This book investigates Euro-African cultural relations, considering their connected histories through material and immaterial forms of representation, commemoration, and memorialization. Recent waves of protest around the world have called for restitution of looted African art, and toppled statues and vandalized monuments which are connected to white suprematism, colonialism, and imperialism. These events have highlighted an urgent need to debate the management and preservation of Europe and Africa’s shared heritage. Drawing on a range of varied, trans-continental case studies, this book considers the key question of whether such monuments should be removed as forms of unacceptable celebration of an evil past, or preserved precisely because of what they recount about that past of oppression and domination. The book encourages readers to consider how diverse and pervasive the notions of shared heritage and common past are, encompassing discussions of statues, exhibitions, graffiti, tapestries, and commemorations. Providing a timely analysis of the developing cultural relations between Africa and Europe, this book will be an important resource for researchers across the fields of global history, heritage studies, memory studies, and international relations.

Cultural heritage is material – tangible and intangible – that signifies a culture’s history or legacy. It has become a venue for contestation, ranging in scale from protesting to violently claimed and destroyed. But who defines what is to be preserved and what is to be erased? As cultural heritage becomes increasingly significant across the world, the number of issues for critical analysis and, hopefully, mediation, arise. The issue stems from various groups: religious, ethnic, national, political, and others come together to claim, appropriate, use, exclude, or erase markers and manifestations of their own and others’ cultural heritage as a means for asserting, defending, or denying critical claims to power, land, and legitimacy. Can cultural heritage be well managed and promoted while at the same time kept within parameters so as to diminish contestation? The cases herein rage from Greece, Spain, Egypt, the UK, Syria, Zimbabwe, Italy, the Balkans, Bénin, and Central America.

In 1979 Dubrovnik was declared a UNESCO World Heritage site, which had consequences for the city's broader cultural heritage. Walls and Gateways explores how this status intersects with the reconstruction and consolidation of identities and locality in the city’s post-war context. It analyses how representations, perceptions and uses of Dubrovnik’s heritage are embedded in particular cultural practices, materiality and place. In Dubrovnik’s post-war context, different uses of cultural memory and heritage provoke both dissonance and unity, shape practices and mobilize cultural and political activism.

"This book investigates Euro-African cultural relations, considering their connected histories through material and immaterial forms of representation, commemoration, and memorialization. Recent waves of protest around the world have called for restitution of looted African art, and toppled statues and vandalized monuments which are connected to white suprematism, colonialism, and imperialism. These events have highlighted an urgent need to debate the management and preservation of Europe and Africa's shared heritage. Drawing on a range of varied, trans-continental case studies, this book considers the key question of whether such monuments should be removed as forms of unacceptable celebration of an evil past, or preserved precisely because of what they recount about that past of oppression and domination. The book encourages readers to consider how diverse and pervasive the notions of shared heritage and common past are, encompassing discussions of statues, exhibitions, graffiti, tapestries, and commemorations. Providing a timely analysis of the developing cultural relations between Africa and Europe, this book will be an important resource for researchers across the fields of global history, heritage studies, memory studies, and international relations"--

First published in 2002. This book explores the inter-relationship between two discrete and contrasting phenomena: the inglorious history of slavery and modern-day heritage tourism. Recommended reading for those with an interest in the heritage tourism debate and the appropriation of the past as a tourism attraction.

Urban Heritage in Divided Cities explores the role of contested urban heritage in mediating, subverting and overcoming sociopolitical conflict in divided cities. Investigating various examples of transformations of urban heritage around the world, the book analyses the spatial, social and political causes behind them, as well as the consequences for the division and reunification of cities during both wartime and peacetime conflicts. Contributors to the volume define urban heritage in a broad sense, as tangible elements of the city, such as ruins, remains of border architecture, traces of violence in public space and memorials, as well as intangible elements like urban voids, everyday rituals, place names and other forms of spatial discourse. Addressing both historic and contemporary cases from a wide range of academic disciplines, contributors to the book investigate the role of urban heritage in divided cities in Africa, Asia, the Americas, Europe and the Middle East. Shifting focus from the notion of urban heritage as a fixed and static legacy of the past, the volume demonstrates that the concept is a dynamic and transformable entity that plays an active role in inquiring, critiquing, subverting and transforming the present. Urban Heritage in Divided Cities will be of great interest to academics, researchers and students in the fields of cultural studies, sociology, the political sciences, history, human geography, urban design and planning, architecture, archaeology, ethnology and anthropology. The book should also be essential reading for professionals who are involved in governing, planning, designing and transforming urban heritage around the world.

African Americans and others in the African diaspora have increasingly “come home” to Africa to visit the sites at which their ancestors were enslaved and shipped. In this nuanced analysis of homecoming, Katharina Schramm analyzes how a shared rhetoric of the (Pan-)African family is produced among African hosts and Diasporan returnees and at the same time contested in practice. She examines the varying interpretations and appropriations of significant sites (e.g. the slave forts), events (e.g. Emancipation Day) and discourses (e.g. repatriation) in Ghana to highlight these dynamics. From this, she develops her notions of diaspora, home, homecoming, memory and identity that reflect the complexity and multiple reverberations of these cultural encounters beyond the sphere of roots tourism.

After assuming power in 1980, the Zimbabwe African National Union (ZANU) has sought to control the narrative of the struggle for liberation from colonialism, to the exclusion of other players such as the Zimbabwe African People’s Union (ZAPU). This book investigates the ways in which photographs are being used within Zimbabwe, especially on social media, to challenge the prevailing narrative and reclaim the memories of the subjugated. The book analyses the photographs produced by Zenzo Nkobi during the struggle against colonialism. Drawing on the memories of veterans from ZAPU and its military wing the Zimbabwe People’s Revolutionary Army (ZPRA), the book shows that photographs can both act as a conduit for existing narratives, and as a tool for shaping memory narratives, and evidencing ZPRA military prowess ahead of other movements. At a time when Zimbabwe is reassessing the legacy of liberation, this book offers a powerful multidisciplinary assessment for researchers across the fields of history, memory, political science, African studies, and media studies.

This book presents innovative ethnographic perspectives on the intersections between art, anthropology, and contested cultural heritage, drawing on research from the interdisciplinary TRACES project (funded by the EU's Horizon 2020 program). The case studies in this volume critically assess how and in which arrangements artistic/aesthetic methods and creative everyday practices contribute to strengthening communities both culturally and economically. They also explore the extent to which these methods emphasize minority voices and ultimately set in motion a process of reflexive Europeanisation from below which unfolds within Europe and beyond its borders. At the heart of the book is the development of a new way of transmitting contentious cultural heritage, which responds to the present situation in Europe of unstable political conditions and a sense of Europe in crisis. With chapters looking at difficult art exhibitions on colonialism, death masks, Holocaust memorials, and skull collections, the contributors articulate a response to the crisis in current economic-political conditions in Europe and advances brand new theoretical groundwork on the configuration of a renewed European identity.

Cultural Heritage and Tourism in Africa examines the multiple and diverse manifestations of cultural heritage-based tourism in Africa from a regional, social science, and sustainability perspective. This book delivers a comprehensive treatise on the interdependent concepts of cultural heritage and tourism. Heritage is one of the most pervasive tourism assets worldwide and lies at the foundations of tourism in many localities, including Africa. However, despite its salience, there has not been a systematic examination of Africa’s heritage resources, markets, policies, practices, successes, and challenges in a tourism framework, despite the continent’s immense heritage value. This book reviews the different types of heritages that pervade the cultural environment of Africa and comprises its vast heritagescapes. It also examines the increasing potential for the growth of heritage tourism throughout the entire continent. The contributions in this volume delve into current thinking about space and place and their effects on heritage, mobilities, globalization, colonialism and indigeneity, conflict, identity and nation-building, connections with other regions through migration and the slave trade, and a greater emphasis on the ordinary heritage of Africa, which has long been ignored by tourism scholars and industry representatives. The chapters herein are authored by Africa specialists, most being from Africa, offering a truly African perspective. The chapters are conceptually rigorous and empirically rich with examples from all regions of the African continent. This unparalleled interdisciplinary glimpse at cultural heritage and tourism in Africa delivers strong value and is a vital resource for all students and researchers of tourism, cultural studies, heritage studies, geography, anthropology, sociology, history, and global studies.