African Americans and others in the African diaspora have increasingly “come home” to Africa to visit the sites at which their ancestors were enslaved and shipped. In this nuanced analysis of homecoming, Katharina Schramm analyzes how a shared rhetoric of the (Pan-)African family is produced among African hosts and Diasporan returnees and at the same time contested in practice. She examines the varying interpretations and appropriations of significant sites (e.g. the slave forts), events (e.g. Emancipation Day) and discourses (e.g. repatriation) in Ghana to highlight these dynamics. From this, she develops her notions of diaspora, home, homecoming, memory and identity that reflect the complexity and multiple reverberations of these cultural encounters beyond the sphere of roots tourism.

Katharina Schramm analyzes how a shared rhetoric of the (Pan-)African family is produced among African hosts and Diasporan returnees and at the same time contested in practice.

Summoned from the Margin tells the story of Lamin Sanneh's fascinating journey from his upbringing in an impoverished village in West Africa to education in the United States and Europe to a distinguished career teaching at the Universities of Yale, Harvard, Aberdeen, and Ghana. He grew up in a polygamous household in The Gambia and attended a government-run Muslim boarding school. A chance encounter with Helen Keller's autobiography taught him that education and faith are the key to overcoming physical and personal hardship and inspired his journey. Burning theological questions about God's nature and human suffering eventually led Sanneh to convert from Islam to Christianity and to pursue a career in academia. Here he recounts the unusually varied life experiences that have made him who he is today. Watch the trailer:

INTERNATIONAL BESTSELLER • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE'S JOHN LEONARD PRIZE • WINNER OF THE PEN / HEMINGWAY AWARD FOR DEBUT FICTION • Ghana, eighteenth century: two half sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. One of Oprah’s Best Books of the Year, Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed—and shows how the memory of captivity has been inscribed on the soul of our nation.

An illustrated history of African-American farmers, Homecoming is a requiem for a way of life that has almost disappeared. Based on the film Homecoming, produced for the Independent Television Service with funding provided by the Corporation for Public Broadcasting. The videocassette of Homecoming is available from California Newsreel at www.newsreel.org.

The story of one woman's unflagging efforts to recover the history of her ancestors, slaves who had lived and worked at Somerset Place plantation.

DIVDIVFrom the bestselling author of To Sir, With Love comes the moving personal memoir of a westernized black man who journeys to Africa in search of his roots and discovers a vibrant and extraordinary society on the verge of monumental change/div In the early 1960s acclaimed British Guianese author E. R. Braithwaite embarked on a pilgrimage to the West African countries of Ghana, Guinea, Liberia, and across Sierra Leone just as the emerging nation was preparing to declare its independence. What Braithwaite discovered was a world vastly different from the staid, firmly established British society in which he had spent most of his life. In a place as foreign to him as the dark side of the moon, he was overcome by colorful sights, sounds, and smells that vividly reawakened lost memories from his childhood. Entering the intimate circles of the local intelligentsia, Braithwaite was able to view these newly evolving African societies from the inside, struck by their mixtures of passion and naïveté, their political obsessions and technological indifference. The author discovered a world that fascinated, excited, and, in some cases, deeply troubled him—and in the process he discovered himself.DIV E. R. Braithwaite’s A Kind of Homecoming is at once an enthralling personal journey and an eye-opening chronicle of a time of great change on the African continent that helps us to better understand the West Africa of today./divDIV/div/div

Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zo Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu.

Saints in Exile studies, from an insider's perspective, the worship practices and social ethics of the African American family of Holiness, Pentecostal, and Apostolic churches known collectively as the Sanctified Church. Cheryl Sanders identifies the theme of exile, both as an idea and an experience, as the key to understanding the dialectical nature of African American religious and intellectual life, that W.E.B. Du Bois called "double-conscious." Sanders's saints in exile are a people who see themselves as "in the world but not of it"; their marginalized status is both self-imposed and involuntary, a consequence of racism, sexism and other forms of elitism. When joined with the biblical tropes of homecoming and reconciliation, the concept of exile serves as a vital vantage point from which to identify, critique, and remedy the continued alienation of blacks, women, and the poor in the United States. Sanders's interpretive approach clarifies many paradoxical features of black existence, especially the peculiar interplay of the sacred and the secular in African American song, speech, and dance. She particularly scrutinizes gospel music, a product of the Sanctified worship tradition that has had a significant influence on popular culture. Saints in Exile goes further than any previous study in illuminating the African American experience; it will be welcomed by scholars and students of American religion, African American studies, and American History.

With the comfortable warmth of a fireside chat, renowned gospel musician Bill Gaither invites us to relax with old friends such as The Happy Goodmans, The Cathedrals, Jake Hess, The Speer Family, The Blackwood Brothers, and others to hear stories of southern gospel music as seen through the eyes of its performers. A heartwarming journey from the 1930s to today.