Poetic inspiration continues to be a mystery to me, but I am its deep advocate, and hold to its irrational and shady acreage like a greedy real estate developer gazing out over the possibilities (a ramshackle hut here, a barn there, a castle with a lake yonder...). Is it angels, djinn, my black cat curled at the bottom of my bed while I'm hot in composition mode? My "unconscious," "God Consciousness?" (my fervent prayer).

When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous woman they hold responsible for a tragedy during the German occupation years ago. But the past and present are inextricably entwined, particularly in a scrapbook of recipes and memories that Framboise has inherited from her mother. And soon Framboise will realize that the journal also contains the key to the tragedy that indelibly marked that summer of her ninth year. . . .

A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.

This may be my most personal book, as I wrote this collection of poems as an attempt to definitively and honestly connect in a deep way with Farid, my teenage stepson. Ah, since you're not my/ natural son, you can be my/ supernatural son! No actual genes of mine// swim in your blood, your flesh doesn't/ resemble mine, though since I've been your/ dad from the time you were two, we now have a/ definite// family resemblance, leaping over/ genetic fact like some sleek green grasshopper of/ supernatural light.

This may be a secret among only a few of its recipients, but cancer is a direct and positive gift from God. Its chemo and radiation therapies wrack and ruin us... and its alternative therapies may bewilder us with the arcane and often whacky character of their methods... I chose the traditional medical program of three chemo and thirty-five radiation sessions, begun immediately after diagnosis of my cancer, and I praise Allah for the doctors who treated me with their medicine chest of tough love. _________________ Redemption happens the way/ water falls/ Forgiveness is air/ let into an airless room/ Even at the top of the highest peak/ we can't just step off into the sky/ At some point only God's Love has any reality/ and everything hangs enraptured from that ferocious hook/ Streams of light continue to enter us from we/ know now where/ The truth of our beings/ light streaming everywhere

A MADDENING DISREGARD FOR THE PASSAGE OF TIME: While we are indeed born into time, and at death we slide out of time altogether into eternity, in whatever space we might conceive, in a supreme moment we might taste timelessness, fleeting though it may be (though that fleetingness too being still only a matter of time). But there are also those whose "disregard" of the passing of time is due to their absorption in Eternity, and The Eternal One.

LOVE IS A LETTER BURNING IN A HIGH WIND is a chronicle in sequential open field poems of a second visit to Turkey (the first recorded in formal ghazals), and to the glorious atmospheres of Sufi Master Mevlana Rumi and his gnostic teacher, Shams. Included are three extended narrative poems in the thematic style of Rumi's Masnawi, undertaken with no plot or source other than spontaneous inspiration. characterized by talking animals and "decapitated" watermelons. Ecstatic lyricism and sweet apprehension the impulse and goal to glorify and praise this swift life and its Originator and Sustainer: Sometimes I get tired of all this talk about God/ and I just want to go and sit under a tree// but then the tree starts talking to me about God/ and we find ourselves in another conversation

YOU OPEN A DOOR AND IT'S A STARRY NIGHT: What is this life to us if it's not a continual wonder, whose elements of surprise should lead us to recognition of the Source? A continuation of the Ecstatic Exchange Project of putting a life in poetry, and poetry in life, in the new voice of a radiantly indigenous application of the Prophet Muhammad's revelation, peace be upon him, and its living and instantaneous continuation through enlightened teachers / ...a sky full of small circular rainbows like/pinwheels, small enough to see the/radiant sheen of their entire/circumference spinning, / a door you open and it's a starry night..

The luster of a glisten is/enough to elicit bliss//The gleam from a beam/enough to confound the intellect//The crack of a rock in a creek/can take us back to where//we lost track//The whiff of a sniff can lift/even the most morose heart//from the hotbed of heartbreak//All these phenomena/splinter and splatter in//this world to focus from the/unseen world onto this one//some hint of the high rainbowing/laughter to come...

A Hundred Little 3D Pictures started out from those once-popular computer generated images a certain stare, unfocused or crosseyed, could render in layered three dimensions, with some really astonishing results... Recall the excitement in childhood when we looked into a diorama and saw back and back past whatever was being portrayed, not very far back really, perhaps, maybe only a shoebox length back, but peering through the front hole with the little flashlight or christmas bulb illuminating it, we saw a wee world that gave us shivers of delight.