photography, you will learn to create art cloth using dyes, color removing agents, paints, and foils combined through processes that include silk-screen printing, stamping, stenciling, and handpainting. In addition to detailed step-by-step wet-media surface design techniques, Jane demonstrates how the use of color and design contribute to successful layering. She guides and inspires artists to take their art cloth to the next level through sidebars with design tips and exercises that support the technical information. Finally, each technique chapter concludes with project ideas for the skills learned, so anyone working through the book can literally build layers on cloth as each chapter is completed.

In this book, leading linguists explore the empirical scope of syntactic theory, by concentrating on a set of phenomena for which both syntactic and nonsyntactic analyses initially appear plausible. Exploring the nature of such phenomena permits a deeper understanding of the nature of syntax and of neighbouring modules and their interaction. The book contributes to both traditional work in generative syntax and to the recent emphasis placed on questions relatedto the interfaces. The major topics covered include areas of current intensive research within the Minimalist Program and syntactic theory more generally, such as constraints on scope and binding relations, information-structural effects on syntactic structure, the structure of words and idioms,argument- and event-structural alternations, and the nature of the relations between syntactic, semantic, and phonological representations. After the editors' introduction, the volume is organized into four thematic sections: architectures; syntax and information structure; syntax and the lexicon; and lexical items at the interfaces. The volume is of interest to syntactic theorists, as well as linguists and cognitive scientists working in neighbouring disciplines such aslexical and compositional semantics, pragmatics and discourse structure, and morphophonology, and anyone with an interest in the modular architecture of the language faculty.

"The advice offered throughout this book supplies a selection of starting points for fashion designers of all levels. It provides a wide variety of useful examples for each stage of the design process including: How to define concepts and render them; Understanding textiles and the process of selecting fabrics; Developing sewing skills and constructing garments; How to build a reputation and find an audience for your work."--Cover p. [4].

This book contains all the topics of importance to the low power designer. It first lays the foundation and then goes on to detail the design process. The book also discusses such special topics as power management and modal design, ultra low power, and low power design methodology and flows. In addition, coverage includes projections of the future and case studies.