No one can complain that in this story Mr. Howells has taken his type from the commonplace. It is a study of life in New York, and the author has brought together such a gallery of odd and strongly differentiated characters as could perhaps be found in no other city on the continent, while the conditions and phases of social life represented are not less distinctive and peculiar. The Marches, it is true, are from Boston, but they serve the purpose of external points of observation, whence to note and sufficiently to emphasize those features of our city life which of necessity strike strangers and outsiders most forcibly and with the greatest freshness of suggestion. A new magazine is founded with the money of old Dryfoos, a "natural gas millionaire," whose primary object is to give his son Conrad — a youth of saint-like character and dominant altruism — opportunity to become a businessman. The prime mover of the venture is Fulkerson, a true Western Yankee, if the phrase be allowable, whose engaging impudence, fluent slang, indomitable assurance, and substantial loyalty and goodness of heart are sure to make him as great a favorite with the reader as he is with all who know him in the story. The Marches, too, are fantastic, and nowhere has Mr. Howells better presented that peculiar American humor which finds motives for half-sarcastic jest and quip in even the most serious things, less out of lightness of heart than from an almost desperate conscious ness of hopeless incongruities and perplexities inherent in the general scheme. The picture is in itself a condemnation of and protest against that rank growth of naked materialism which is the most depressing feature of our time. The character and the faults of society are shown plainly but temperately — the spirit of levity, the love of spectacle, the repugnance to serious thinking, the absence of jealousy of popular rights, constantly encroached upon, ignored and subordinated to selfish corporate or individual interests. The aspects of the city are also most graphically and admirably described in many a wandering of the Marches, and the book exhibits an amount of local study undertaken by the author which speaks well for his conscientiousness, and adds much to the charm and permanent interest of the story. There is, as we have intimated, an unwonted variety and an unwonted force in " A Hazard of New Fortunes." If it can hardly be said to have a dominant note, it is none the less a faithful and carefully elaborated study of New York life, and it presents some of the most salient characteristics of that life in a very impressive and artistic manner. Most readers will, we think, agree with us that the change in method here shown is a change for the better. Never, certainly, has Mr. Howells written more brilliantly, more clearly, more firmly, or more attractively, than in this instance. The reversion to these strong individualizations seems to have put new vigor into his hands, and he deals with the deeper tragedies, the graver emotions of life, with a power which may perhaps be regarded as a practical demonstration of the ultimate supremacy destined to be attained by Nature over Art ; by the true over the false Realism.

“An entertaining tale rich in schadenfreude as bad things happen to a hapless billionaire” (Kirkus Reviews, starred review). Jay Gladstone was born to privilege. He is a civic leader and a generous philanthropist, as well as the owner of an NBA team. But in today’s New York, even a wealthy man’s life can spin out of control, no matter the money or influence he possesses. Jay sees himself as a moral man, determined not to repeat his father’s mistakes. He would rather focus on his unstable second marriage and his daughter, Aviva, than worry about questions of race or privilege. However, he moves through a sensitive and aware world: that of Dag Maxwell, the black star forward, and white police officer Russell Plesko, who makes a decision that has resonating consequences—particularly for a DA whose hopes for a future in politics will rest on an explosive prosecution. Set during Barack Obama’s presidency, this artful novel illuminates contemporary America and does not shy away from questions about our scalding social divide—why is conversation about race so fraught, to what degree is the justice system impartial, and does great wealth inoculate those who have it?—and explores the aftermath of unforgivable errors and the unpredictability of the court of public opinion. “Greenland takes a Dickensian delight in letting the plot sprawl with parallels, digressions, false leads, and twists.” —Kirkus Reviews (starred review) “A wild and funny page-turner of a novel that grabs you and doesn’t let go.” —Larry David

A robust account of the tumultuous conflict between wealth and conscience in turn-of-the-century New York, Howells's great novel gets at the heart of the American experience at a time of great transformation and remains one of his most enduring and relevant works. This edition includes newly commissioned endnotes. Copyright © Libri GmbH. All rights reserved.

Basil March jumps at the chance to leave his boring job to become the founding editor of a new magazine. But this also means that he must leave comfortable Boston for the confusion and chaos of 1890s New York. As March and his wife try to find a decent place to live, he also struggles to find contributors and readers. The Marches are quickly drawn into the tangled lives of their fellow New Yorkers: a bitter German socialist who lost his hand fighting for the Union in the Civil War, a colonel nostalgic for slavery, Bohemian artists, increasingly desperate workers on strike, a slick publicist, a starchy society family, and a wealthy farmer-turned-speculator who hurts those he loves most. Born in Ohio, William Dean Howells was a highly successful magazine editor before he became a full-time writer. He believed that this midlife novel, which draws on his own family’s experiences moving from Boston to New York, was his “most vital work.” Mark Twain, whom Howells helped early in his career, called A Hazard of New Fortunes “the exactest & truest portrayal of New York and New York life ever written … a great book.” This book is part of the Standard Ebooks project, which produces free public domain ebooks.

A Hazard of New Fortunes is a novel by William Dean Howells. Copyrighted in 1889 and first published in the U.S. by Harper & Bros. in 1890, the book was well-received for its portrayal of social injustice. Considered by many to be his best work, the novel is also considered to be the first novel to portray New York City.[1] Some argue that the novel was the first of three Howells wrote with Socialist and Utopian ideals in mind: The Quality of Mercy in 1892, and An Imperative Duty in 1893. In this novel, although Howells briefly discusses the American Civil War, he primarily deals with issues of post-war "Gilded Age" America, like labor disputes, the rise of the self-made millionaire, the growth of urban America, the influx of immigrants, and other industrial-era problems. Many critics consider A Hazard of New Fortunes to be one of Howells' most important examples of American literary Realism because he portrays a variety of people from different backgrounds.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

“A beautifully written, highly seductive debut….The chemistry between Branwell and Lydia positively crackles on the page….Masterful storytelling which is sure to delight fans of the Brontës and of historical fiction.” –Hazel Gaynor, New York Times bestselling author of The Lighthouse Keeper’s Daughter This dazzling debut novel for fans of Mrs. Poe and Longbourn explores the scandalous historical love affair between Branwell Brontë and Lydia Robinson, giving voice to the woman who allegedly corrupted her son’s innocent tutor and brought down the entire Brontë family. Yorkshire, 1843: Lydia Robinson—mistress of Thorp Green Hall—has lost her precious young daughter and her mother within the same year. She returns to her bleak home, grief-stricken and unmoored. With her teenage daughters rebelling, her testy mother-in-law scrutinizing her every move, and her marriage grown cold, Lydia is restless and yearning for something more. All of that changes with the arrival of her son’s tutor, Branwell Brontë, brother of her daughters’ governess, Miss Anne Brontë and those other writerly sisters, Charlotte and Emily. Branwell has his own demons to contend with—including living up to the ideals of his intelligent family—but his presence is a breath of fresh air for Lydia. Handsome, passionate, and uninhibited by social conventions, he’s also twenty-five to her forty-three. A love of poetry, music, and theatre bring mistress and tutor together, and Branwell’s colorful tales of his sisters’ elaborate play-acting and made-up worlds form the backdrop for seduction. But Lydia’s new taste of passion comes with consequences. As Branwell’s inner turmoil rises to the surface, his behavior grows erratic and dangerous, and whispers of their passionate relationship spout from her servants’ lips, reaching all three protective Brontë sisters. Soon, it falls on Lydia to save not just her reputation, but her way of life, before those clever girls reveal all her secrets in their novels. Unfortunately, she might be too late. Meticulously researched and deliciously told, Brontë’s Mistress is a captivating reimagining of the scandalous affair that has divided Brontë enthusiasts for generations and an illuminating portrait of a courageous, sharp-witted woman who fights to emerge with her dignity intact.

A Hazard of New Fortunes is a novel by William Dean Howells. Copyrighted in 1889 and first published in the U.S. by Harper & Bros. in 1890, the book was well-received for its portrayal of social injustice. Considered by many to be his best work, the novel is also considered to be the first novel to portray New York City. Some argue that the novel was the first of three Howells wrote with Socialist and Utopian ideals in mind: The Quality of Mercy in 1892, and An Imperative Duty in 1893. In this novel, although Howells briefly discusses the American Civil War, he primarily deals with issues of post-war "Gilded Age" America, like labor disputes, the rise of the self-made millionaire, the growth of urban America, the influx of immigrants, and other industrial-era problems. Many critics consider A Hazard of New Fortunes to be one of Howells' most important examples of American literary Realism because he portrays a variety of people from different backgrounds.

A robust account of the tumultuous conflict between wealth and conscience in turn-of-the-century New York, Howells's great novel gets at the heart of the American experience at a time of great transformation and remains one of his most enduring and relevant works. This edition includes newly commissioned endnotes. Copyright © Libri GmbH. All rights reserved.