Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons--his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.

S. J. Perelman (1904-1979) was probably the funniest American writer of the 20th century. He was a master of word-play and a cultural parodist without equal. Marshall Brickman wrote in eulogy to Perelman: "His genius defies criticism. He was the maestro, nonpareil, incomparable, beyond interpretation. As he himself once said, 'Before they made Perelman, they broke the mold.'"

A beloved classic returns: S. J. Perelman's own selection of the very best of his hilarious stories and sketches Pulitzer Prize–winning author Joshua Cohen (The Netanyahus) reintroduces America's zaniest humorist to a new generation of readers When asked about himself the writer Sidney Joseph Perelman once quipped, "before they made him, they broke the mold." Nowhere is S. J. Perelman's one-of-a-kind, madcap sensibility—his gift for wordplay, witticism, spoofery, and sheer nonsense—on better display than in his classic collection Crazy Like a Fox, here restored to print for the first time in decades. In a playful, loving tribute to the funny man, novelist Joshua Cohen—also an erudite wordsmith and punster—introduces Perelman’s sui generis comic pieces to a new generation of readers, certain to fall in love with the writer whom The New York Times once noted for his ability “to transform the common cliché or figure of speech into an exploding cigar.” Included here are such beloved classics as: the Joycean virtuoso performance “Scenario” “A Farewell to Omsk,” Perelman's hilarious homage to Dostoevsky and “Farewell, My Lovely Appetizer," his side-splitting send-up of the hardboiled detective fiction of Raymond Chandler Here is Perelman's own selection of the very best of his inimitable humor, restored to print for the first time in decades.

Robert C. Benchley's sketches and articles, published in periodicals like Life, Vanity Fair, and The New Yorker, earned him a reputation as one of the sharpest humorists of his time; his influence—on contemporaries such as E. B. White, James Thurber, and S. J. Perelman, or followers like Woody Allen, Steve Martin, and Richard Pryor—has left an indelible mark on the American comic tradition. The Benchley Roundup collects those pieces, selected by Benchley's son Nathaniel, "which seem to stand up best over the years"-a compendium of the most endearing and enduring work from one of America's funniest and most penetrating wits. "It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by then I was too famous." —Robert Benchley

With parasitic diseases increasing worldwide it’s vitally important that radiologists in particular stay up to date with developments. In this brilliantly useful volume, the authors cover the imaging findings for parasitic diseases that can affect the human body using modern imaging equipments. Every chapter consists of a short description of causative agent, epidemiology, clinical manifestations, laboratory tests, and imaging findings with illustrative examples of parasitic diseases.

Self-reference, although a topic studied by some philosophers and known to a number of other disciplines, has received comparatively little explicit attention. For the most part the focus of studies of self-reference has been on its logical and linguistic aspects, with perhaps disproportionate emphasis placed on the reflexive paradoxes. The eight-volume Macmillan Encyclopedia of Philosophy, for example, does not contain a single entry in its index under "self-reference", and in connection with "reflexivity" mentions only "relations", "classes", and "sets". Yet, in this volume, the introductory essay identifies some 75 varieties and occurrences of self-reference in a wide range of disciplines, and the bibliography contains more than 1,200 citations to English language works about reflexivity. The contributed papers investigate a number of forms and applications of self-reference, and examine some of the challenges posed by its difficult temperament. The editors hope that readers of this volume will gain a richer sense of the sti11largely unexplored frontiers of reflexivity, and of the indispensability of reflexive concepts and methods to foundational inquiries in philosophy, logic, language, and into the freedom, personality and intelligence of persons.

This second edition provides a cutting-edge overview of physical, technical and scientific aspects related to the widely used analytical method of confocal Raman microscopy. The book includes expanded background information and adds insights into how confocal Raman microscopy, especially 3D Raman imaging, can be integrated with other methods to produce a variety of correlative microscopy combinations. The benefits are then demonstrated and supported by numerous examples from the fields of materials science, 2D materials, the life sciences, pharmaceutical research and development, as well as the geosciences.

An eye-opening journey into the power of human movement and how we can harness it to optimize our brain health, boost our mood and improve every aspect our lives For our earliest ancestors who hunted and gathered, movement meant survival. Our brains evolved to reward physical activity. Moving, thinking and feeling have always been inextricably linked. Yet what happens when we stop moving? Today, on average, we spend around 70% of our lives sitting or lying completely still. Our sedentary lifestyle—desk jobs, long commutes and lots of screen time—is not only bad for our bodies. It can also result in anxiety, depression and a lower overall IQ. But there’s good news. Even the simplest movements can reactivate our bodies and open up a hotline to our minds, improving our overall well-being and longevity. And we don’t have to spend countless hours in the gym. In fact, exercise as we understand it misses the point. Veteran science journalist Caroline Williams explores the cutting-edge research behind brain health and physical activity, interviewing scientists from around the world to completely reframe our relationship to movement. Along the way she reveals easy tricks that we could all use to improve our memory, maximize our creativity, strengthen our emotional literacy and more. A welcome counterpoint to the current mindfulness craze, Move offers a more stimulating and productive way of freeing our caged minds to live our best life.

Medically unexplained somatic symptoms are problematic in psychiatry, primary care settings, and other clinical areas. The burden they impose on health-care systems constitutes a significant public health problem. At the international symposium "Rethinking Somatoform Disorders," this problem was addressed by specialists working in somatoform disorders, psychiatric nosology, epidemiology, and biological and cross-cultural psychiatry. The meeting was the third of the Keio University International Symposia for Life Sciences and Medicine, in collaboration with the World Health Organization and the World Psychiatric Association.

The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the form The short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories. Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him "the central principle of all art in the twentieth century." Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's "every sentence ... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways."