“Excellent and splendidly written [...] the characters fully grown and demanding the reader’s attention and involvement. I wait for more.” – Winston Graham, author of the Poldark novels Let the truth be told... Scotland, July 1746: an army of occupation ravages the Highlands, committing atrocities with consequences that will reverberate across generations. From this bloody cataclysm, the battle-hardened English soldier Mordaunt saves an infant who will become his heiress and his obsession, and on his shattered estate a traumatised Franco-Scottish laird, Ewen Stirling, offers refuge to a boy damaged by unspeakable horror. These lives, bound by fate, unfold against the turbulence of the eighteenth century in a magnificent, uncompromising saga of love and the human cost of war.

Originally written in 1936 by two young Cambridge Fellows, A Guide to the Classics is a light-hearted manual on how to pick the Derby winner. However, as the tongue-in-cheek title suggested, there is more to the book than meets the eye, especially as one of the young dons went on to become, according to his 1990 Telegraph obituary, 'the greatest political philosopher in the Anglo-Saxon tradition since Mill - or even Burke'. The book takes the abstraction out of the Derby by attacking the systems which had been developed by generations of 'form' experts. It exposes theoretical solutions as fraudulent – instead it applies hard-headed empirical and historical analysis. Oakeshott went on to apply this methodology to his famous critique of 'rationalism' in politics. This long-awaited edition of Griffith and Oakeshott's classic text includes a new preface and foreword by horse racing journalist and author Sean Magee, and political commentator Peter Oborne.

Originally published in 1966, this was the first book on this subject to be published for over a hundred years. It covers all facets including little-known types of Gaelic song, the bagpipes and their music, including the esoteric subject of pibroch, the Ceol Mor or ‘Great Music’ of the pipes. It gives a comprehensive review of the fiddle composers and their music, and of the Clarsach and its revival, with an example of all-but-extinct Scottish harp music. A chapter is devoted to the music of Orkney and Shetland and the book contains over 100 examples of music many of which were from the author’s own collection and published here for the first time.