The fifteenth century saint-poet Kabir's extempore outpourings of songs and couplets numbering thousands have been hailed widely for their deep spiritual fervour and poetic quality. They are widely read with rapture and regard by old and young alike in India. Kabir's couplets which are considered as rich gems for their spiritual message and worldly wisdom have not been rendered into English so far. Here are rhymed English verse translation of three hundred of them from a wide cross-section of the multifaced genius' utterances. Under each verse has been given a few lines in prose to help the reader grasp the underlying import of the message of the saint-poet.

The book opens a new vista in the sphere of verse translation in India. In the introductory part there is a departure from a mass of Hindi criticism. The bases of selection of dohas from the Sakhi are: (1) Kabir`s proverbial and worldy wisdom, (2) analogy-finding gift, (3) richness and variety of imagery, (4) recurrent theme of death, (5) gift for satire, and (6) rhetorical powers. this introductory part primarily focusses on Kabir as poet, which is his `real estimate`. Thus, the introductory part is a piece of scholarly criticism judging and appreciating Kabir`s Sakhi on the canons of English literary criticism. The versification (four-line stanzaform in loose lambic tetrameter lines) has an easy flow and almost parallels the flow of Kabir`s dohas. With the Hindi version and notes, the book will be a valuable reading especially for the English-speaking readers.

Kabir was an extraordinary oral poet whose works have been sung and recited by millions throughout North India for half a millennium. He may have been illiterate and he preached an abrasive, sometimes shocking, always uncompromising message that exhorted his audience to shed their delusions, pretentions, and empty orthodoxies in favor of an intense, direct, and personal confrontation with the truth. Thousands of poems are popularly attributed to Kabir, but only a few written collections have survived over the centuries. The Bijak is one of the most important, and is the sacred book of those who follow Kabir.

"Few major achievements of world literature are as little known to Americans as the great ecstatic poetry of the Hindus and Sufis, as exemplified by the work of the 15th century master, Kabir. Irreverent while being intensely religious, Kabir seems incredibly playful in his taunting of the sacred dogmas of his time--to readers accustomed to the solemnity and ideological fidelity of most Western religious poems. Kabir has been translated into English only once before, by Rabindranath Tagore and Evelyn Underhill. Unfortunately, Tagore's Victorian English was simply not equal to Kabir's directness, spontaneity, and irreverent humor. Working from the Tagore-Underhill translation, Bly has done much more than retranslate into American diction. A noted poet himself, he has breathed new life into the work of a fascinating poet"--From back cover.

Kabir, (meaning Great and one of the 99 names of God in Arabic), was a mystic and poet, born around 1440 whose work continues to be revered today by Muslims, Sufis, Sikhs and Hindus and is the founder of the Kabir Panth (Path of Kabir), a religious community mainly in India with approximately 10 million members. He was born in Varanasi to poor Muslim parents, although some say he was the child of a Brahmin widow and said of himself that he was "at once the child of Allah and Ram." He grew up learning his father's craft of weaving and very unusually for a Muslim, overcame obstacles to become a disciple of Saint or Swami Ramananda, the leading pioneer of the Bhakti movement, which promoted salvation for all. We cannot be sure of what religious teaching he received in Ramananda's ashram as Ramananda died when Kabir was 13 but we do know that he did not renounce his worldly life, as he married and had children, and was disdainful of professional piety which led to later persecution by religious authorities. This was further amplified by his progressive philosophy of social equality and his spiritual synthesis of Hindu ideas of karma and reincarnation and Muslim beliefs of one god and no idolatry or caste system. We do know that he had no formal education and remained almost entirely illiterate and expressed his poems as 'banis' meaning utterances in Hindi although he borrowed from various dialects. His songs and couplets were part of a strong oral tradition in the region and although spread across northern India orally were also written down by two of his disciples, namely Bhagodas and Dharmadas. Kabir's style was inventive and imaginative and able to capture the attention of a wide range of Indians and provide a path to spiritual awakening which for Kabir was mainly about love and brotherhood and not to be divorced from daily life. "All our actions performed anywhere are our duties, and work is worship." His work is understood and accessible to generations of Indians, more so than any other Saint and in India remains one of the most quoted mystic poets of all time. His ability to simplify and use examples of our universal daily life to enhance our spiritual well being and acceptance of our own self make his work very relevant today as is apparent in this volume. Kabir is thought to have lived an exceptionally long life and probably died in 1518. It is said that his Hindu followers wanted his body cremated and his Muslim followers wanted his body buried and a fight therefore ensued. When they finally lifted the cloth that covered his dead body they found flowers and took half each for his last rites.

Songs of Kabir Rabindranath Tagore - Kabir lived in the 15th Century (1440-1518); born to Mohammadan parents; he came under the influence of the famous Hindu saint; Sri Ramananda and delved deep into the mysteries of Hindu mysticism. A true worshipper of God; he emphasized the purity of mind and selfless devotion to God. He openly opposed the weaknesses of both Hinduism and Islam.During his life time he composed many poems. They are usually two line couplets; known as dohas; recited by many scholars even today to denote some deep philosophical truths.All these songs of Kabir were translated into English by none other than Rabindranath Tagore; the mystic poet and the Noble Laureate; the first edition; published by The Macmillan Company; 1915; New York.This book shall prove to be an asset for the Kabir lovers who can't enjoy his writings in Hindi.

Kabir Couplets in English rhyme written by Munindra Misra and are presented with the original text. Kabir’s poetic personality variously defined be; By the religious traditions that revere him truly; For Sikhs a precursor, interlocutor of Nanak be, Muslims a Sufi, Hindus a Vaishnavee devotee; आये है तो जायेगा, राजा रंक फकीर। एक सिंहासन चढ़ि चले, एक बांधे जंजीर॥ Who has come will go, be king, pauper, beggar surely, One sitting on a throne, other chained by creed plainly. ऐसी बाणी बोलिये, मन का आपा खोइ। अपना तन सीतल करै, औरन को सुख होइ॥ Speak words that win hearts and the ego lost be, Your body cool and calm, the others too are happy. कबीरा सो धन संचिये, जो आगे कूं होए। सीस चढ़ाये पोटली, ले जात न देख्या कोए॥ Kabir accumulate wealth which useful in future be, On head bags of riches worldly not seen taking be.

Kabir was a 15th century Indian spiritual master who left a legacy of extraordinary poems which continue to capture the imagination of a diverse audience today. The poems downplay the importance of ritual and austerity, and teach that God is not confined to centers of worship or places of pilgrimage but found everywhere in creation. Most importantly, God is within us and this is where we must meet him. Kabir elevates us into the realm of the spirit - a world of beauty, majesty, even romance, where the relationship between lovers is a recurring metaphor for our relationship to the divine.For the last century, Rabindranath Tagore's classic translation, "Songs of Kabir," has been the standard, but over the years it has suffered the ravages of time. In "Kabir Says," David Masterman has reworked Tagore's translation and breathed new life into it for the 21st century reader. But this edition goes beyond merely updating language and style; it considerably enhances the poetic form and flow of the English translation, and a new introduction and appendix have also been added to add depth to the reader's understanding.