For his seemingly effortless contributions to the world of humor and to an avid, exhilarated readership flourishing over six decades the New York Times Book Review declared him a national treasure.

Interviews with the author of Baby, It's Cold Outside; Chicken Inspector #23; and Crazy Like a Fox

Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons--his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.

In any consideration of S. J. Perelman-and S. J. Perelman certainly deserves the same consideration one accords old ladies on street cars, babies traveling unescorted on planes, and the feeble-minded generally-it is important to remember the crushing, the well-nigh intolerable odds under which the man has struggled to produce what may well be, in the verdict of history, the most picayune prose ever produced in America. Denied every advantage, beset and plagued by ill fortune and a disposition so crabbed as to make Alexander Pope and Dr. Johnson seem sunny by contrast, he has nevertheless managed to belt out a series of books each less distinguished than its predecessor, each a milestone of bombast, conceit, pedantry, and strutting pomposity. In his pages proliferate all the weird grammatical flora tabulated by H. W. Fowler in his Modem English Usage-the Elegant Variation, the Facetious Zeugma, the Cast-iron Idiom, the Battered Ornament, the BowerVBird Phrase, the Sturdy Indefensible, the Side-Slip, and the Unequal Yokefellow. His work is a museum of mediocrity, a monument to the truly banal. What Flaubert did to the French bourgeois in Bouvard and Pecuchet, what Pizarro did to the Incas, what Jack Dempsey did to Paolino Uzcudun, S. J. Perelman has done to American belles-lettres.

Collections of interviews with notable modern writers

This is a collection of the author's humorous short pieces that appeared over the years in The New Yorker magazine.

Entering the warped world of SJ Perelman - the Marx brothers' greatest scriptwriter, amongst other things - is a unique comic experience. A satirist and parodist, his celebrated sketches lampoon the screaming absurdities of modern life and bring succour to that most persecuted minority of all: the embattled sane. The undoubted star of these sketches is Perelman's own put-upon fictional persona: all he craves is a little peace and quiet, yet he is continually pushed closer to the edge by those sent to try him. Written mainly for the New Yorker magazine, the sketches in this volume are a brand new selection of some of his finest pieces, many of which have been unavailable for decades. This collection covers every decade in which he wrote from the '30s to the '70s. His subversive wit seems as fresh today as it did when it first appeared and to many he is quite simply the most original and funniest humorist of the twentieth century.

NATIONAL BESTSELLER • A lovable con woman and a disgraced detective team up to find a redneck reality TV star in this raucous new novel from the New York Times bestselling author of Squeeze Me. “Carl Hiaasen’s irresistible Razor Girl meets his usual sky-high standards for elegance, craziness and mike-drop humor.” —The New York Times Merry Mansfield, the eponymous Razor Girl, specializes in kidnapping for the mob. Her preferred method is rear-ending her targets and asking them for a ride. Her latest mark is Martin Trebeaux, owner of a private beach renourishment company who has delivered substandard sand to a mob hotel. But there's just one problem: Razor Girl hits the wrong guy. Instead, she ends up with Lane Coolman, talent manager for Buck Nance, the star of a reality TV show about a family of Cajun rooster farmers. Buck Nance, left to perform standup at a Key West bar without his handler, makes enough off-color jokes to incite a brawl, then flees for his life and vanishes.

Donated to the Library of Congress in the mid-1960s, Groucho Marx's correspondence was first crafted into this celebration of wit and wisdom in 1967. Reissued today with his original letters and humor intact, The Groucho Letters exposes one of the twentieth century's most beloved comedian's private insights into show biz, politics, business, and, of course, his illustrious personal life. Included are Marx's conversations with such noted personalities as E. B. White, Fred Allen, Goodman Ace, Nunnally Johnson, James Thurber, Booth Tarkington, Alistair Cooke, Harry Truman, Irving Berlin, and S. J. Perelman. To Confidential Magazine Gentlemen: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription. Sincerely, Groucho Marx

"The Last Laugh", as its name suggests, is the last of Perelman's 20 books and shows the humorist at his very best. Includes 17 pieces never before collected and the opening chapters of the author's uncompleted autobiography.