No one can complain that in this story Mr. Howells has taken his type from the commonplace. It is a study of life in New York, and the author has brought together such a gallery of odd and strongly differentiated characters as could perhaps be found in no other city on the continent, while the conditions and phases of social life represented are not less distinctive and peculiar. The Marches, it is true, are from Boston, but they serve the purpose of external points of observation, whence to note and sufficiently to emphasize those features of our city life which of necessity strike strangers and outsiders most forcibly and with the greatest freshness of suggestion. A new magazine is founded with the money of old Dryfoos, a "natural gas millionaire," whose primary object is to give his son Conrad — a youth of saint-like character and dominant altruism — opportunity to become a businessman. The prime mover of the venture is Fulkerson, a true Western Yankee, if the phrase be allowable, whose engaging impudence, fluent slang, indomitable assurance, and substantial loyalty and goodness of heart are sure to make him as great a favorite with the reader as he is with all who know him in the story. The Marches, too, are fantastic, and nowhere has Mr. Howells better presented that peculiar American humor which finds motives for half-sarcastic jest and quip in even the most serious things, less out of lightness of heart than from an almost desperate conscious ness of hopeless incongruities and perplexities inherent in the general scheme. The picture is in itself a condemnation of and protest against that rank growth of naked materialism which is the most depressing feature of our time. The character and the faults of society are shown plainly but temperately — the spirit of levity, the love of spectacle, the repugnance to serious thinking, the absence of jealousy of popular rights, constantly encroached upon, ignored and subordinated to selfish corporate or individual interests. The aspects of the city are also most graphically and admirably described in many a wandering of the Marches, and the book exhibits an amount of local study undertaken by the author which speaks well for his conscientiousness, and adds much to the charm and permanent interest of the story. There is, as we have intimated, an unwonted variety and an unwonted force in " A Hazard of New Fortunes." If it can hardly be said to have a dominant note, it is none the less a faithful and carefully elaborated study of New York life, and it presents some of the most salient characteristics of that life in a very impressive and artistic manner. Most readers will, we think, agree with us that the change in method here shown is a change for the better. Never, certainly, has Mr. Howells written more brilliantly, more clearly, more firmly, or more attractively, than in this instance. The reversion to these strong individualizations seems to have put new vigor into his hands, and he deals with the deeper tragedies, the graver emotions of life, with a power which may perhaps be regarded as a practical demonstration of the ultimate supremacy destined to be attained by Nature over Art ; by the true over the false Realism.

Explores the hidden history of Freemasonry from ancient Rome, through the Middle Ages, to the present • Shows the close connection between medieval masons and the Knights Templar • Illustrates the sacred nature of Roman and medieval trade associations • Reveals the missing link that connects the lodges of modern Freemasonry to the medieval brotherhoods of builders Historians often make a sharp distinction between the operative Masonry of the Middle Ages and the speculative Masonry of modern times, emphasizing that there is no direct bridge connecting the two. Modern historians also have scoffed at Masonic claims concerning the close relationship between the Lodge and the Temple. Using medieval archives housed throughout Europe, historian Paul Naudon reveals that there was in fact a very intimate connection between the Masons and the Knights Templar. Church records of medieval Paris show that most, if not all, the Masons of that time were residents of the Templar censive, which allowed them to enjoy great exemptions and liberties from both church and state as a result of the protection afforded them by this powerful order. Naudon shows that the origins of Freemasonry can be traced back to the collegia of ancient Rome. He traces the evolution of organizations such as the Comacine Masters, the Arab turuqs, and the brotherhoods of builders created under the aegis of the Benedictines and the Knights Templar, all of which provide the vehicle for the transmission of a sacred tradition from pre-Christian times to the modern era. This tradition is the source of Masonic ritual and symbolism, and it provides the missing link in the transformation of the operative Masonry of the medieval cathedral builders to the spiritual principles of modern speculative Masonry.

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Corporal liges recruit From James Otis

"Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer." This work features scholarly essays, plus articles, stories, and interviews involving Kluge. -- from back cover.